There's not much I can say about this book without spoiling some of the fun. It begins abruptly. Housewife Amy disappears on her five year wedding anniversary. The story is told alternately from the point of view of her husband, Nick, beginning the day of her disappearance and then passages from Amy's diary which starts at the beginning of their relationship. Readers are torn by the dubious Nick--can we trust anything he says? And we are treated to a conversation depiction of a strained marriage.
There was a lot of hype behind this book, so I did purchase the day it came out. I wasn't disappointed. I spent every waking hour listening to this one--so beware. I truly enjoyed this one.
Kirby who reads Nick is decent, but Julia who reads Amy is awesome. She is perfect.
Addicted to Audible!
I was intrigued by the reviews of this book and with all the hype I found myself wondering throughout the first half what the fuss was about. It seemed a little boring. The second half made up for the slow beginning, in fact I almost wanted to go back and listen to the first part again to see what I may have missed. My advice is to pay attention to the beginning and it will evolve. It was the perfect twisted story of two twisted people that truly deserved each other. It certainly keep me listening to see what bizarre thing would happen next. The narrators were excellent. Definately a case of sick and sicker!!!
It was so slow. I kept listening thinking it would get better but never did.
Not likely. But I will listen to a little of it before I use a credit on another one.
None that I found!
The reviews were so great for this book, maybe it just wasn't my cup of tea. The story line was slow and it seemed to go on and on with nothing moving forward.
Probably nothing by the author. I'd give the narrators a shot. They did their work well.
I know that the world is full of horrible people. I know that this book reflects that. This is just not what I enjoy, vindictive, selfish characters that never seem to have any redeeming value.
The lady cop. I can't remember her name. She's the only one who seemed likable. Margo, Nick's sister was ok, but she was snarky and mean in her own way. She was loyal, though.
I know art demands a reaction. I guess if that is what the author wants, she got it. But to go for a bad reaction just for reaction's sake seems cheap to me. I just really disliked the book. It never got better, either. I kept expecting some sort of turn that would redeem ... something. I would recommend not reading this. Some people loved it. Not me.
This was a really captivating story. I didn't want to quit listening. I did however, guess the resolution but felt it ended abruptly. It was like the author thought , "well now it is tme to stop." I appears to me that maybe the author set this up for a sequel.
Hmmm not sure this was a bit dark for my tastes.
No, I don't want to know anything more about either of those people.
I like stories about "real" people, but these two take it to an extreme - they are way to sick for me to want to know as much as I know about them. The first part was entertaining and intrieging, the second half I found quite depressing. On the good side - it was well crafted and narrated and kept me very interested until close to the end when I saw no hope in sight and then I felt cheated - why should I have cared about two suck sick individuals.
One likeable character would be a great start.
Going to avoid spoilers, in case you choose to listen to this book, but my general opinion is as follows. Many people talked about the "many twists and turns," there were a few but I didn't find any that surprising, maybe I just read too many psychological thrillers but everything was pretty well laid out by the half way point, surprises over. Plus, you should always have at least one decent person in the story, even if it's an antihero that you root for despite their shortcomings, not in this one. Also, it was lengthy for the story and got boring at times. I kept waiting for things to get better, for the twists making the time worth while, for people in the book to at least get what was coming to them, but it didn't happen. I was so excited about this book after enjoying, "Dark Places," so much, but I was truly disappointed and would recommend that you skip this one entirely.
They did a great job with the characters, reading each so well. You could have known who was speaking without being told.
No, it ended so badly that I follow up would be torturous.
If you would like a great book with great characters and fantastic twists try anything by Lisa Gardner. "Love You More," was excellent.
Gen-Xer, software engineer, and lifelong avid reader. Soft spots for sci-fi, fantasy, and history, but I'll read anything good.
Gone Girl is 2012's The Girl With the Dragon Tattoo, that gritty suspense thriller that everyone and their mother was reading. For the first half, it sucked me in with well-drawn characters, a setup that has its fingers on the pulse of the times, and a delicious sense of Hitchcockian misdirection.
The two narrators are Nick and Amy, a thirty-something pair of would-be yuppies whose magazine careers and New York City lives were derailed by the Great Recession. They have now downsized their dreams to the Midwest, characterized as the home of corn chip casseroles, bland earnestness, and shopping at Walmart. There, Nick took care of his ailing parents and opened a bar with the last of Amy's trust fund money. And, there, their marriage fell apart.
Starting from page one, we get Nick's side of things: a perpetually unsatisfied wife and a life that seems to be going nowhere. Then, on their fifth wedding anniversary, Amy disappears, leaving behind signs of a struggle and a trail of clues in the form of an anniversary scavenger hunt. Nick blinks and stumbles his way through the ensuing police investigation, and there's the sense that he's not telling us everything.
Interspersed with Nick's narrative are journal entries from Amy, painting a picture of a fairytale marriage that sours after a husband stops trying. And there's just a hint of control freak insecurity, perhaps triggered in part by being the inspiration for the goody-two-shoes protagonist of a series of saccharine children's books written by Amy's own parents over the decades, the source of her small family fortune.
It doesn't take long before the reader gets the sense that Nick, while somewhat evasive and not exactly the husband of the year, is falling into a trap. Clues in the investigation and public opinion are going against him.
Then comes a twist, and we learn that a few things about Nick and Amy’s marriage have been misrepresented. Here, the novel began to get unbelievable for me, though the suspense remained enjoyable. Would Nick be arrested? How would his sleazeball lawyer, his media appearances, his oddball sister, Amy's wealthy, creepy ex-boyfriend, a deranged father, and a couple of desperate types in a short-term housing park play into the plot? As Nick's defenses steadily crumble around him, against a far craftier opponent, Flynn keeps us guessing, even rooting for a guy who was initially hard to like.
When the story reaches its endgame, it escalates into pure absurdity, a sort of screw-turning, Stephen King-like nightmare scenario (think of him in suspense mode, not monster mode). Somewhere, a few psychologists are doing face palms. But, if you're willing to shut off your brain, it's fun, in a deliciously dark way.
All in all, this novel showed a lot of promise for roughly the first half. Flynn obviously *reads*, and has a sense of craft. I loved the unreliable narrators and the ambiguity. Unfortunately, though, once the game is revealed, the novel morphs steadily into airport bookstore territory. This isn't necessarily bad, but I'd hoped for a bit more psychological complexity. Oh well.
The two audiobook narrators are good. Kirby Heyborne, who performs Nick's parts, ranges from bemused calm to barely suppressed anger. Julia Whelan, who takes Amy's, has a girlish chipperness that works well.
No, please, just don't. The ending was terrible...
I really liked how the plot of this book was so intricately woven around (mostly) interesting characters. The first 75% of the book is very good and kept me listening. The narrators were excellent!! Near the end of the book, something quite silly happens and then… it’s as if the writer got sick of the story, or didn’t know what else to write. I thought the ending was terrible, completely unbelievable. What was the editor thinking?? I really liked the vast majority of this book and kept thinking about how I can’t wait to see the movie when it comes out. After I finished the book, I am no longer interested in seeing the movie. The end was such a let-down given the strength and weight of the rest of the book. I felt cheated as a listener.
I had high hopes for this book given how highly it was rated by others. I was disappointed to find how negative and unlikable the characters were. I listen to fiction to escape and/or to learn, and I like when there is someone interesting to care about or pull for. This story felt to me like something written by a depressed writer in winter in Brooklyn - it just didn't capture my imagination or hold much heart or suspense for me.