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David Copperfield [Audible]
- By: Charles Dickens
- Narrated by: Richard Armitage
- Length: 36 hrs and 30 mins
Between his work on the 2014 Audible Audiobook of the Year, Hamlet, Prince of Denmark: A Novel, and his performance of Classic Love Poems, narrator Richard Armitage ( The Hobbit, Hannibal) has quickly become a listener favorite. Now, in this defining performance of Charles Dickens' classic David Copperfield, Armitage lends his unique voice and interpretation, truly inhabiting each character and bringing real energy to the life of one of Dickens' most famous characters.
A PERFECT narration of an English classic!
- By Wayne on 09-03-17
Great performance of a great book
Richard Armitage does an absolutely superb job making Dickens' great variety of characters come to life. Everyone has a distinct voice and accent, always consistent and recognizable. It is worth a listen on that basis alone, but then of course you have Dickens at the height of his powers. Really excellent all around, the best audio book performance I've ever heard.
1 of 3 people found this review helpful
- A Melodrama of Manners
- By: Ellen Kushner
- Narrated by: Ellen Kushner, Dion Graham, Katherine Kellgren, and others
- Length: 10 hrs and 51 mins
On the treacherous streets of Riverside, a man lives and dies by the sword. Even the nobles on the Hill turn to duels to settle their disputes. Within this elite, dangerous world, Richard St. Vier is the undisputed master, as skilled as he is ruthless--until a death by the sword is met with outrage instead of awe, and the city discovers that the line between hero and villain can be altered in the blink of an eye.
Witty, Deadly, Sexy Sword Fights and Manners
- By Jefferson on 01-01-12
What a beautiful book...
This delicately drawn tale takes place between the high and low neighborhoods of a fantasized city vaguely like 16th-17th century Europe. As with all good fairy tales, there's blood, squalor, beauty, mystery, and maybe even a wicked witch of sorts, although no spells or sorcery. The protagonist, Richard St. Vier, is a swordsman, and thus, a professional killer, and he does what no professional killer should ever do--he falls in love. The object of his affection is Alec, a brittle, self-destructive, secretive refugee from university. When Richard and Alec inadvertently become entangled in the complex political maneuvers and personal vendettas of the city's nobility, trouble (and occasional mayhem) ensues.
The great strength of the book is its exquisite prose, perfectly polished, each phrase lovingly considered; the description of the fireworks at a party is enough to take your breath away. And then its primary characters: Richard and Alec are both so damaged that they can barely make up one heart between them, but their flaws and their strengths are realistically portrayed, and you want them to win for each other's sake.
This is not a "world-building" fantasy. Everything in it, all the jockeying for power, even the many vibrant and detailed secondary characters, is set dressing for the drama involving the lovers, although it's gorgeous set dressing. Wondering exactly how the Council of Lords got that way, or why there's a Dragon Chancellor or a Crescent Chancellor? You'll never know. You'll get just enough detail to work out the unfolding situation and no more. You won't even learn how Richard and Alec found each other in the first place, because it doesn't matter to the plot. This leads to what I consider the book's major flaw: because the supporting action is so richly presented, it's a disappointment when parts of it fail to resolve. In particular, we spend a lot of time with a secondary character who then gets shuffled offstage with only an inconclusive parting glance, and we're left to surmise about his fate, despite his prior importance.
All of which won't matter at all if you find the prose and the lovers sufficiently compelling, which I certainly did, and even if all the political plots don't entirely unfold, they're still great fun to watch.
Performance-wise, Kushner is an excellent reader of her own work. This recording is partially dramatized, with actors reading the characters in selected scenes and added sound effects. It's pleasant enough, particularly with the musical interludes, but occasionally an annoyance (oy, whose idea was it to use an old mechanical typewriter to imitate the sound of a crackling fire?), and by and large I don't think I would have missed it; Kushner does well enough on her own.
15 of 16 people found this review helpful