European History Italy

Did Garibaldi do Italy a disservice when he helped its disparate parts achieve unity? Was the goal of political unification a mistake? These questions are asked and answered in a number of ways in this engaging, original consideration of the many histories that contribute to the brilliance - and weakness - of Italy today. David Gilmour's exploration of Italian life over the centuries is filled with provocative anecdotes as well as personal observations.

Brunelleschi's Dome is the story of how a Renaissance genius bent men, materials, and the very forces of nature to build an architectural wonder we continue to marvel at today. Denounced at first as a madman, Brunelleschi was celebrated at the end as a genius. He engineered the perfect placement of brick and stone, built ingenious hoists and cranes to carry an estimated 70 million pounds hundreds of feet into the air, and designed the workers' platforms and routines so carefully that only one man died during the decades of construction.

It is not an easy job to draw the border between the history of Italy and the history of Rome. In so many places, the two political and geographical entities collide. They wouldn’t be possible without each other, but they each have their own story. Rome’s history is only a small fragment of Italy’s history. Although it is just a city, Rome was the birthplace of the republic, a great empire, and notable philosophers, poets, and artists.

From 1934 until 1944, Mussolini met Hitler numerous times, and the two developed a relationship that deeply affected both countries. While Germany is generally regarded as the senior power, Christian Goeschel demonstrates just how much history has underrepresented Mussolini's influence on his German ally. Goeschel, a scholar of 20th-century Germany and Italy, revisits all of Mussolini and Hitler's key meetings and asks how these meetings constructed a powerful image of a strong Fascist-Nazi relationship that still resonates with the general public.

A concise, star-studded retelling of Italy's past, from Caesar and Augustus to da Vinci and Michelangelo, tracing the story of a country with prodigious global influence—from a foremost author of historic Italy.

In 1945, post-fascist Italy was devastated by war, and its reputation in the international arena was nil. Yet by December 1955, when Italy was admitted to the United Nations, the nation had contested three acrimonious but free general elections, had a flourishing press, and was a leader in the rebuilding of Europe.

Europe’s past is characterized by fighting and warfare, and it is punctuated with great works of art, philosophy, science, and technology. Even its recent history is much the same - that’s why, so much of the globe was once ruled by European monarchies. Despite all the infighting and territorial exploits, Europeans have managed to create some of the most beautiful pieces of literature, architecture, political structures, and ideas the world has ever seen.

Bologna, 1858: A police posse, acting on the orders of a Catholic inquisitor, invades the home of a Jewish merchant, Momolo Mortara, wrenches his crying six-year-old son from his arms, and rushes him off in a carriage bound for Rome. His mother is so distraught that she collapses and has to be taken to a neighbor's house, but her weeping can be heard across the city. With this terrifying scene - one that would haunt this family forever - David I. Kertzer begins his fascinating investigation of the dramatic kidnapping.

In this glittering biography, Elizabeth Lev reexamines Caterina Sforza's extraordinary life and accomplishments. Raised in the court of Milan and wed at age ten to the pope’s corrupt nephew, Caterina was ensnared in Italy’s political intrigues early in life. After turbulent years in Rome’s papal court, she moved to the Romagnol province of Forlì. Following her husband’s assassination, she ruled Italy’s crossroads with iron will, martial strength, political savvy—and an icon’s fashion sense. In finally losing her lands to the Borgia family, she put up a resistance that inspired all of Europe.

If you want to discover the captivating history of the Renaissance, then pay attention.

“Is Italy Becoming a Museum? A Long Decay of Experimental Democracy” explores the intricate and evolving political landscape of Italy, from its Renaissance glory days to its contemporary challenges. This book delves into Italy's rich history, examining how its once-prosperous city-states laid the groundwork for a vibrant culture and economy, only to face numerous trials in the centuries that followed. The narrative begins with Italy's early struggles and triumphs, including the rise of influential families like the Medicis and Sforzas, and the profound impact of the Holy Roman Empire ...

The City of Falling Angels opens on the evening of January 29, 1996, when a dramatic fire destroys the historic Fenice opera house. The loss of the Fenice, where five of Verdi's operas premiered, is a catastrophe for Venetians. Arriving in Venice three days after the fire, Berendt becomes a kind of detective - inquiring into the nature of life in this remarkable museum-city - while gradually revealing the truth about the fire.

The history of Italy begins with the arrival of the first hominins 850,000 years ago at Monte Poggiolo. Italy shows evidence of habitation by anatomically modern humans beginning about 43,000 years ago. It is reached by the Neolithic as early as 6000-5500 BC, as evidenced by Cardium pottery and impressed ware. The Italian Bronze Age begins around 1500 BC, likely corresponding to the arrival of Indo-European speakers, whose descendants would become the Italic peoples of the Iron Age.

Das Wort “Renaissance” ist Französisch und bedeutet “Wiedergeburt”. Der Name bezieht sich auf den Zeitraum zwischen dem 14. und 17. Jahrhundert, als Europa ein ausgeprägtes Wiederaufkommen der klassischen Kunst, Bildung, Philosophie, Architektur und Naturwissenschaft erlebte. Die ehemaligen römischen Gebiete machten sich abermals die Schriften der antiken Griechen und Römer und die Idee des Humanismus zum Vorbild. Die Wiedergeburt dieser Kultur war ein Zeichen für das Ende des Mittelalters und den Anfang der Moderne.