Ancient Greek Tragedies

This collection presents the works of the three fathers of ancient Greek tragedies: Aeschylus, Sophocles, and Euripides. The reader of this collection will be able to comprehend how the plots and conflicts populating classical tragedy developed. The principle theme of Aeschylus' tragedies is the idea of fate being omnipotent and the futility in struggling against it. The tragedies of Sophocles reflect the era of the Greeks' victorious war against the Persians, which opened up commercial prosperity through trade.

Blood, gore, thrills, chills, and romance abound in these plays by three of the great Greek authors. Included are "Medea" by Euripides; "Antigone" by Sophocles; and "Agamemnon" by Aeschylus.

This compassionate, personal, and illuminating work of nonfiction draws on the author's celebrated work as a director of socially conscious theater to connect listeners with the power of an ancient artistic tradition. For years Bryan Doerries has been producing ancient tragedies for current and returned servicemen and women, addicts, tornado and hurricane victims, and a wide range of other at-risk people in society.

From the moderator of The New York Times philosophy blog "The Stone," a book that argues that if we want to understand ourselves we have to go back to theater, to the stage of our lives Tragedy presents a world of conflict and troubling emotion, a world where private and public lives collide...

Discover the timeless wisdom of Aristotle and how his Poetics continues to shape literature, theater, and storytelling today. For more than two thousand years, Aristotle’s Poetics has stood as one of the most influential works in literary history. In Aristotle and the Art of Poetics: Exploring His Enduring Influence on Literature and Storytelling, The Practical Atlas takes readers on a clear and engaging journey through Aristotle’s vision of tragedy, epic, and comedy, revealing why his ideas remain vital for understanding the power of stories. From Aristotle’s definition of tragedy ...

The Furies is a psychologically complex, dark and twisting novel about loss, obsession and the deep tragedies that can connect us to each other even as they blind us to our fate, from the bestselling author of A Thousand Ships After losing her fiancé in a shocking tragedy, Alex Morris moves...

From renowned classicist Edith Hall, ARISTOTLE'S WAY is an examination of one of history's greatest philosophers, showing us how to lead happy, fulfilled, and meaningful lives Aristotle was the first philosopher to inquire into subjective happiness, and he understood its essence better and more...

Inspired by the mythic house of Thebes, Sophocles’s defining Greek tragedies follow the fates that befall three doomed generations.

He stood upon the lip of a dark ocean and looked to the end of night. What do you do when you wish you'd never got away with murder? Shelley was the forbidden love of Paul's childhood. Now she has turned his life upside down. She has become his lover, and he has committed a murder. How can he possibly reconcile who he was with what he has become? And why does he keep talking about the legendary golden statue of Sumerian courtesan Ah-le-tari? Paul Cane's daughter desperately needs answers. And is it really him talking to her on the phone? "An ambitious work." - Peter Preston Note: Greek ...

Love can be a cruel fate. In the shadow of ancient Greece's grandeur palace, a secret love blossoms between Christos, a chiseled soldier, and the lonely queen. But their passion is doomed from the start. When King Minos discovers their affair, his rage unleashes a terrible fate. Desperate to eliminate the rival for his queen's heart, Minos turns to the dark sorceress Circe, who weaves her malignant magic. Christos is forever changed, trapped in the form of the Minotaur, a monstrous creature bound to the labyrinth. Can their love survive the beast within, or will it succumb to the darkness ...

"Physiology of the Opera" by John H. Swaby describes the opera and its actors in great detail - on the stage and behind the curtains. Excerpt: As an introduction to the dissertation upon which we are about to enter, such an antiquarian view of the subject might be taken as would tend to establish a parallel between the ancient Greek tragedy and the modern sanguinary Italian opera, the strong resemblance therein being displayed of Signor Salvi trilling on the stage, to the immortal Thespis jargoning from a dung-cart.