Modern Dance

Modern dance was a movement that began at the turn of the 20th century when American dancers Loie Fuller, Isadora Duncan, and Ruth St. Denis broke from formal dance traditions with their own personal vision of movement. Soon, their visions evolved through Martha Graham, Doris Humphrey, and Charles Weidman, who would all go on to teach their methods and present modern dance as a serious art form.

In 1930, dancer and choreographer Martha Graham proclaimed the arrival of "dance as an art of and from America". Dancers such as Doris Humphrey, Ted Shawn, Katherine Dunham, and Helen Tamiris joined Graham in creating a new form of dance, and, like other modernists, they experimented with and argued over their aesthetic innovations, to which they assigned great meaning.Their innovations, however, went beyond aesthetics.

Anthony Powell's universally acclaimed epic encompasses a four-volume panorama of twentieth century London. Hailed by Time as "brilliant literary comedy as well as a brilliant sketch of the times," A Dance to the Music of Time opens just after World War I. Amid the fever of the 1920s and the first chill of the 1930s, Nick Jenkins and his friends confront sex, society, business, and art.

Time magazine called her “the Dancer of the Century.” Her technique, used by dance companies throughout the world, became the first long-lasting alternative to the idiom of classical ballet. Her pioneering movements—powerful, dynamic, jagged, edgy, forthright—combined with her distinctive system of training, were the epitome of American modernism, performance as art. Neil Baldwin, author of admired biographies, gives us the artist and performer, the dance monument who led a cult of dance worshippers as well as the woman herself in all of her complexity.

Why did John Lennon call an emergency meeting of The Beatles and Apple Records management to announce that he was Jesus Christ returned in the flesh? What drove Albert Einstein to pick cigarette butts up off of the street and smoke them rather than buy his own pack? Why did Nikola Tesla try to turn dull students into bright students by flooding their classroom with electricity? Were Albert Einstein, John Lennon and Nikola Tesla insane or was their odd behavior a manifestation of their eccentrics natures? From exploring the fascinating historical roots of eccentricity to examining the impact...

Twenty-seven-year-old Jade thought she had it all. Until her perfect world dissolved and thrust her into the real one. A world filled with magic and usual magical beings such as vampires, werewolves, and demons. Jade was sure she was coping just fine. Then she discovered sexy demons existed. Someone wanted her dead. Does she really want to know how much of her life has been a deception?

"WHY IS IT THAT SOME PEOPLE PROGRESS IMMENSELY FASTER VS. THE MAJORITY?" The majority, often even with hard practice, can't get half as much done, not even in twice the time, or worse, with no progress at all… ...Now, whatever physical skill you want to drastically improve, like mastering a sport, dancing, or playing an instrument... you’ve probably asked yourself that question. And you might be at a point knowing already that hard work alone and simply doubling your efforts in practice won't necessarily bring you the results you're after. If that’s you... I'm Laido, a Cirque du ...

Anthony Powell's universally acclaimed epic encompasses a four-volume panorama of 20th-century London. Hailed by T Time as "brilliant literary comedy as well as a brilliant sketch of the times," A Dance to the Music of Time opens just after World War I. Amid the fever of the 1920s and the first chill of the 1930s, Nick Jenkins and his friends confront sex, society, business, and art.

Anthony Powell's universally acclaimed epic encompasses a four-volume panorama of twentieth-century London. Hailed by Time as "brilliant literary comedy as well as a brilliant sketch of the times," A Dance to the Music of Time opens just after World War I. Amid the fever of the 1920s and the first chill of the 1930s, Nick Jenkins and his friends confront sex, society, business, and art.

My new dance teacher had a rhythm that was impossible to resist. I thought I'd explored the depths of my desires with Jenny, Sophia, Claire, and Lisa, but my education in passion was about to take a mesmerizing turn. When Jenny introduced me to her friend Marisa, a captivating dance teacher, I was drawn into a world of movement and seduction. Marisa offered me a free private class, and with the encouragement of Jenny, Sophia, Claire, and Lisa, I stepped onto the dance floor. What I found was far more than just a lesson in dance. Marisa's graceful movements and intense gaze taught me the art...

Anthony Powell's universally acclaimed epic encompasses a 4 volume panorama of twentieth century London. Hailed by Time as "brilliant literary comedy as well as a brilliant sketch of the times", A Dance to the Music of Time opens just after World War I. Amid the fever of the 1920s and the first chill of the 1930s, Nick Jenkins and his friends confront sex, society, business, and art.

“A cleverly-crafted tale, with a cast of fun-to-get-to-know characters. Highly recommended for 8 – 11 year olds!” A ‘Wishing Shelf’ Book Review A modern retelling of The Twelve Dancing Princesses When the girls in Riverside Children’s Home start falling asleep in school, their classmate Bobby decides to investigate the cause. He doesn’t know how to help them, but then one day he does a good deed and is repaid by a totally cool gift of an invisible cloak. Hidden under his new cloak, Bobby sneaks into the girl’s dormitory to find out where they are going during the night. He ...

For more than five decades, Twyla Tharp has been a phenomenon in American dance, a choreographer who not only broke the rules but refused to repeat her own successes. Tharp has made movies, television specials, and nearly one hundred riveting dance works. Her dance show Movin’ Out ran on Broadway for three years and won Tharp a Tony award for Best Choreography.

Twenty-seven-year-old Jade thought she had it all. Until her perfect world dissolved and thrust her into the real one. A world filled with magic and usual magical beings such as vampires, werewolves, and demons. Jade was sure she was coping just fine. But is that the truth, or is it just a dream?

From the illicit reggae blues dances and acid-rock free festivals of the 1970s, through the ecstasy-fuelled Second Summer of Love in 1988, to the increasingly corporate dance music culture of the post-Covid era, Party Lines is a groundbreaking new history of UK dance music, exploring its pivotal role in the social, political and economic shifts on which modern Britain has been built.

Rumour’s got a lot to say for itself, and the message is clear: the regulator’s ready. You know. The magickal regulator. The bright and shiny thing with which we, Team Improbable, propose to restore magick to a fading Britain. Somebody’s got to test it, and that somebody is us. Which means wading into the depths of a long-dead realm that nobody’s entered in centuries. And I may have had some practice at that, but this time it’s different. This time, somebody’s still home. And they really aren’t happy about trespassers. Looks like disaster’s on the agenda. Again.

Bob Fosse is recognized as one of the most significant figures in post-World War II American musical theater. With his first Broadway musical, The Pajama Game, in 1954, the "Fosse style" was already fully developed, with its trademark hunched shoulders, turned-in stance, and stuttering, staccato jazz movements. Fosse moved decisively into the role of director with Redhead in 1959 and was a key figure in the rise of the director-choreographer in the Broadway musical.

The story of modern dance is known to be one of subversion. But it's less widely acknowledged how often its schisms concerned social attitudes towards women and feminist politics. From the late 1800s to the late 1950s, a diverse group of trailblazing women changed the face of dance, and in the process, contributed to shifting attitudes about women's bodies and rights. In Wild Grace, Sara Veale focuses predominantly on nine women, each of whom were instructive in the development of modern dance.

From the illicit reggae blues dances and acid-rock free festivals of the 1970s, through the ecstasy-fuelled Second Summer of Love in 1988, to the increasingly corporate dance music culture of the post-Covid era, Party Lines is a groundbreaking new history of UK dance music, exploring its pivotal role in the social, political and economic shifts on which modern Britain has been built.

"Frankenstein o El moderno Prometeo, o simplemente Frankenstein, es una obra literaria de la escritora inglesa Mary Shelley. Publicado el 1 de enero de 1818 y enmarcado en la tradición de la novela gótica, el texto aborda temas como la moral científica, la creación y destrucción de vida, y el atrevimiento de la humanidad en su relación con Dios. De ahí el subtítulo de la obra: el protagonista intenta rivalizar en poder con Dios, como una suerte de Prometeo moderno que arrebata el fuego sagrado de la vida a la divinidad.