The Making of WRITER'S BLOCK by Peter Bjorn and John - feat. Peter Morén, Björn Yttling and John Eriksson

In celebration of Peter, Bjorn and John’s breakthrough third album, Writer’s Block, we take a detailed look at how it was made. When Peter Morén and Björn Yttling started playing music together in high school, they bonded over a shared love of guitar rock. When they moved to Stockholm after high school, they met John Eriksson, who was a trained percussionist, playing in a percussion ensemble. They eventually asked him if he would consider playing drums with them in a pop band and the trio, Peter Bjorn and John, was born. In 2001, they self-released their first EP with a self-titled album following in 2002. They jumped between Swedish labels Beat That! Records to Planekonomi and released their second album, Falling Out in 2004. At this point, they considered ending the band, but decided to make one more album and record it themselves with Yttling producing. Writer’s Block was eventually released in 2006. In this episode, Peter Morén reflects on connecting with Yttling early on and how their sound evolved over the years. Morén shares how he originally approached guitar by using multiple chords and leaving little space until Eriksson encouraged him to play less. Björn Yttling describes his role as the producer and how the recording space he had at that time was not conducive to recording a full band. Despite the constraints of having no budget and only a couple of microphones, they were able to capture a unique sound by relying heavily on minimal drum arrangements, percussion overdubs and extensive use of a Space Echo. John Eriksson discusses his naive approach to the drums and how the relaxed recording atmosphere helped them to try new things with this album. With Morén and Yttling encouraging him to write and sing for the first time, Eriksson was able to add another dimension to the album with his own attempts at writing pop songs. From using a drum kit found in a trash heap, to relying on whistling instead of recording synth lines, to making the drum lines sample-able, to how hip hop artists like Drake, Kanye West and Kendrick Lamar would go on to rap over beats from the album, to being in their late twenties and feeling like the band had run its course, to the unexpected global success of “Young Folks”, we’ll hear the stories of how the record came together.