Egyptian Writing

In Egypt, all things are possible. So discovers Albion Stanley, a recent Cambridge graduate and brilliant linguist, newly arrived in Cairo in 1902. Albion sees the unseen, including ghosts. It is a less than comfortable reality, which he tends to with copious amounts of whiskey and numerous other vices. Also in Cairo is Aleister Crowley, the famed occultist. Aleister is a dangerous man, but not an unsympathetic one and never a dull one. Together, they discover the world of dead Egyptians, some of whom are older than the pyramids.

Perhaps not surprisingly given how advanced they were in comparison to contemporaries, the Egyptians invented one of the first writing systems ever, and for centuries, people thought these ancient texts held some sort of secret, be it aliens, advanced technology lost to the world, or mystical cures for all of the world’s ills. Even the ancient Egyptians saw their writing systems as full of mystery and hidden knowledge - according to Egyptian mythology, writing was invented by the ibis-headed god Thoth, the most intellectual of the gods.

It goes unappreciated by modern Egyptologists, but it is embraced by those who savor the concept of a “hidden history” of humanity, and those who approach all human knowledge from the perspective of the esoteric. Gerard Massey’s massive Ancient Egypt: The Light of the World–first published in 1907 and the crowning achievement of the self-taught scholar–redefines the roots of Christianity via Egypt, proposing that Egyptian mythology was the basis for Jewish and Christian beliefs.

Indiana Jones meets The Da Vinci Code in an old Egyptian synagogue - the amazing story of one of the most important discoveries in modern religious scholarship. In 1897, Rabbi Solomon Schechter of Cambridge University stepped into the attic of the Ben Ezra Synagogue in Cairo, Egypt, and there found the largest treasure trove of medieval and early manuscripts ever discovered.

This program includes an introduction read by the author. The New York Times–bestselling author of Find Me and Call Me by Your Name returns to the essay form with his collection of thoughts on time, the creative mind, and great lives and works. Irrealis moods are the set of verbal moods that...

This book will show how the Egyptians had various modes of writings for various purposes, and how the Egyptian modes were falsely designated as "separate languages" belonging to others, and how this one original language came to be called Greek, Hebrew, Arabic, and other "languages" throughout the world - through deterioration of sound values via "sound shifts", as well as foreign degradation of the original Egyptian writing forms.

Ancient Egypt's Mystery... Do you have an 'ache for the ancient'? An Egypt-inspired fiction writer’s personal journey into mystery, mythology and ancient religion. With acknowledgements to fiction writers Rider Haggard, Mika Waltari, and excerpts from the author’s writings.

Includes Theogony, The Homeric Hymn to Hermes, The Poem of Parmenides, The Poimandres, The Chaldean Oracles, Hymn to Isis, and On Divine Virtue, each translated from the original Greek or Latin Presents interpretive commentary for each text to progressively weave them together...

This program is read by Earphones Award–winning narrator Edoardo Ballerini. "Edoardo Ballerini reads my books exceptionally well. He gets my pacing, the inflections of muted irony, the anxiety of loss, the search for meaning that my prose on paper isn’t always able to convey—he gets it all...

In February 2016, Ahmed Naji was sentenced to two years in prison for “violating public decency,” after an excerpt of his novel Using Life reportedly caused a reader to experience heart palpitations. Naji ultimately served ten months of that sentence, in a group cellblock in Cairo’s Tora Prison. Rotten Evidence is a chronicle of those months. Through Naji’s writing, the world of Egyptian prison comes into vivid focus, with its cigarette-based economy, homemade chess sets, and well-groomed fixers.

He is not a god of words. He is the geometry behind them. Thoth does not speak—language moves through him. In this elegant, unsettling, and fiercely intelligent channeled work, Frater Merovingia delivers the transmissions of Thoth—Egyptian god of wisdom, writing, magic, and cosmic pattern. But this is not a book of mythology. It is a book of structure. Precision. Syntax. It is not here to inspire you. It is here to rewire how you think, speak, and create. Inside, you will find: Sharp, mythic transmissions from Thoth on language, balance, time, thought, and the laws beneath the laws ...

"A richly drawn historical thriller filled with murder, intrigue and shocking twists." –BestThrillers.com In 1914, the serene city of Hobart is almost as far as it is possible to be from the war clouds that have gathered over Europe, as the kings and emperors of waning European powers seek to extend nineteenth century military and political ideas into a mechanised technological new century. Australia is a modern country, by comparison. Women have had the vote since the turn of the century and ancient European notions of a ruling class are regarded almost with derision. Nevertheless, young...