Ancient Greek Tragedies

This collection presents the works of the three fathers of ancient Greek tragedies: Aeschylus, Sophocles, and Euripides. The reader of this collection will be able to comprehend how the plots and conflicts populating classical tragedy developed. The principle theme of Aeschylus' tragedies is the idea of fate being omnipotent and the futility in struggling against it. The tragedies of Sophocles reflect the era of the Greeks' victorious war against the Persians, which opened up commercial prosperity through trade.

Blood, gore, thrills, chills, and romance abound in these plays by three of the great Greek authors. Included are "Medea" by Euripides; "Antigone" by Sophocles; and "Agamemnon" by Aeschylus.

From the moderator of The New York Times philosophy blog "The Stone", an audiobook that argues that if we want to understand ourselves, we have to go back to theater, to the stage of our lives.

Inspired by the mythic house of Thebes, Sophocles’s defining Greek tragedies follow the fates that befall three doomed generations.

This compassionate, personal, and illuminating work of nonfiction draws on the author's celebrated work as a director of socially conscious theater to connect listeners with the power of an ancient artistic tradition. For years Bryan Doerries has been producing ancient tragedies for current and returned servicemen and women, addicts, tornado and hurricane victims, and a wide range of other at-risk people in society.

Discover the timeless wisdom of Aristotle and how his Poetics continues to shape literature, theater, and storytelling today. For more than two thousand years, Aristotle’s Poetics has stood as one of the most influential works in literary history. In Aristotle and the Art of Poetics: Exploring His Enduring Influence on Literature and Storytelling, The Practical Atlas takes readers on a clear and engaging journey through Aristotle’s vision of tragedy, epic, and comedy, revealing why his ideas remain vital for understanding the power of stories. From Aristotle’s definition of tragedy ...

He stood upon the lip of a dark ocean and looked to the end of night. What do you do when you wish you'd never got away with murder? Shelley was the forbidden love of Paul's childhood. Now she has turned his life upside down. She has become his lover, and he has committed a murder. How can he possibly reconcile who he was with what he has become? And why does he keep talking about the legendary golden statue of Sumerian courtesan Ah-le-tari? Paul Cane's daughter desperately needs answers. And is it really him talking to her on the phone? "An ambitious work." - Peter Preston Note: Greek ...

It's 412 BC, and Athens' invasion of Sicily has failed catastrophically. Thousands of Athenian soldiers are held captive in the quarries of Syracuse, starving, dejected and hanging on by the slimmest of threads. Lampo and Gelon are local potters, men with no work and barely two obols to rub together. With not much to fill their time, they take to visiting the nearby quarry, where they discover prisoners who will, in desperation, recite lines from the plays of Euripides in return for scraps of bread and a scattering of olives. And so an idea is born: the men will put on Medea in the quarry.

Love can be a cruel fate. In the shadow of ancient Greece's grandeur palace, a secret love blossoms between Christos, a chiseled soldier, and the lonely queen. But their passion is doomed from the start. When King Minos discovers their affair, his rage unleashes a terrible fate. Desperate to eliminate the rival for his queen's heart, Minos turns to the dark sorceress Circe, who weaves her malignant magic. Christos is forever changed, trapped in the form of the Minotaur, a monstrous creature bound to the labyrinth. Can their love survive the beast within, or will it succumb to the darkness ...

‘This book will destroy you’ – Premee Mohamed, author of The Butcher of the Forest Daedalus of Crete is many things: the greatest architect in the world; the constructor of the Labyrinth that imprisoned the Minotaur; and the grieving father of Icarus, the boy who plunged into the sea as...

We might think we are through with the past, but the past isn't through with us. Tragedy permits us to come face to face with the things we don't want to know about ourselves, but which still make us who we are. It articulates the conflicts and contradictions that we need to address in order to better understand the world we live in. A work honed from a decade's teaching at the New School, where Critchley on Tragedy is one of the most popular courses, Tragedy, the Greeks and Us is a compelling examination of the history of tragedy.

A compassionate, personal, and illuminating work of nonfiction that draws on the author's celebrated work as a director of socially conscious theater to connect listeners with the power of an ancient artistic tradition.

"Physiology of the Opera" by John H. Swaby describes the opera and its actors in great detail - on the stage and behind the curtains. Excerpt: As an introduction to the dissertation upon which we are about to enter, such an antiquarian view of the subject might be taken as would tend to establish a parallel between the ancient Greek tragedy and the modern sanguinary Italian opera, the strong resemblance therein being displayed of Signor Salvi trilling on the stage, to the immortal Thespis jargoning from a dung-cart.