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1001 Stories For The Road

1001 Stories For The Road

De: Host Jon Hagadorn
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Hosted by Jon Hagadorn, 1001 Stories For The Road is bringing back adventure with stories like "A General History of Pirates", "The Count of Monte Cristo", "The Secret Adversary" by Agatha Christie, "The Hound of the Baskervilles", "Tarzan of the Apes", "King Solomon's Mines", "The 39 Steps", "The Call of the Wild"- and many more. These stories are classic for a reason- they are great! And they are family friendly. We appreciate reviews-thank you!Copyright Jon Hagadorn 2018, All Rights Reserved Arte
Episodios
  • A GENERAL HISTORY OF THE PYRATES BY DANIEL DEFOE (CHAP 1) HENRY AVERY & CREW
    Jan 24 2026

    This book is an excellent choice!

    Episode Overview
    Title: A General History of the Pyrates by Daniel Defoe (Chap 1) Henry Avery & Crew

    Duration: 43:02

    Key Figures: Henry Avery (the "Arch-Pirate" who famously vanished with his loot) and Daniel Defoe (widely believed to be the true author behind the pseudonym "Capt. Charles Johnson").

    Quick Historical Context
    The Author Mystery: While the book was originally attributed to Captain Charles Johnson in 1724, most modern scholars credit Daniel Defoe. Defoe's background as a journalist and his fascination with criminals (seen in Moll Flanders) makes him the prime suspect for having the "inside scoop" from Newgate Prison.

    Music Credits Pixabay

    Spanish Ladies-m ebUNNY

    Leave Her Johnny Nascara da Alexander

    The Sailor's Bargain Kaazoom

    Ocean Fluite Universfield

    Browse/listen to any/allof our 12 1001 podcasts here: www.bestof1001stories.com

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    43 m
  • THE COUNT OF MONTE CRISTO (CHAP,117) THE FIFTH OF OCTOBER (FINAL CHAPTER)
    Jan 16 2026

    The Count of Monte Cristo was an enormous commercial and critical success, captivating readers with its intricate plot and universal themes. Following its publication, Alexandre Dumas earned a fortune but died poor due to an extravagant lifestyle, chronic overspending, and political upheaval.


    Success of the Novel
    The novel, published in serial form from 1844 to 1846, was an immediate sensation and remains one of the most widely read French authors globally.
    Popularity: The serialization format, coupled with Dumas' ability to create suspenseful, page-turning narratives, ensured massive popularity among the 19th-century reading public.
    Themes: Its exploration of justice, vengeance, mercy, and forgiveness, along with a complex plot and well-developed characters, resonated strongly with readers and secured its place as a classic of world literature.
    Enduring Legacy: The book has been translated into numerous languages and adapted into countless films, TV series, and stage productions, demonstrating its lasting cultural influence.
    Life of Dumas After Publication
    Dumas became one of the most famous and wealthy Frenchmen of his day, but his life after the novel's publication was marked by extravagance and financial difficulty.
    Flamboyant Lifestyle: He lived a life as dramatic as his heroes, engaging in numerous love affairs and foreign adventures. He was known for his extreme generosity, often granting money and gifts to anyone who asked.
    Château de Monte-Cristo: A testament to his success, Dumas built an extravagant mansion on the outskirts of Paris, which he named the Château de Monte-Cristo, along with a theater, the Théâtre Historique, specifically for his plays.
    Financial Ruin: Despite earning millions, his lavish spending habits outpaced his income, leading to significant debt. He eventually had to sell the Château de Monte-Cristo property just two years after its completion.
    Exile and Travel: In 1851, to escape his creditors, Dumas fled to Brussels. He later traveled to Russia and then Italy, where he founded a newspaper, Indipendente, and supported Garibaldi's campaign for Italian independence.
    Later Years and Death: Dumas returned to France in 1864 and continued to write prolifically. He died of a stroke at his son's home near Dieppe in December 1870, far from a rich man, despite his monumental literary success.

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    38 m
  • THE COUNT OF MONTE CRISTO (CHAPS 115-116) LUIGI VAMPA'S BILL OF FARE and THE PARDON
    Jan 14 2026

    CHAP 115 SUMMARY

    Peppino, the jailor in the catacombs, announces to Danglars the next day that, if the banker would like to eat, he must pay 100,000 francs for a chicken, or 100,000 francs for a loaf of bread. Peppino says he knows that Danglars is carrying over 5 million francs worth of banknotes on his person, and so he asks that, for each individual item, Danglars pay out 100,000 francs so that he might survive. Danglars realizes this is how his ransom is to be meted out, and he does in fact pay 100,000 francs for a chicken, which he considers rather "thin" as he eats it angrily in the cave.
    This is a small, humorous episode in Danglars capture, allowing Vampa, Peppino, and their men to slowly peel away Danglars' money. It should be noted that this money has effectively been stolen from Boville, who was to use it for charitable ends. Thus, though Vampa is stealing it for himself, he is at least stealing from a thief, one who is doing all he can to maintain his social standing in the face of public shaming.

    CHAP 116 SUMMARY


    Danglars continues bargaining his money, thousands by thousands, so that he might eat in the prison for five days. The Count of Monte Cristo finally appears with Vampa when Danglars is down to his last 50,000 francs, and the Count says that he is now pardoning Danglars—and that Villefort and Fernand were not so lucky, as the first is now mad with grief, and the second is dead by suicide. The Count announces that he is actually Edmond Dantes, and that Danglars' utter financial ruin is for the sake of punishment, but the Count allows Danglars to start his life anew somewhere else upon release by Vampa. He also states that the 5 million francs "paid out" to the bandits have been given to the hospice account of Boville, from which Danglars first drew them under criminal circumstances in Rome.
    This shows that, though he could exact even more damning revenge on Danglars by killing him, the Count has chosen not to – he has placed a limit on his desire for vengeance.

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    30 m
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