Toronto, Ontario, Canada
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  • What Is the What

  • By: Dave Eggers
  • Narrated by: Dion Graham
  • Length: 20 hrs and 30 mins
  • Unabridged
  • Overall
    4 out of 5 stars 1,429
  • Performance
    4.5 out of 5 stars 921
  • Story
    4.5 out of 5 stars 923

Valentino's travels, truly Biblical in scope, bring him in contact with government soldiers, janjaweed-like militias, liberation rebels, hyenas and lions, disease and starvation, and a string of unexpected romances. Ultimately, Valentino finds safety in Kenya and, just after the millennium, is finally resettled in the United States, from where this novel is narrated.

  • 5 out of 5 stars
  • A Story Aching to be Told

  • By Susan on 04-24-13

Writing compensated for by source material

4 out of 5 stars

Reviewed: 10-24-07

Epic in scope, but told in a very personal, down-to-earth fashion. The material itself is striking. Even if you've been aware of what happened in the Sudan, I expect hearing about what the people endured as part of the story of an individual life would still be eye-opening. I wasn't that well-informed, so it was certainly interesting for me.

Despite the excellent source matter, however, the story is somewhat crudely told. While Eggers has a fantastic sense of voice and really personalizes all of the characters, the overall handling of the plot arc felt clumsy and gimmicky at times, and the way the historical material is introduced through the Valentino's present-day inner monologue addressed at various people in his daily life gets to be a tired trick after a while. Also, the attempt to include everything possible about the Sudanese people's experiences in this one person's individual story leads to a certain straining of plausibility after a while that's only partly explained away by having the other characters themselves remark that God must have something against him. The pacing of the context switches seems slightly off in a way that often leaves you wanting to hear more about the part you're not hearing about now, whichever part that may be. There are a couple of things which are introduced multiple times during the course of the story in a way that seems more accidental than artistic, and oddly, given that at several points the story felt a little long, the book eventually just sort of ... stops, dropping the story in an unsatisfying fashion.

That said, the source material is so compelling that even a muddled rendition of it provides for an extremely worthwhile read, and Dion Graham does a riveting job as the narrator, with excellent voices for most of the characters and a fantastic command of the cadence and character of the principal character's voice that makes the book wonderful to hear.

25 of 28 people found this review helpful

  • Spook Country

  • By: William Gibson
  • Narrated by: Robertson Dean
  • Length: 11 hrs and 2 mins
  • Unabridged
  • Overall
    4 out of 5 stars 826
  • Performance
    4.5 out of 5 stars 345
  • Story
    4 out of 5 stars 354

Bobby Chombo is a "producer" and an enigma. In his day job, Bobby is a troubleshooter for manufacturers of military navigation equipment. He refuses to sleep in the same place twice. He meets no one. Hollis Henry, an investigative journalist, has been told to find him.

  • 5 out of 5 stars
  • Loved it

  • By wendy on 10-01-11

Character-driven contemporary cyberthriller

4 out of 5 stars

Reviewed: 08-21-07

Very much feeling like a sequel or a parallel story to Pattern Recognition, Spook Country finds Gibson honing his new contemporary style. I really think that it's in these two books that he's finally come into his own.

While Pattern Recognition in many ways was a contemporary cyberpunk novel, this novel strays further into character development and character study, with great results. The plot is perhaps less immediately arresting than Pattern Recognition's, and the main character less oddly unique. However, all of the supporting characters truly shine, fascinatingly sketched and engaging. It's really one of the few stories I've read in a long time which presented the material from multiple viewpoints anchored to multipl characters where there were no characters that I disliked and no chapters that I wanted to rush through to get back to my favourite storyline.

The way the loose threads are ultimately gathered up is slightly more coincidental and convenient than in PR, but ultimately I think more satisfying, for the triumphs are more personal and you wind up feeling for the all of the people of this story.

A really engaging read. I listened to the audiobook version, read by Robertson Dean, and he did a magnificent job, a slick, polished flatness to his voice that suited the text brilliantly while still providing enough characterization to make the characters each pop out.

Two thumbs up. :)

5 of 5 people found this review helpful

  • Voyagers

  • By: Ben Bova
  • Narrated by: Stefan Rudnicki, Ben Bova
  • Length: 13 hrs and 40 mins
  • Unabridged
  • Overall
    3.5 out of 5 stars 545
  • Performance
    4.5 out of 5 stars 210
  • Story
    4 out of 5 stars 209

Stoner knew. The fiery object hurtling toward the Earth was an alien spacecraft. But the world might never know. He was trapped in an iron cordon of secrecy, for the discovery had shattered the world power balance, setting off a brutal struggle for supremacy that raged from the sacred halls of the Vatican to the corridors of the Kremlin and the Pentagon. The forces of fear and treachery would use any weapon at their command, from mind war to sabotage, to keep the world in darkness.

  • 3 out of 5 stars
  • Not Quite "Rendezvous With Rama"

  • By Noe on 02-26-09

A painful experience

1 out of 5 stars

Reviewed: 08-10-07

While this book purports to be a realistic analysis of human reaction to a first-contact situation, the first-contact aspect occupies a remarkably small portion of the overall text. The bulk of the book is dedicated to the sexual (and occasionally romantic, but mostly as seen through the eye of out-of-control sexuality) exploits of various deplorable characters. This might itself be interesting enough except that the book is wildly sexist and the models of human sexuality and romance drawn here are disturbing at best, with the majority of the sexual interactions bordering on rape. Throw in a little bit of completely stock, stereotyped cold-war paranoia and a Russia taken directly from the cheesiest of 80s thrillers, and excise the bulk of anything even approaching a plot and you have little to commend this book. I did continue through to the end so that I could feel as if I was reviewing it from a complete perspective, and it did get a little better toward the end. For one, the distance from the worst of the sexual exploitation, which primarily happens in the first half to two-thirds of the book, helps suspend the distaste in the romantic relationships that eventually come out. For another, the book does, toward the end, begin to garner some semblance of a plot, ultimately presenting what feels like the first third or so of an interesting story. I would almost have been compelled to continue with the second and third book had I had even the slightest interest in any of the characters.

The reading by Stefan Rudnicki is reasonably decent, with accents provided where necessary and characters easily distinguishable. However, toward the end of the book especially, a second (uncredited on Audible) narrator comes in who made me cringe each time she read due to her wildly inappropriate emotional presentation, all characters coming out as whiny children, mad, venom-spitting, seething men or dreamy new-agers.

Definitely two thumbs down from me.

5 of 9 people found this review helpful