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Reyna knows her relationship with Boyd isn't perfect; yet she sees him through a three-month stint at Riker's Island, their bond growing tighter. Kiki, now settled in the East Village after a youth that took her to Turkey and other far-off places - and loves - around the world, admires her niece's spirit but worries that motherhood to four-year-old Oliver might complicate a difficult situation. Little does she know that Boyd is pulling Reyna into a smuggling scheme across state lines, violating his probation.

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Aaron, a disgraced rabbi turned Wall Street banker, and Amelia, his journalist girlfriend, live with their newborn in Bedford-Stuyvesant, one of the most dynamic and historically volatile neighborhoods in New York City. The infusion of upwardly mobile professionals into Bed-Stuy's historic brownstones belies the tension simmering on the streets below. But after a cop shoots a boy in a nearby park, conflict escalates to rioting - with Aaron and his family at its center.

Publisher's Summary

How does one remember a world that literally no longer exists? How do the moral imperatives to do so correspond to the personal needs that make it possible? Told from the point-of-view of Marta Eisenstein Lane on the occasion of her 18th birthday, Barren Island is the story of a factory island in New York's Jamaica Bay, where the city's dead horses and other large animals were rendered into glue and fertilizer from the mid-19th century until the 1930s. The island itself is as central to the story as the members of the Jewish, Greek, Italian, Irish, and African-American factory families that inhabit it, including those who live their entire lives steeped in the smell of burning animal flesh.

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