
Provenance
How a Con Man and a Forger Rewrote the History of Modern Art
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Narrado por:
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Marty Peterson
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Here is a tautly paced investigation of one the 20th century's most audacious art frauds, which generated hundreds of forgeries - many of them still hanging in prominent museums and private collections today. Provenance is the extraordinary narrative of one of the most far-reaching and elaborate deceptions in art history. Investigative reporters Laney Salisbury and Aly Sujo brilliantly recount the tale of a great con man and unforgettable villain, John Drewe, and his sometimes unwitting accomplices. Chief among those was the struggling artist John Myatt, a vulnerable single father who was manipulated by Drewe into becoming a prolific art forger. Once Myatt had painted the pieces, the real fraud began. Drewe managed to infiltrate the archives of the upper echelons of the British art world in order to fake the provenance of Myatt's forged pieces, hoping to irrevocably legitimize the fakes while effectively rewriting art history.
The story stretches from London to Paris to New York, from tony Manhattan art galleries to the esteemed Giacometti and Dubuffet associations, to the archives at the Tate Gallery. This enormous swindle resulted in the introduction of at least 200 forged paintings, some of them breathtakingly good and most of them selling for hundreds of thousands of dollars. Many of these fakes are still out in the world, considered genuine and hung prominently in private houses, large galleries, and prestigious museums. And the sacred archives, undermined by John Drewe, remain tainted to this day.
Provenance reads like a well-plotted thriller, filled with unforgettable characters and told at a breakneck pace. But this is most certainly not fiction; Provenance is the meticulously researched and captivating account of one of the greatest cons in the history of art forgery.
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Historia
The contemporary art market is an international juggernaut, throwing off multimillion-dollar deals as wealthy buyers move from fair to fair, auction to auction, party to glittering party. But none of it would happen without the dealers - the tastemakers who back emerging artists and steer them to success, often to see them picked off by a rival. Dealers operate within a private world of handshake agreements, negotiating for the highest commissions. Michael Shnayerson, a longtime contributing editor to Vanity Fair, writes the first-ever definitive history of their activities.
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Outstanding
- De Clifford I. Davis en 07-04-19
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All That Glitters
- A Story of Friendship, Fraud, and Fine Art
- De: Orlando Whitfield
- Narrado por: Orlando Whitfield
- Duración: 9 h y 56 m
- Versión completa
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General
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Narración:
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Historia
Orlando would eventually set up his own gallery and watch as Inigo quickly immersed himself in a world of private jets and multimillion-dollar deals for major clients. Inigo seemed brilliant, but underneath the extravagant façade, his complicated financial schemes were unraveling. With debt, lawsuits, and court summonses piling up, Inigo went into a tailspin of lies and subterfuge. At around the same time, Orlando would himself experience a nervous breakdown and leave the art world for good.
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Gripping
- De Anonymous User en 09-01-24
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Art & Crime
- The Fight Against Looters, Forgers, and Fraudsters in the High-Stakes Art World
- De: Stefan Koldehoff, Tobias Timm, Paul David Young - translator
- Narrado por: Graham Winton
- Duración: 10 h y 41 m
- Versión completa
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General
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Narración:
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Historia
The art world is one of the most secretive of global businesses, and the list of its crimes runs long and deep. Today, with prices in the hundreds of millions for individual artworks, and billionaires' collections among the most conspicuous and liquid of their assets, crime is more rampant than ever in this largely unregulated universe. Increased prices and globalization have introduced new levels of fraud and malfeasance into the art world—everything from "artnapping," in which an artwork is held hostage and only returned for a ransom, to forgery and tax fraud.
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Probably good, but not what I wanted
- De Amazon Customer en 04-07-23
De: Stefan Koldehoff, y otros
The book is certainly worth a try, though! Might just be a little better in written form.
Suspenseful Non-Fiction
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In some ways, I’m sympathetic to Drewe. These people were asking for it. Valuing art for its circumstances and pedigree rather than its merits makes it really easy to be taken. Greed blinds us all and Drewe knew it. Pretty much everyone who was taken was a willing victim, ignored contradictory evidence and just wanted to be the next star in their particular firmament. It makes it hard to have sympathy for them; too much ego and too much money. Myatt’s musing about how that money could have been better spent is spot on. The grandiose waste is appalling and it’s delicious irony to know that many of his forgeries are still on display, cherished for their provenance rather than their aesthetic. It’s easy to believe these people got what they deserved.
My sympathy is directed at the archivists and the artists who were lied to, betrayed and taken advantage of. At the beginning of the book the author states that archivists are the lowest rung on the art world ladder; the least appreciated, but the most important in terms of preserving provenance and thus proving a work’s credibility. That credibility is what drives up the perceived value of a work and thus the price at which it can be sold. Drewe knew this, too and found a way infiltrate and corrupt a totally legitimate archive.
Even though he’s a lying jerk, Drewe is a talented lying jerk. A plot this intricate and far-reaching is impressive no matter how damaging. His ability to set up events far, far in advance is mind-boggling. Attention to detail, imagination, foresight and a deep understanding of human nature are only part of it. The kind of confidence Drewe displays is his biggest key to success. People want to believe him. They’re dying to be led, shepherded and mentored by such a luminous figure. His looks, accent, clothes, supposed contacts, job and bits of spouted science are enough to convince people he is what he says he is. Daring. I’d never even dream of pulling off that kind of farce. In some ways I have to admire the bravado, but that kind of soulless existence also gives me pause. Crossing with art at its most essential, as human expression, is the most extreme contradiction I can think of. A soulless human cannot create art, but it can exploit it and even art at its most corrupt is susceptible to its charms. You’d think an already morally bankrupt system would recognize one of its own. As I said, greed blinds people and that’s what this is ultimately a story of. The power of greed.
More money than brains
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Excellent story, AI narrator
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reads like a thriller
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What's I find especially interesting is the arrangement of the book itself. The author didn't really tell one story, but frames the whole event in a series of interlocking narratives, which is confusing at times but really helpful at others: the story is just that big that it justifies it. The book is equally interesting in terms of who (and how) it crafts its heroes and villains.
Big Story; Unusual decisions
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First of all, I have to say that this story - of one of the largest (or the largest? I'm not sure) cons in the history of modern art - is so full of interesting characters and truth-is-stranger-than-fiction scenarios that I guess I'm a little disappointed that Salisbury and Sujo too often didn't let the story speak for itself. There's a lot of telling, not showing, and that style of writing always makes me mistrust the author. Telling me that Drewe is a sociopath is fine I guess, as far as it goes, but I'd much rather know why you think that, through your first-hand impressions of the man and the many other characters in the story whom the authors surely met in person at some point in order to write the book.
What's missing is anything about why this book's telling of Drewe's story is particularly special. How did the authors come to learn about Drewe's story? Are the direct quotations from Drewe, Myatt, and others from the authors' interviews with the subjects? Did they speak to Drewe himself in prison? They don't say.
On an equally important note, I hated the narration. You know when you go to check your voicemail and the robot woman voice tells you, "You have 2 new voice messages"? I swear, I think the same voice is narrating this book. I gave up on the book after 2 minutes the first time I tried to listen to it, but eventually gave it another go because I was so interested in the story. The narrator's voice never grew on me.
Fascinating story; dreadful narration
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Read way way way too fast
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Reads Like a Great Mystery!
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Would you recommend this book to a friend? Why or why not?
Possibly. The story seems quite interesting but the voice over makes it hard to listen.What did you like best about this story?
The story is interesting.What didn’t you like about Marty Peterson’s performance?
The narration sounds like an overly Americanised advertisement and it's really hard to listen to.Was Provenance worth the listening time?
Probably not.Great story, annoying overly American reader.
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Good story. Bad presentation.
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