Witchcraft In England

Author Carol F. Karlsen reveals the social construction of witchcraft in 17th-century New England and illuminates the larger contours of gender relations in that society and attempts to answer the question why some women were vulnerable to accusations of witchcraft and possession.

Until the mass hysteria of the seventeenth century, accusations of witchcraft in England were rare. However, four royal women, related in family and in court ties - Joan of Navarre, Eleanor Cobham, Jacquetta of Luxembourg, and Elizabeth Woodville - were accused of practicing witchcraft in order to kill or influence the king. In Royal Witches, Gemma Hollman explores the lives and the cases of these so-called witches, placing them in the historical context of 15th-century England, a setting rife with political upheaval and war.

The Wonders of the Invisible World was a book written by Cotton Mather and published in 1693. It was subtitled, Observations As well Historical as Theological, upon the Nature, the Number, and the Operations of the Devils. The book defended Mather’s role in the witch hunt conducted in Salem, Massachusetts. It espoused the belief that witchcraft was an evil magical power.

A gothic fiction book set in New England during nearly two centuries. Silent Sorrow invites readers to step into the haunting world of the Pyncheon family and their ancestral home, the House of the Seven Gables. This evocative tale reveals the intricate web of guilt, prophecy, and redemption woven through generations, beginning with the dark legacy of an ancestor wrongfully executed for witchcraft. As the Pyncheons confront their family's tragic past, the story unfolds against a backdrop of ambition, betrayal, and the heavy burden of a curse that lingers through the ages. Delving deep into ...

In Detestable and Wicked Arts, Paul B. Moyer places early New England's battle against black magic in a transatlantic perspective. Moyer provides an accessible and comprehensive examination of witch prosecutions in the Puritan colonies that discusses how their English inhabitants understood the crime of witchcraft, why some people ran a greater risk of being accused of occult misdeeds, and how gender intersected with witch-hunting.

In her analysis of the cultural construction of gender in early America, Elizabeth Reis explores the intersection of Puritan theology, Puritan evaluations of womanhood, and the Salem witchcraft episodes. She finds in those intersections the basis for understanding why women were accused of witchcraft more often than men, why they confessed more often, and why they frequently accused other women of being witches.