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The Film Comment Podcast

The Film Comment Podcast

De: Film Comment Magazine
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Founded in 1962, Film Comment has been the home of independent film journalism for over 50 years, publishing in-depth interviews, critical analysis, and feature coverage of mainstream, art-house, and avant-garde filmmaking from around the world. The Film Comment Podcast, hosted by editors Devika Girish and Clinton Krute, is a weekly space for critical conversation about film, with a look at topical issues, new releases, and the big picture. Film Comment is a nonprofit publication that relies on the support of readers. Support film culture. Support Film Comment.All rights reserved Arte
Episodios
  • NYFF63 Festival Report, with Molly Haskell, J. Hoberman, and Beatrice Loayza

    NYFF63 Festival Report, with Molly Haskell, J. Hoberman, and Beatrice Loayza
    Oct 17 2025
    As the 63rd New York Film Festival drew to a close last weekend, it was once again time for Film Comment’s Festival Report, our annual live overview of the NYFF that was. FC Editor Clinton Krute was joined by critics Molly Haskell, J. Hoberman, and Beatrice Loayza for a spirited wrap-up analysis of the highlights and lowlights from the NYFF63 lineup. In front of a lively audience, the panel discussed and debated Radu Jude’s Kontinental ’25, Noah Baumbach’s Jay Kelly, Kelly Reichardt’s The Mastermind, Lav Diaz’s Magellan, Mary Bronstein’s If I Had Legs I’d Kick You, Alexandre Koberidze’s Dry Leaf, and many other selections.
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    1 h y 6 m
  • Gianfranco Rosi on Below the Clouds

    Gianfranco Rosi on Below the Clouds
    Oct 7 2025
    One of the highlights of this year’s New York Film Festival is the latest feature by the nonfiction master Gianfranco Rosi, known for documentaries like Sacro GRA (2013), Fire at Sea (2016), and Notturno (2020), which paint both lyrical and urgent portraits of places that function as thresholds—between land and water, life and death, heaven and hell. His new cinematic essay, Below the Clouds, brings that approach to the Italian city of Naples. Shot in ethereal black and white, the film explores Naples as an environment both cosmic and prosaic—a city whose skies are suffused with volcanic ash and whose earth is shaken by tremors; and where a glorious and ancient past scaffolds a gritty, melting-pot present. Below the Clouds premiered in August at the Venice Film Festival, where Film Comment's Devika Girish sat down with the filmmaker for a conversation. The two discussed how Pietro Marcello (director of the NYFF selection Duse) inspired Rosi to make a film in Naples, as well as Rosi’s uniquely embedded and immersive technique, and the state of nonfiction cinema today.
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    28 m
  • Stealing Time, with Kelly Reichardt, Kent Jones, and Lucio Castro

    Stealing Time, with Kelly Reichardt, Kent Jones, and Lucio Castro
    Oct 2 2025
    Three films in this year’s NYFF lineup explore the intersections of quotidian life and the arts, following artists whose efforts to make time and space for their creative passions are thwarted or frustrated by the grind of the everyday. In Kent Jones’s Late Fame, adapted from an Arthur Schnitzler novella, a once-upon-a-time New York poet (and now a postal worker) is intoxicated by the sudden attentions of a coterie of twentysomething wannabe poets. In Kelly Reichardt’s The Mastermind, set in the 1970s, an aimless art-school dropout executes a comically sloppy heist at a local museum, as if seeking escape from his banal, bourgeois family life. And in Lucio Castro’s Drunken Noodles, an art student spends a summer in New York, having a series of serendipitous and erotic encounters around painting, poetry, and writing. Each film dwells in how both the making and consuming of art can force life into a pace incompatible with that of the modern world. Last Sunday at NYFF, Jones, Reichardt, and Castro joined Film Comment editors Devika Girish and Clinton Krute for a conversation exploring the temporality of cinema versus the other arts, the challenge of being a working artist, and the exquisite craft behind their new films.
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    1 h y 2 m
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