Short Stories Century

There is simply no A-Z like the alphabet of fiction writers who have appeared in the pages of The New Yorker in the last hundred years. The book boasts inarguable classics like Salinger’s “A Perfect Day for Bananafish,” Annie Proulx’s “Brokeback Mountain,” and Shirley Jackson’s “The Lottery” alongside stunners to be rediscovered. Some stories defined a moment or a now-lost world (Isaac Bashevis Singer’s “The Cafeteria”); others showed us a whole new way fiction could sound and feel (“The Red Girl,” by Jamaica Kincaid).

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. In this Century of profound change for women our Atlantic neighbours produced authors of extraordinary ability that dazzled us all with a range of ideas, characters and stories of such magnificence that literature would never be the same again. Genius is written in their names.

This definitive audio collection, read by Stacy Keach, traces the development and maturation of Hemingway's distinct and revolutionary storytelling style - from the plain bald language of his first story to his mastery of seamless prose that contained a spare, eloquent pathos, as well as a sense of expansive solitude. These stories showcase the singular talent of a master, the most important American writer of the 20th century.

Ever worried that your golden years might be filled with moments of boredom? Picture yourself cozying up with stories so good they turn "another quiet evening" into "a walk down memory lane." From the 1940s, 50s, 60s, 70s, & 80s to today, each story captures the essence of a different era, celebrating love, friendship, family, and the simple joys that make life beautiful. Whether you're reminiscing about the past or discovering these moments for the first time, this book is the perfect companion for a cozy afternoon.

Before he gained wide fame as a novelist, Ernest Hemingway established his literary reputation with his short stories. Set in the varied landscapes of Spain, Africa, and the Americam Midwest, this definitive audio collection traces the development and maturation of Hemingway's distinct and revolutionary storytelling style: from the plain bald language of the first story to his mastery of seamless prose that contained a spare, eloquent pathos, as well as a sense of expansive solitude.

This group of four classic stories from the 19th century includes works that appear in many collections of European literature. Offering tantalizing revelations and unforgettable characters, these tales have delighted readers ever since they were first published. These classic short stories are narrated by two of the most critically-acclaimed readers in the audiobook field: George Guidall and Frank Muller. Their performances bring fresh emotional nuances to the tales while highlighting the wonderful strands of irony.

Before he gained wide fame as a novelist, Ernest Hemingway established his literary reputation with his short stories. Set in the varied landscapes of Spain, Africa, and the American Midwest, this definitive audio collection traces the development and maturation of Hemingway's distinct and revolutionary storytelling style - from the plain bold language of this first story to his mastery of seamless prose that contained a spare, eloquent pathos, as well as a sense of expansive solitude.

Herbert George Wells was one of the most prolific and visionary British writers of the late 19th and early 20th centuries. H. G. Wells is now best remembered for his science fiction novels, although he wrote across many genres, including nonfiction. His fiction embraces history, science fiction, horror, satire, fantasy, and social commentary. Wells was also a futurist, foreseeing air travel, tanks (as in “The Land Ironclads” - part of this anthology) space travel, nuclear weapons, and even satellite television.

There have been few masters of the short story as popular as W. S. Maugham. His dry wit, worldweary loftiness, pungent cynicism, and penetrating powers of observation have contributed to the creation of some of the greatest short stories ever written.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. The zenith of Empire is bookended by two catastrophic wars that slaughter vast swathes of humanity. And yet authors manage to record and create fragile libraries of humanity, its talents, its dreams and increasingly its nightmares.

What defines a modern short story is much more than a question of length. Despite the efforts of early pioneers like Edgar Allan Poe, the genre was originally synonymous with the anecdote or tale and seen more as entertainment than art. However it has become far more than that, and this Very Short Introduction considers afresh the form's ongoing innovations in plot construction, capacity for psychological insight, and ability to offer intensely concentrated perceptions.

All you need to know about this great collection of the best mystery stories from the past century are the names of the great authors inside: Robert Bernard, Robert Bloch, Lawrence Block, Anthony Boucher, Frederic Brown, James M. Cain, Max Allan Collins, Jeffery Deaver, Stanley Ellin, Harlan Ellison, Erle Stanley Gardner, Ed Gorman, Anna Katharine Green, Jeremiah Healy, Patricia Highsmith, Reginald Hill, Tony Hillerman, Evan Hunter, Stephen King, and more.

This century is crammed full of talents that showcase an enviable array of stories and genres. Across a hundred years the short story develops, becomes yet more emboldened, more accessible to a wider audience as these female authors challenge the literary bastions.

H.H. Munro (Saki) is one of the undisputed masters of the short story. In this complete compendium, the full gamut of his subjects and themes is experienced. His stories are imbued with humorous satire, biting irony, and often the macabre, all of which have one target: the stupidities and hypocrisies of Edwardian upper-class society.

Orochi, the king of the dragons, has ordered his brothers and sisters to destroy humanity. It falls to a young hero to assemble a team and stop the dragons' rampage. It falls to the Century Blade. This is a short story set in the world of the award-winning Mortal Techniques. It is designed to be listened to as a stand-alone story, completely independent from the full-length novels set in the same world.

A perilous voyage by sea, the difficulties of life in a new country, new friends, and one terrible event, challenge Mette Jensen as she leaves her home in Haderslev, Schleswig determined to start a new life beyond the reach of Prussian Soldiers. With Denmark still reeling from the effects of war over the ownership of Schleswig, two Danish sisters make the difficult decision to leave their homeland. The men of Schleswig, on the border between Denmark and Germany, have already left in droves to avoid being drafted into the Prussian army, and a recruiter from New Zealand has been traveling ...

Imogene is young, beautiful . . . and dead, waiting in the Rosebud Theater one afternoon in 1945. . . . Francis was human once, but now he's an eight-foot-tall locust, and everyone in Calliphora will tremble when they hear him sing. . . . John is locked in a basement stained with the blood of half a dozen murdered children, and an antique telephone, long since disconnected, rings at night with calls from the dead.

A collection of 98 enthralling and pulse-quickening stories, spanning five decades, venerates the remarkable imagination of J. G. Ballard. With a body of work unparalleled in twentieth-century literature, J. G. Ballard is recognized as one of the greatest and most prophetic writers in the world. With the much-hailed release of The Complete Stories of J. G. Ballard, readers now have a means to celebrate the unmatched range and mesmerizing cadences of a literary genius.

In June 1917, W. S. Maugham was asked by the British Secret Intelligence Service, to undertake a special mission in Russia to support Kerensky's government. The mission failed, and two and a half months later, the Bolsheviks took control. Maugham subsequently said that if he had been able to get there six months earlier, he might have succeeded. Quiet and observant, Maugham had a good temperament for intelligence work. The writer used his spying experiences as the basis for his collection of short stories called Ashenden: Or the British Agent. They became the prototype for the modern espionage novel.

Spanning four decades in the mid-19th century, the interconnected novellas of Old New York lay out in vivid detail the complex and inscrutable codes, customs, and taboos of New York society in classic Wharton style.