World War Poetry

In the midst of bombs and bullets, trenches and trauma, the soldiers of World War I, and those observing the horrors taking place from home, took pen to paper to record their experiences in verse. These poems - considered the greatest written during WWI and some of the greatest poetry of the twentieth century - show the horror of war but also shine a light on the strength of human courage, bravery, and virtue.

In the war a great volume of poetry was written, produced and published in books, periodicals, newspapers or letters back to home. We often think of war as a necessity. We fight for a more just and better world. We often fail. But in our poets we gain a truth and a morality that shocks us, consoles us and holds our values to the light. In this volume we hear poems from the front, from home, from soldiers, from auxiliaries, from friend and from foe.

Full of tragic heroes, intoxicating love stories, and the unstoppable force of fate, there is no conflict more iconic than the Trojan War. Troy is the story of the epic battle retold by Fry with drama, humor, and vivid emotion. Achilles, Hector, Odysseus, Helen, their lovers, and their mortal enemies all burn bright in Fry's compelling prose. This volume invites you to explore a captivating world with a brilliant storyteller as your guide.

With Muse of Fire, Michael Korda, the bestselling author of Alone and Hero, takes a novel approach to World War I by telling its history through the lives of the soldier-poets whose verses memorialize the war's unimaginable horrors. He begins with Rupert Brooke and the halcyon days before violence engulfed his generation—destroying the self-contented world of Edwardian England—and ends with the tragic death of Wilfred Owen, killed only days before the armistice brought an end to a war that took over 25,000,000 lives.

Seventeen iconic poems from World War One, including: Wilfred Owen's "Dulce et Deorum Est"; "In Flanders Fields" by John McRae; "Counter Attack" by Siegfried Sassoon; Rupert Brook's "The Soldier"; and many more that bring the horrors of the Great War vividly to life through the eyes of those living them.

From the moment war broke out across Europe in 1914, the world entered a new, unparalleled era of modern warfare. Soldiers faced relentless machine gun shelling, incredible artillery power, flame throwers, and gas attacks. Within the first four months of the war, the British Army recorded the nervous collapse of ten percent of its officers; the loss of such manpower to mental illness left the army unable to fill its ranks. Soldiers Don't Go Mad tells for the first time the story of the soldiers and doctors who struggled with the effects of industrial warfare on the human psyche.

The Knight's Tale of medieval wars and chivalry is the first tale told to the pilgrims as they set out to Canterbury. It concerns Theseus, returning from fighting at Thebes, and two brother knights Palamon and Arcite, imprisoned but yearning for their loves. But the real hero of this recording is Richard Bebb who, with the help of Professor Derek Brewer, the leading expert on Chaucerian pronunciation, make the original Middle English not only comprehensible to the modern ear, but exciting.

It’s October 1944, and while Claire’s older brother, Danny, is off fighting in World War II, her dad hires a group of German POWs to help with the apple harvest on their farm. Claire wants nothing to do with the enemies in the orchard, until she meets soft-spoken, hardworking Karl. Could she possibly have something in common with a German soldier? Karl, meanwhile, grapples with his role in the war as he realizes how many lies Hitler’s regime has spread—and his complacency in not standing up against them.

The moving true story of how young Ukrainian Jewish piano prodigies Zhanna (alias “Anna”) and her sister Frina outplayed their pursuers while hiding in plain sight during the Holocaust. A middle grade nonfiction novel-in-verse by award-winning author Susan Hood with Greg Dawson (Zhanna’s son).

Set in 1981 Guatemala, a lyrical debut novel tells the powerful tale of a boy who must decide what it means to be a man during a time of war. Carlos knows that when the soldiers arrive with warnings about the Communist rebels, it is time to be a man and defend the village, keep everyone safe. But Mama tells him not yet - he’s still her quiet moonfaced boy. The soldiers laugh at the villagers, and before they move on, a neighbor is found dangling from a tree, a sign on his neck: Communist.

To mark the 60th anniversary of the end of WWII in Europe, CSA Word is proud to release a brand new recording of over 100 poems written by the men and women who served during the war. A formidable and unique legacy, this striking collection of poems and voices, framed by helpful narration, evokes the atmosphere and feelings of war in all its aspects: the pain, passion, fear, loneliness, anger, and some unexpected humour too.

That it required a horrible war to motivate Wilfred Owen to write some of the 20th century's best poetry is symbolic of that great calamity. In a vivid, languorous, mesmerizing style, Owen has left humanity the language of loss. When the Great War broke out in 1914, Owen, along with millions of his compatriots, were drawn into the maw of the world's first mechanized war.

Here are the extraordinary writings of a generation who fought through a war of unprecedented destructive power, and who had to find new voices to express the horror of what they discovered. The great names - Owen, Sassoon - are fully represented, but there are also many poems by lesser-known or unexpected figures, ranging from serving soldiers like Isaac Rosenberg and Richard Aldington to women such as Edith Nesbit and Vera Brittain.

Soldiers Don't Go Mad tells for the first time the story of the soldiers and doctors who struggled with the effects of industrial warfare on the psyche. As he investigates the roots of what we now know as PTSD, Charles Glass brings historical bearing to how we must consider war's ravaging effects on mental health, and the ways in which creative work helps us come to terms with even the darkest of times.

From two-time Newbery Medalist and living legend Lois Lowry comes a moving account of the lives lost in two of WWII's most infamous events: Pearl Harbor and Hiroshima.

Helen Hayes, Raymond Massey and Thomas Mitchell read a selection of the world's finest poetry from the greats including Keats, Browning, Kipling and Gray.

An Anthology of Poetry and Prose written by Women in the First World War. War Girls is a commemoration and celebration of the remarkable, often deeply moving and largely unsung experiences of women in the First World War told in their own words. Through poetry, journals and letters this audio book documents the contribution made by women from all walks of society - from campaigning for peace to working on the home front and in the services.

This educational drama captures the experiences of a young World War I soldier who was touched, inspired, and changed forever by war poetry. Through vivid readings and recollections, we examine the work of 16 poets.

Home. A simple word; a loaded one. You can say it in a whisper; you can say it in a cry. Expressed in the voices of father and daughter, you can hear a visceral longing, in poems and prose, for an ideal place. A place never to be found again. Imagine the shock, imagine the sadness when a daughter discovers her father’s work, the poetry he had never shared with anyone during the last two decades of his life. Six years after that moment of discovery, which happened in her childhood home while mourning for his passing, Uvi Poznansky presents a tender tribute: a collection of poems and prose,...

Forever England explores Rupert Brooke’s life, from schooldays to the Great War, and in so doing builds a remarkable picture of a long-lost England and a generation’s descent into war. Brooke’s poems emerge dramatically from a tangled web of love, friendship, mental illness and politics. He reveals also the existence of a previously unrecorded love child from a South Seas romance. The WW1 legend was largely brought about by the words of one of his sonnets: "If I should die, think only this of me/That there’s some corner of a foreign field that is forever England".