Social Horror

Much has been written about the storied New Hollywood of the 1970s, but while Martin Scorsese, Steven Spielberg, and Francis Ford Coppola were making their first classic movies, a parallel universe of directors gave birth to the modern horror film - aggressive, raw, and utterly original. Based on unprecedented access to the genre's major players, New York Times critic Jason Zinoman's Shock Value delivers the first definitive account of horror's golden age.

From New York Times best-selling author Stephen Graham Jones comes a novel that is equal parts psychological horror and cutting social commentary on identity politics and the American-Indian experience. Fans of Jordan Peele and Tommy Orange will love this story as it follows the lives of four American-Indian men and their families, all haunted by a disturbing, deadly event that took place in their youth. Years later, they find themselves tracked by an entity bent on revenge, totally helpless as the culture and traditions they left behind catch up to them in a vengeful way.

Los Angeles, Zombie Apocalypse! By James Bachman When the outbreak spreads to the City of Angels, chaos reigns. Los Angeles descends into a nightmare as wildfires blaze, the infected roam the streets, and survivors scramble to escape a city consumed by death. In a world where the rich hide behind gates and the poor are left to fend for themselves, the lines between life and death blur—and survival comes at an unimaginable cost. Fast-paced, gritty, and unrelenting, Los Angeles, Zombie Apocalypse! plunges readers into a city where every moment is a fight to stay alive. Perfect for fans of ...

Alma Katsu calls My Heart Is a Chainsaw “a homage to slasher films that also manages to defy and transcend genre.” On the surface is a story of murder in small-town America. But beneath is its beating heart: a biting critique of American colonialism, Indigenous displacement, and gentrification, and a heartbreaking portrait of a broken young girl who uses horror movies to cope with the horror of her own life.

Your new neighbors are watching. For your own good. I thought moving to Serenity Heights would solve my problems. The perfect suburban community promised everything I needed after my divorce—peace, safety, and neighbors who actually cared. But my chronic insomnia means I'm awake when I shouldn't be. I see residents moving through the streets in eerie synchronization. I notice how people who ask questions tend to "relocate for family reasons." I discover that my helpful neighbors have been watching me a little too closely. Now I understand that Serenity Heights' perfection comes with ...

In 1892, investigative journalist Ida B. Wells-Barnett published a pamphlet with unflinching and honest descriptions of the cruelties being enacted against Black Americans in the South by their White neighbors. Wells’ poignant and raw reporting of the horrors of lynching scandalized many of her readers outside the South, yet the practice continued unimpeded for more than half a century after. Today, Southern Horrors: Lynch Law in All Its Phases is a sobering reminder that American racism and inequality did not simply end with emancipation.

The Horror of It All is a memoir from the front lines of the industry that dissects (and occasionally defends) the hugely popular phenomenon of scary movies. Author Adam Rockoff traces the highs and lows of the horror genre through the lens of his own obsessive fandom, born in the aisles of his local video store and nurtured with a steady diet of cable trash.

Seth Grahame-Smith delivers the definitive, essential guide to making it through a horror movie in one piece. As hilarious as it is useful (if you’re trapped in a scary flick, that is), How to Survive a Horror Movie covers all the bases. Trapped in a haunted house? Check. Stalked by an evil doll? Check. Wandering aimlessly through the remains of the old world as a plague of zombies sweeps over the planet? Check.

The world is increasingly unthinkable, a world of planetary disasters, emerging pandemics, and the looming threat of extinction. In this book, Eugene Thacker suggests that we look to the genre of horror as offering a way of thinking about the unthinkable world. To confront this idea is to confront the limit of our ability to understand the world in which we live - a central motif of the horror genre. In the Dust of This Planet explores these relationships between philosophy and horror.

In American Scary, noted cultural historian and Columbia professor Jeremy Dauber takes the listener to the startling origins of the horror genre in the United States, drawing a surprising through-line between the lingering influence of the European Gothic, the enslaved insurrection tales propagated by slaveholders, and the apocryphal chronicles of colonial settlers kidnapped by Native Americans, among many others.

Sharon Marshall was a brilliant and beautiful student whose future was filled with promise—until her murderous, fugitive father drew her into a lifetime of deception that became one of the most baffling cases in the annals of American true crime.

Sixteen-year-old Jake Livingston sees dead people everywhere. But he can't decide what's worse: being a medium forced to watch the dead play out their last moments on a loop or being at the mercy of racist teachers as one of the few Black students at St. Clair Prep. Both are a living nightmare he wishes he could wake up from. But things at St. Clair start looking up with the arrival of another Black student - the handsome Allister - and for the first time, romance is on the horizon for Jake. Unfortunately, life as a medium is getting worse.

More than a decade ago, Mira fled her small, segregated hometown in the south to forget. With every mile she traveled, she distanced herself from her past: from her best friend Celine, mocked by their town as the only white girl with black friends; from her old neighborhood; from the eerie Woodsman plantation rumored to be haunted by the spirits of slaves; from the terrifying memory of a ghost she saw that terrible day when a dare-gone-wrong almost got Jesse—the boy she secretly loved—arrested for murder. But now Mira is back to attend Celine's wedding at the plantation.

After a soul-crushing Tinder date, a woman returns to her apartment to cook some squid and seethe. Her eye starts to itch; her memory starts to skip, and she starts to spiral. Offense is an auditory explosion and an exploration of the rash of loneliness...and what happens when the voices inside our heads start to warp.

A Haunted Collection of Scary Stories by R. Saint Claire Experience the thrill of haunted bike trails, mysterious midnight parties, vengeful siblings, hexes gone wrong, and more! These five chilling tales and a suspenseful time-travel novella guarantee sleepless nights this Halloween and throughout the year. Includes: The Trails: Jimmy never refused a dare, not even on Halloween at midnight. Party in the Pines: A stranger invites you to a Halloween party in the middle of nowhere. What could possibly go wrong? The Mummy's Tomb: An annoying little brother gets the best of a lovesick teen. ...

The Dark Side is a narrative account of the decisions the U.S. made after September 11, decisions that not only violated the Constitution, but also hampered the pursuit of Al Qaeda. In gripping detail, Jane Mayer relates specific cases, shown in real time against the larger tableau of Washington, looking at the intelligence gained and the price paid. In all cases, there were incalculable losses in terms of moral standing, our country's place in the world, and its sense of itself.

Four friends. One viral post. A nightmare they'll never tweet about. Mia and her friends were chasing a ghost—an impossibly perfect, sapphire-blue swimming hole hidden deep in the Jersey wilderness, known only by its hashtag. The plan was simple: drive in, get the perfect shot for their feeds, and be home by dark. It was meant to be an escape from their curated lives, a quest for something real to post about. But when their car breaks down and their phones lose signal, the vast, silent forest begins to feel less like an adventure and more like a trap. They are not alone. The strange ...

Trapped in the clutches of a Zombie apocalypse, the City of Chicago, the murder capital of the U.S., unleashes the ultimate weapon, capitalism, by paying $1,000 for every Re-Killed Zombie brought to city hall, ushering in "The Great Zombie Gold Rush". Zombies never have a chance in a world where people realize 75 Zombies pays off their student loans, 40 Zombies buys them a Tesla, 5 Zombies wipes out their Visa debt...

Today we think statistics are the enemy, numbers used to mislead and confuse us. That’s a mistake, Tim Harford says in The Data Detective. We shouldn’t be suspicious of statistics - we need to understand what they mean and how they can improve our lives: they are, at heart, human behavior seen through the prism of numbers and are often “the only way of grasping much of what is going on around us”.

Analyzing the way in which horror has been used throughout history to articulate the fears and taboos of the current generation, Darryl Jones considers the continuing evolution of the genre today. As horror is mass marketed to mainstream society in the form of romantic vampires and blockbuster hits, it also continues to maintain its former shadowy presence on the edges of respectability, as banned films and violent internet phenomena push us to question both our own preconceptions and the terrifying capacity of human nature.