- helpful votes
- Drunks, Thieves, Scoundrels and the History of American Comedy
- By: Kliph Nesteroff
- Narrated by: Kliph Nesteroff
- Length: 15 hrs and 6 mins
In The Comedians, comedy historian Kliph Nesteroff brings to life a century of American comedy with real-life characters, forgotten stars, mainstream heroes and counterculture iconoclasts. Based on over 200 original interviews and extensive archival research, Nesteroff's groundbreaking work is a narrative exploration of the way comedians have reflected, shaped, and changed American culture over the past 100 years.
Good stories, but...
- By Susan on 04-16-18
Amazing, should become a TV series
Amazing book. Informative, entertaining, funny.
The only thing I could do without are the impersonations of comedians voices by the narrator, most of which are terrible.
Here Comes Everybody
- The Story of the Pogues
- By: James Fearnley
- Narrated by: James Fearnley
- Length: 14 hrs and 56 mins
October 1982: ABC, Culture Club, Shalamar and Survivor dominate the top twenty when the Pogues barrel out from the backstreets of King's Cross, a furious, pioneering mix of punk energy, traditional melodies and the powerfully poetic songwriting of Shane MacGowan.
Well written, Funny, But definitely sad
- By Luke Wilhite on 05-10-17
Amazing band, great story, boring reading voice
Is there anything you would change about this book?
Everybody knows The Pogues are an amazingly interesting band, not only for their turbulent take on irish music but also for the charisma and drama of the members. It's probably very hard to write a bad book about a band like them. And indeed, James Fearnley wrote a very good book. However Fearnley's problem is not writing, but reading, which he doensn't do very well. As endearing as his Mancunian accent is, his voice would be a good treatment for insomnia if the random pauses in the middle of sentences weren't so incredibly annoying. Some chapters are better, but some feel like driving on a road full of potholes with the lights off. It's just (PAUSE) annoyng to listen to a (PAUSE) book where the narrator pauses randomly (PAUSE) in the middle of sentences for (PAUSE) no reason. You get the idea.
What other book might you compare Here Comes Everybody to and why?
Except for the problems with the reading voice however, this book ranks well among the current crop of rock memoirs, such as Crissie Hynde's, Kim Gordon's and Peter Hook's.
How could the performance have been better?
The performance could have been better if Fearnley had a more exciting voice and didn't pause all the time between words that shouldn't have a pause in between them.
Do you think Here Comes Everybody needs a follow-up book? Why or why not?
Not really, except maybe for a Shane MacGowan memoir.
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