Horror Criticism

Why I Love Horror is a captivating anthology and heartfelt tribute to the horror genre featuring essays from several of the most celebrated contemporary horror writers including, Grady Hendrix, Paul Tremblay, Stephen Graham Jones, Josh Malerman, Victor LaValle, Tananarive Due, and Rachel Harrison.

Much has been written about the storied New Hollywood of the 1970s, but while Martin Scorsese, Steven Spielberg, and Francis Ford Coppola were making their first classic movies, a parallel universe of directors gave birth to the modern horror film - aggressive, raw, and utterly original. Based on unprecedented access to the genre's major players, New York Times critic Jason Zinoman's Shock Value delivers the first definitive account of horror's golden age.

With Blumhouse celebrating its 15th anniversary throughout 2025, Horror’s New Wave captures the company’s journey to become a powerhouse in the horror and thriller film genres—taking you through the process of conception to premiere for films like Five Nights at Freddy’s, Split, Get Out, Glass, now-classic franchises like The Purge, and so much more.

A collection of his finest writing on horror cinema by the acclaimed critic and journalist, Jon Towlson. Essays range from studies of auteurs Tod Browning and George A. Romero to reflections on Universal horror, analysis of the 1978 classic Dawn of the Dead, and commentaries on contemporary international horror cinema. The volume contains reviews of over 25 modern horror films, including Jennifer Kent’s The Babadook (2014) and Brandon Cronenberg’s Possessor (2020). Plus, interviews conducted with leading creatives in horror cinema: Jason Blum (Blumhouse Productions), Scott Derrickson (...

Unearth the terrifying and true tales behind some of the scariest horror movies to ever haunt our screens, including the Enfield poltergeist case that was retold in The Conjuring 2 and the serial killers who inspired Hannibal Lector in The Silence of the Lambs. Behind the Horror dissects these and other bizarre tales to reveal haunting real-life stories of abduction, disappearance, murder, and exorcism.

In Your Favorite Scary Movie, entertainment journalist Ashley Cullins examines the making and impact of the Scream films with behind-the-scenes insight from cast, creators, and crew, as well as sharp analysis on how the movies’ special blend of gruesome violence and humorous self-awareness rewrote the horror playbook.

The Horror of It All is a memoir from the front lines of the industry that dissects (and occasionally defends) the hugely popular phenomenon of scary movies. Author Adam Rockoff traces the highs and lows of the horror genre through the lens of his own obsessive fandom, born in the aisles of his local video store and nurtured with a steady diet of cable trash.

Found footage has divided horror fans and critics. Some find it to be a refreshing departure from the predicable slashers and torture horror films that had dominated the market for so long. Others found them to be so at one time, but feel that the market is flooded with these films, and that quality is declining. Whatever one might think of them, there are plenty of found footage horror films to sort through out there, and it’s useful to have a guide. That’s what Cheap Scares: The Essential Found Footage Horror seeks to deliver. The book gives an overview of the genre. Though it ...

With a voice as persuasive as it is insightful, Columbia University’s Dr. Eleanor Johnson reveals how classics like Rosemary’s Baby, The Exorcist, and The Shining expose and critique issues of reproductive control, domestic violence, and patriarchal oppression. Scream with Me weaves these iconic films into the fabric of American feminism, revealing that true horror often lies not in the supernatural, but in the familiar confines of the home, exposing the deep-seated fears and realities of women’s lives.

From King Kong to Candyman, the boundary-pushing genre of horror film has always been a site for provocative explorations of race in American popular culture. This book offers a comprehensive chronological survey of Black horror from the 1890s to present day. In this second edition, Robin R. Means Coleman expands upon the history of notable characterizations of Blackness in horror cinema, with new chapters spanning the 1960s, 2000s, and 2010s to the present, and examines key levels of Black participation on screen and behind the camera. The book addresses a full range of Black horror films.

COME BACK TO THE WORLD OF "B" MOVIES AND GENRE FILMS AS WILLIAM SCHOELL OF "GREAT OLD MOVIES" REVIEWS HUNDREDS OF CLASSIC AND NOT-SO-CLASSIC PICTURES IN THE CATEGORIES OF HORROR, SCIENCE FICTION, INTRIGUE, MONSTER MOVIES, ALFRED HITCHCOCK FILMS, SPIES, EXPLOITATION, CLIFFHANGER SERIALS, AND VINTAGE TV SHOWS IN A LIVELY, INFORMATIVE, AND ENTERTAINING FASHION. ILLUSTRATED. WILLIAM SCHOELL IS THE AUTHOR OF DOZENS OF BOOKS INCLUDING "CREATURE FEATURES: NATURE TURNED NASTY IN THE MOVIES;" AND "MARTINI MAN: THE LIFE OF DEAN MARTIN." A CULT HORROR AUTHOR, HE HAS ALSO WRITTEN SUCH NOVELS AS "...

At 14, Bronislaw Huberman played the Brahms "Violin Concerto" in Vienna, winning high praise from the composer himself. Instantly famous, Huberman began touring all over the world and received invitations to play for royalty across Europe. But after witnessing the tragedy of World War I, he committed his phenomenal talent and celebrity to aid humanity. After studying at the Sorbonne in Paris, Huberman joined the ranks of Sigmund Freud and Albert Einstein in calling for peace through the Pan European Movement.

A recording of the reading of the first edition, published in 1950. An additional bonus chapter, The Holy Planet Purgatory from the 1931 typescript, is included. Beelzebub's Tales to His Grandson is Gurdjieff's world-famous cosmological epic. It examines human life on Earth from the viewpoint of beings belonging to a distant world, led by the all-wise Beelzebub. Through this cosmological allegory—rich in humour, anecdote, and linguistic elaboration—Gurdjieff demonstrates a methodology for the spiritual growth of all mankind.

Ever since horror leapt from popular fiction to the silver screen in the late 1890s, viewers have experienced fear and pleasure in exquisite combination. Wheeler Winston Dixon's A History of Horror is the only book to offer a comprehensive survey of this ever-popular film genre. Arranged by decades, with outliers and franchise films overlapping some years, this one-stop sourcebook unearths the historical origins of characters such as Dracula, Frankenstein, and the Wolfman and their various incarnations in film from the silent era to comedic sequels.

She was not born a monster. Medusa was a glare — a woman whose beauty made gods look away — until a crime in a temple turned worship into indictment. Instead of punishing the god who broke sanctity, the goddess punished the maiden: beauty wound into venom, hair into living snakes, a single look that could stop a heartbeat and freeze a world. Banished to the edge of the map, she becomes what everyone needs her to be — monster, warning, prize — while the story that made her is reshaped and sold back to a frightened culture. Medusa: The Gorgon’s Curse is both close, cinematic ...

Neon Werewolves : Werewolf Films of the 70s and 80s 🩸🌕 Unleash the Beasts of the 80s Horror Scene! 🌕🩸 The 1980s was a golden era for horror—when practical effects, spine-chilling transformations, and unforgettable werewolves dominated the silver screen. "Werewolves in Neon" by Ricardo D. Rebelo is the ultimate guide for horror fans, film buffs, and cinephiles looking to explore the evolution of werewolf films from cult classics to mainstream legends. 📽 Inside This Book: ✔️ Deep Analysis – Explore the history, themes, and special effects of werewolf films like The ...

From its first publication in 1992, Men, Women, and Chain Saws has offered a groundbreaking perspective on the creativity and influence of horror cinema since the mid-1970s. Investigating the popularity of the low-budget tradition, Carol Clover looks in particular at slasher, occult, and rape-revenge films. Although such movies have been traditionally understood as offering only sadistic pleasures to their mostly male audiences, Clover demonstrates that they align spectators not with the male tormentor, but with the females tormented.

50 Years of Hammer Horror by John L. Flynn, Ph.D. is the follow-up book to his popular 75 Years of Universal Monsters. Hammer Film Productions was the most successful independent film company in the world. Between 1935 and 1983, the company produced more than 250 motion pictures and television shows, and their signature productions headlined theater marquees all around the globe. Those productions included thrillers, comedies, historical dramas, and science fiction. The company was best known for its series of gothic horror films.

Take a tour through the horror paperback novels of two iconic decades...if you dare. Hear shocking plot summaries that invoke devil worship, satanic children, and haunted real estate! Horror author and vintage paperback book collector Grady Hendrix offers killer commentary and witty insight on these trashy thrillers that tried so hard to be the next Exorcist or Rosemary's Baby. Complete with story summaries and artist and author profiles, this unforgettable volume dishes on familiar authors like V. C. Andrews and R. L. Stine, plus many more.

In the early 20th century, World War I was the most devastating event humanity had yet experienced. New machines of war left tens of millions killed or wounded in the most grotesque of ways. The Great War remade the world's map, created new global powers, and brought forth some of the biggest problems still facing us today. But it also birthed a new art form: the horror film, made from the fears of a generation ruined by war. From Nosferatu to Frankenstein's monster and the Wolf Man, the touchstones of horror can all trace their roots to the bloodshed of the First World War.