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Easy Riders, Raging Bulls
- How the Sex-Drugs-and-Rock 'N' Roll Generation Saved Hollywood
- Narrated by: Dick Hill
- Length: 23 hrs and 41 mins
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Publisher's summary
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From a veteran culture writer and modern movie expert, a celebration and analysis of the movies of 1999 - arguably the most groundbreaking year in American cinematic history.
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Like talking about movies with a friend
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By: Brian Raftery
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Pictures at a Revolution
- Five Movies and the Birth of the New Hollywood
- By: Mark Harris
- Narrated by: Lloyd James
- Length: 17 hrs and 19 mins
- Unabridged
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Here is the epic human drama behind the making of the five movies nominated for Best Picture in 1967 - Guess Who's Coming to Dinner, The Graduate, In the Heat of the Night, Doctor Dolittle, and Bonnie and Clyde - and through them, the larger story of the cultural revolution that transformed Hollywood and America forever.
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Would It Be Too Much To Ask?
- By Casey Keller on 12-31-08
By: Mark Harris
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You Might Remember Me
- The Life and Times of Phil Hartman
- By: Mike Thomas
- Narrated by: Corey Snow
- Length: 9 hrs and 35 mins
- Unabridged
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Both joyous tribute and serious biography, Mike Thomas' You Might Remember Me is a celebration of Phil Hartman's multi-faceted career and an exhaustively reported, warts-and-all examination of his often intriguing and sometimes complicated life - a powerful, humor-filled and disquieting portrait of a man who was loved by many, admired by millions and taken from them far too early.
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I Will Remember You Phil Hartman
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By: Mike Thomas
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Nevertheless
- A Memoir
- By: Alec Baldwin
- Narrated by: Alec Baldwin
- Length: 8 hrs and 25 mins
- Unabridged
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One of the most accomplished and outspoken actors today chronicles the highs and lows of his life in this beautifully written, candid memoir.
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Embarrassingly petty
- By Stacey Robinson on 09-20-18
By: Alec Baldwin
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Stories I Only Tell My Friends
- An Autobiography
- By: Rob Lowe
- Narrated by: Rob Lowe
- Length: 9 hrs and 10 mins
- Unabridged
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A teen idol at 15, an international icon and founder of the Brat Pack at 20, and one of Hollywood's top stars to this day, Rob Lowe chronicles his experiences. Never mean-spirited or salacious, Lowe delivers unexpected glimpses into his successes, disappointments, relationships, and one-of-a-kind encounters with people who shaped our world over the last 25 years. These stories are as entertaining as they are unforgettable.
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Great Book and Great Story
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By: Rob Lowe
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Dynomite!
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- Narrated by: Jimmie Walker
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>Born into the violence of South Bronx ghetto life, the comic pioneer of TV’s Good Times fame offers a hilarious and politically charged review of his career as one of television’s first hugely successful Black stars. From opening for the Black Panthers and getting his first Tonight Show spot to becoming the first “Black” TV sitcom star, having comedians David Letterman and Jay Leno writing jokes for him, recording number-one comedy albums, and opening for rock n’ roll bands in 50,000 seat stadiums, Walker’s career hit all the highs.
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An transparent story of a socially but funny American icon.
- By John Lucasey on 05-08-21
By: Jimmie Walker, and others
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Homey Don't Play That!
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- By: David Peisner
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- Unabridged
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Few television shows revolutionized comedy as profoundly or have had such an enormous and continued impact on our culture as In Living Color. Inspired by Richard Pryor, Carol Burnett, and Eddie Murphy, Keenen Ivory Wayans created a television series unlike any that had come before it. In Living Color shaped American culture in ways both seen and unseen. Now, Homey Don't Play That! reveals the complete, captivating story of how In Living Color overcame enormous odds to become a major, zeitgeist-seizing hit.
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Wow, that sucked......
- By Just W on 10-11-18
By: David Peisner
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The Chris Farley Show
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- Length: 9 hrs and 51 mins
- Unabridged
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The New York Times best-selling biography of an American comedy legend. After three years of sobriety, Chris Farley's life was at its creative peak until a string of professional disappointments chased him back to drugs and alcohol. He fought hard against them, but it was a fight he would lose in December 1997. Farley's fans immediately drew parallels between his death and that of his idol, John Belushi. Without looking deeper, however, many failed to see that Farley was much more than just another Hollywood drug overdose. In this officially authorized oral history, Farley's friends and family remember his work and life.
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Incredibly sad....
- By Marie B on 04-12-15
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Orson Welles's Last Movie
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- By: Josh Karp
- Narrated by: Keith Szarabajka
- Length: 8 hrs and 24 mins
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In the summer of 1970, legendary but self-destructive director Orson Welles returned to Hollywood from years of self-imposed exile in Europe and decided it was time to make a comeback movie. It was about a legendary self-destructive director who returns to Hollywood from years of self-imposed exile in Europe. Welles swore it wasn't autobiographical.
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Engaging and human portrait of Welles
- By TrevorTrujillo on 06-20-20
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Top of the Rock
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- Narrated by: Bob Balaban
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Warren Littlefield was the NBC President of Entertainment who oversaw the Peacock Network’s rise from also-ran to a division that generated a billion dollars in profits. In this fast-paced and exceptionally entertaining oral history, Littlefield and NBC luminaries including Jerry Seinfeld, Jason Alexander, Kelsey Grammer, Matt LeBlanc, Lisa Kudrow, Julianna Marguiles, Anthony Edwards, Noah Wylie, Debra Messing, Jack Welch, Jimmy Burrows, Helen Hunt, and Dick Wolf vividly recapture the incredible era of Must See TV.
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Nostalgic Look at NBC in the 90's
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I Only Know Who I Am When I Am Somebody Else
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- Narrated by: Danny Aiello
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Beloved stage and screen actor Danny Aiello’s big-hearted memoir reveals a man of passion, integrity, and guts - and lays bare one of the most unlikely success stories ever told. Danny Aiello admits that he backed into his acting career by mistake. That’s easy to see when you begin at the beginning: Raised by his loving and fiercely resilient mother in the tenements of Manhattan and the South Bronx, and forever haunted by the death of his infant brother, Danny struggled early on to define who he was and who he could be.
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I want to give Danny Aiello a big hug.
- By Mari K. on 01-22-15
By: Danny Aiello, and others
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- Dubi
- 12-14-13
Great Dish, Sketchy Analysis
This book is chock full of great inside baseball on the making of many of the great classic movies of the late 1960s and 1970s -- the Godfather series, Bonnie & Clyde, Scorsese's classics, Robert Altman, etc. etc. There is loads of juicy gossip about the directors, actors and other Hollywood figures who made them. That alone is worth the price of admission. (Although to be fair, quite a number of directors, including Coppolla, Spielberg, Altman, and others, have accused the author of everything from skewing these stories, to half-truths, to outright lies, so take it with a grain of salt.)
The analysis from the point of view of film history left me feeling like something was missing -- the audience. So many of these now-classic films were made under protest or fraught with production problems or in some cases just total accidents. By contrast, there were many labors of love, pet projects and can't-miss efforts that failed. Yet the analysis never looks at the vagaries of public tastes, opinions and reactions as the overriding determinant of what works and what doesn't, sometimes in the short term, sometimes in the long run (Raging Bull, for example, was a critical and commercial flop upon its initial release, only to become an enduring classic over the course of time).
In addition to overlooking the impact of audiences and lionizing some questionable characters who often stumbled into their success, the history of 1970s cinema as presented here is myopic. To draw a straight line from the groundbreaking Bonnie and Clyde through the ruinous Heaven's Gate is a mistake, because there is one line that goes up to Jaws and Star Wars and another that emerges from the indelible impact of the commercial success of those two blockbusters -- that impact is not overlooked, but neither is it treated as the watershed it truly was.
But more than that, there is no more than token mention of the groundbreaking Hollywood filmmaking of the post-war era that set the stage for the "New Hollywood" and the independent cinema that emerged from the ashes of Heaven's Gate. Kudos to the author for giving so much attention to the often forgotten Hal Ashby, but others that emerged from the live TV dramas of the 1950s are barely mentioned (e.g. the Sidneys, Lumet and Pollack) or not mentioned at all (most egregiously, George Roy Hill), even though they were responsible for some of the seminal films of the era.
Likewise, the ruination of Hollywood that we are left with at the conclusion of this book is greatly exaggerated. There is no mention that The Secaucus Seven had already launched a new wave of indie film, to be followed by the likes of Jarmusch, the Coens, Spike Lee, Soderbergh, et.al. in the 1980s, that Hollywood still had some tricks up its sleeve (John Hughes, Barry Levinson, Rob Reiner, Ridley Scott, Oliver Stone, James Cameron -- how many remember that The Terminator was an independent film that was a total sleeper when it first came out?), that Miramax was already founded before the end of the 1980s (notwithstanding the ultimate fate of one of its co-founders), that the midnight movie craze had already launched crackpot auteurs like David Lynch and John Waters, that there were still a lot of good imports from other countries (despite this book's assertion that foreign film became irrelevant once Hollywood was allowed to show nudity and sex).
And newsflash for the author: Woody Allen has directed something live fifty movies since the only one of his credits that is mentioned in this book (What's New Pussycat, which he didn't even direct). Many of the most important of those were part of New Hollywood and immediately thereafter.
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Overall
- Scott T. Hards
- 02-16-10
23 Hours of Wading through Sludge
I don't doubt that most, if not all, of this book's revelations about Hollywood's hero directors and producers of the 1970s are true. It's just that after a while, tale after tale of drugs, sex, megalomania, insecurity, outright insanity and more drugs begins to wear one down. No attempt is made to explore or illuminate the creative brilliance and the process behind it that filmmakers like Scorsese, Coppola and Friedkin unleashed in the 1970s; rather, it unloads a triple serving of dirty laundry alone, leaving the reader wondering how timeless films like The Godfather and Taxi Driver actually managed to get completed. If you're looking for a balanced review of Hollywood history, look elsewhere. If you enjoy gawking at car wrecks, you may just love this book!
The book's structure is somewhat frustrating at times, taking an almost purely chronological approach. This means the author frequently jumps between the stories of several different movies in production before finishing any of them, and the large cast of characters can get confusing with so much skipping around.
The narrator does a great job. His tone and reading style perfectly fit the nature of the material.
I found myself wanting to rewatch (or see for the first time) many of the films covered in the book. Film aficionados should probably add it to their reading list, but be forewarned that you're probably going to want to take a shower after you finish!
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8 people found this helpful
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- Celia
- 09-30-12
If you studied film in the '70's...
If you could sum up Easy Riders, Raging Bulls in three words, what would they be?
Real Eye Opener!
What did you like best about this story?
This book is fascinating if you studied film in the '70's or are a film buff. We idolized these guys, analyzed their movies with great seriousness, intently picked apart all the details, wrote papers on them...hearing the back story here completely floored me. All these guys are people just like us, only they were given free reign to go berserk professionally, financially and many times personally. I adored this book, I laughed out loud all the way through it. An amazing bunch of guys (and a few of the wives and girlfriends stand out too), they made movies I've never stopped loving, but this book did me a favor and brought them out of my college days' perceived god status of them and brought them down to earth.
Have you listened to any of Dick Hill???s other performances before? How does this one compare?
Yes, just as good. He is only suited for a certain type of book and this is definitely one of them!
Was this a book you wanted to listen to all in one sitting?
Way too long to do that but I HATED to finally reach the end. In theory, yes.
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6 people found this helpful
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- BH FL
- 03-18-09
The total info on Hollywood
This is a great education about the wonderkids of Hollywood. I'm sure the people talked about by the author would love to have this book banned. Sorry, no banning in America. They are just like you and me, except they make millions of dollars and live in unreal worlds. If you like living history and gossip, you'll love this book.
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5 people found this helpful
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- Amazon Customer
- 03-10-14
Boring
I struggled through half of the book but could not finish it. It's an endless chain of unrelated incidents bent on showing how horrible the new age directors of the 70's were. I am also not a fan of Dick Hill's narration where everything sounds like a scream.
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- Wayne
- 09-12-11
Who Cares
Most of the stuff in this book made my eyes squint in confusion. It made me think, "Who Cares". I thought I would hear about the film business not how long Hopper drank or who Beatty was made at. I thought I'd hear casting decisions and reasons for them. About 20% of this book is interesting enough to keep me awake, but just barely. My review is ZZZZZZzzzzzzzzzz!
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- Anonymous User
- 05-10-19
Way too much detail!
Good narration but book is about twice as long as it should be. Shame, because the subject matter is excellent.
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- charlotte
- 05-19-15
A in-depth look at Hollywood in the late 60s to ea
Would you listen to Easy Riders, Raging Bulls again? Why?
Yes, I've listened to this about 5 times now, and overtime is as good as the first.
What other book might you compare Easy Riders, Raging Bulls to and why?
Well, I think Peter Biskind's books are in a league of their own, very informative and interesting.
What about Dick Hill’s performance did you like?
He did a great narration and is very enthralling
If you were to make a film of this book, what would the tag line be?
I don't think you could make a film of this book, there is way too much to be conveyed. It's so in-depth, I really enjoyed it
Any additional comments?
Please more Peter Biskind books!
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- Daniel F.
- 03-28-24
The definitive account
Accept no substitutes. Peter Biskind is a master journalist whose loyalty is not to his sources, but to history. The narrator was highly entertaining ad well.
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- Steve Adams
- 01-18-24
Spellbinding stories of 70’s Hollywood
If you are a movie buff like my wife and me, you will LOVE this book. Fascinating stories!
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