African American Music History

Listen to the sound of survival, courage, and democracy—the soundtrack of America. Hear Billie Holiday's raspy, mournful voice, and tap your foot to Louis Armstrong's trumpet. Scream with James Brown and bop your head to Grandmaster Flash and the Furious Five. Can you spot the 80+ references to artists like Robert Johnson, Ella Fitzgerald, Jimi Hendrix, Whitney Houston, Lauryn Hill, and Beyonce?

What does it mean to be an American? The story of the African American past demonstrates the difficulty of answering this seemingly simple question. This book illuminates the US's core paradoxes, inviting profound questions about what it means to be an American, a citizen, and a human being. This book considers how, for centuries, African Americans have fought for what the black feminist intellectual Anna Julia Cooper called "the cause of freedom." It begins in Jamestown in 1619, when the first shipment of enslaved Africans arrived in that settlement.

Ragtime Music History: The Complete Guide to the Origins, Legacy, and Essential Recordings of America’s First Popular Music is your ultimate deep dive into one of the most influential musical genres in American culture. From its syncopated origins in African American communities to its peak in the saloons, parlors, and vaudeville stages of the early 20th century, this beautifully written guide explores the evolution, key figures, cultural impact, and lasting legacy of ragtime. Discover the stories of Scott Joplin, James Scott, and Eubie Blake; learn how ragtime shaped early jazz, inspired...

Austin joins Dallas and Houston in Akashic's deep dive into the Lone Star State's darkest dimensions. Featuring brand-new stories by: Gabino Iglesias, Ace Atkins, Amanda Moore, Jeff Abbott, Scott Montgomery, Richard Z. Santos, Alexandra Burt, Lee Thomas, Miriam Kuznets, Jacob Grovey, Chaitali Sen, Molly Odintz, Amy Gentry, and Andrew Hilbert.

In 1964, Martha and the Vandellas recorded "Dancing in the Street." at Motown's Hitsville USA Studio. By the summer, the sixties were in full swing. As the country grew more radicalized in those few months, "Dancing in the Street" gained currency as an activist anthem. Told by the writer who is legendary for finding the big story in unlikely places, Ready for a Brand New Beat chronicles that extraordinary summer of 1964 and showcases the momentous role that a simple song about dancing played in history.

In January 1959, Berry Gordy borrowed $800 from his family and founded the Detroit-based record company that in less than a decade was to become the largest Black-owned business in the United States. It also became one of the most productive and influential producers of popular music anywhere in the world. The Story of Motown is the story of Berry Gordy's triumph over powerful, established financial interests, entrenched popular taste, bigotry, and racism.

From the New York Times bestselling author of Satchel and Bobby Kennedy, a sweeping and spellbinding portrait of the longtime kings of jazz—Duke Ellington, Louis Armstrong, and Count Basie—who, born within a few years of one another, overcame racist exclusion and violence to become the most popular entertainers on the planet.

“I was a devil in other countries, and I was a little devil in America, too.” Inspired by these few words, spoken by Josephine Baker at the 1963 March on Washington, MacArthur “Genius Grant” Fellow and best-selling author Hanif Abdurraqib has written a profound and lasting reflection on how Black performance is inextricably woven into the fabric of American culture. Filled with sharp insight, humor, and heart, A Little Devil in America exalts the Black performance that unfolds in specific moments in time and space

Before recordings, before microphones, before jazz had a name—there was Butler “String Beans” May. Standing Up Singing is a bold, lyrical excavation of one of America’s greatest unsung performers. At just 24 years old, May had already conquered Black vaudeville, redefined piano comedy, and ignited stages from New Orleans to Chicago. He was wild, brilliant, hilarious, and unrecorded. And then—he vanished. No grave. No obituary. Just whispers. Told through the voice of a weathered jazz sideman who saw it all, this book is a rhythm-driven, soul-deep biography that swings between ...

Tupac Amaru Shakur (1971–1996) was an American rap artist, actor, and social activist. More than seventy-five million of his albums have sold worldwide, making him one of the bestselling music artists in the world. Rolling Stone magazine named him the 86th Greatest Artist of All Time.

Shakur also gained notoriety for his conflicts with the law and time spent in prison.

A fast-paced, juicy debut novel that peeks behind the curtain at the cutthroat world of hip-hop music and the glamorous magazine scene in the late 1990s, written by the ultimate insider It's 1999, and Nikki Rose is the only Black editor on the staff of a prestigious fashion magazine she once...

In an extraordinary story unfolding across two hundred years, Kristina Gaddy uncovers the banjo's key role in Black spirituality, ritual, and rebellion. Through meticulous research in diaries, letters, archives, and art, she traces the banjo's beginnings from the seventeenth century, when enslaved people of African descent created it from gourds or calabashes and wood.

At the height of the Civil Rights movement, Lydia Abarca was a Black prima ballerina with a major international dance company—the Dance Theatre of Harlem, a troupe of women and men who became each other’s chosen family. She was the first Black company ballerina on the cover of Dance magazine, an Essence cover star; she was cast in The Wiz and in a Bob Fosse production on Broadway.

The Forgotten Operas of Black Composers unveils a rich, overlooked chapter of musical history, spotlighting the operatic works of Black composers from the 19th century to the present day. From Harry Lawrence Freeman’s grand Wagnerian visions to Anthony Davis’s Pulitzer-winning dramas, these composers have crafted operas of immense depth, innovation, and cultural significance—yet their contributions remain largely absent from the mainstream operatic canon. Through vivid profiles, historical context, and musical analysis, this book celebrates the resilience and brilliance of artists ...

Explore captivating stories and facts about African American history! The history of African Americans is a long and tragic chronicle of events. The people who dared to stand up and speak out against the systemic cruelty and oppression were often brutally killed for their efforts. This has created a rich tapestry of defiant and courageous leaders and followers who have gradually pressed for the evolution of thought within the United States of America.

Nelson George's chronicle of Motown Records' rise and fall remains a classic account of an essential American music company and its dynamic founder, Berry Gordy Jr. Gordy's uncanny instinct for finding extraordinary talent - from performers and musicians to songwriters and producers - packed the label's roster with a who's who of historic artists and hitmakers.

At once the most lucrative, popular, and culturally oppositional musical force in the United States, hip-hop demands the kind of interpretation Imani Perry provides here: criticism engaged with this vibrant musical form on its own terms. A scholar and a fan, Perry considers the art, politics, and culture of hip-hop through an analysis of song lyrics, the words of the prophets of the hood.

Considered by many to be a founder of Afrofuturism, Sun Ra - a.k.a. Herman Blount - was a composer, keyboardist, bandleader, philosopher, entrepreneur, poet, and self-proclaimed extraterrestrial from Saturn. He recorded over 200 albums with his Arkestra, which, dressed in Egypto-space costumes, played everything from boogie-woogie and swing to fusion and free jazz.

From Nelson George, supervising producer and writer of the hit Netflix series The Get Down, this passionate and provocative book tells the complete story of Black music in the last 50 years, and in doing so, outlines the perilous position of Black culture within white American society. In a fast-paced narrative, Nelson George’s book chronicles the rise and fall of “race music” and its transformation into the R&B that eventually dominated the airwaves, only to find itself diluted and submerged as crossover music.

Award-winning civil rights historian Ray Arsenault describes the dramatic story behind Marian Anderson’s concert at the Lincoln Memorial - an early milestone in civil rights history - on the 70th anniversary of her performance. On Easter Sunday 1939, the brilliant vocalist Marian Anderson sang before a throng of 75,000 at the Lincoln Memorial in Washington - an electrifying moment and an underappreciated milestone in civil rights history.