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It's the first century AD, and Marcus Didius Falco, ancient Rome's favorite son and sometimes palace spy, has just been dealt a lousy blow from the gods: the beautiful, high-born Helena Justina has left him in the dust. So when the Emperor Vespasian calls upon him to investigate an act of treason, Falco is more than ready for a distraction. Disguised as an idle vacationer in the company of his best friend Petronius, Falco travels from the Isle of Capreae to Neapolis and all the way to the great city of Pompeii.

When Marcus Didius Falco encounters the young and very pretty Sosia Camillina in the Forum, he senses immediately that there is something amiss. When she confesses that she is fleeing for her life, Falco offers to help her and, in doing so, gets himself mixed up in a deadly plot involving stolen ingots, dangerous and dark political machinations, and, most hazardous of all, one Helena Justina - a brash, indomitable senator's daughter connected to the very traitors that Falco has sworn to expose.

Balbinus Pius, the most notorious gangster in Emperor Vespasian's Rome, has been convicted of a capital crime at last. A quirk of Roman law, however, allows citizens condemned to death "time to depart" and find exile outside the empire. Now, as every hoodlum in Rome scrambles to take over Balbinus' operations, private eye Marcus Didius Falco has to deal with an unprecedented wave of crime - and the sneaking suspicion that Balbinus' exile may not really be so permanent after all.

Flavia Albia is the adopted daughter of Marcus Didius Falco and Helena Justina. From her mother, she learned how to blend in at all levels of society; from her father, she learned the tricks of their mutual professional trade. But her wits and (frequently) sharp tongue are hers alone. Now, working as a private informer in Rome during the reign of Domitian, Flavia has taken over her father’s old ramshackle digs at Fountain Court in the Surbura district, where she plies her trade with energy, determination, and the usual Falco luck.

First century Rome is plagued by all the evils the have beset major cities since time immemorial: crime, corruption, squalor, and worst of all, tourists. When a barge full of those entitled creatures arrives in Rome, they hit all the touristy hot-spots (the Amphitheatre, the Capitol, the dodgy bars with dubious entertainments) before departing for the next destination-leaving behind one of their party, dead and floating in the Tiber.

Ten years after the eruption of Vesuvius, the surrounding countryside lies buried and barren. But the destroyed cities and luxury villas on the Bay of Naples are not utterly lost. Flavia Albia and her husband Tiberius Manlius are tasked with restoring one villa and identifying any surviving remains. What they unearth is beyond disturbing.

Rome, AD 71. Marcus Didius Falco is desperate to leave the notorious Lautumiae prison—though being bailed out by his mother is a slight indignity. Things go from bad to worse when a group of nouveau riche ex-slaves hire him to outwit a fortune-hunting redhead whose husbands have a habit of dying accidentally, leaving him up against a female contortionist, her extra-friendly snake, indigestible cakes, and rent racketeers. All the while Falco tries to lure Helena Justina to live with him.

What did he eat last? Whom did he eat, in fact? Lumbered with working alongside reptilian Chief Spy Anacrites, Falco has the perfect plan to make money - he will assist Vespasian in the Emperor's 'Great Census' of AD 73. His potential fee could finally allow him to join the middle ranks and be worthy of long-suffering Helena Justina. Unexpectedly confronted with the murder of a man-eating lion, Falco is distracted from his original task, uncovering a bitter rivalry between the gladiators' trainers.

Surprisingly, nobody is poisoned at the Society of Olive Oil Producers banquet; the attempted murder of Rome's chief spy occurs immediately afterward. Suspicion falls, quick as the Italian night, on the dinner's sinuous dancer, a lady who has already left for Corduba, Spain. Naturally, Marcus Didius Falco, the Philip Marlowe of Roman detectives, is dispatched to follow her. But he has pledged to stay with Helena, his pregnant, patrician wife, until she gives birth.

Nothing's certain except death and taxes. Catching tax evaders for Emperor Vespasian looks like a plum position for Marcus Didius Falco, who has teamed up with his old boss, Anacrites, the crotchety chief spy of Rome. Soon, however, Falco is bogged down in bureaucracy, stuck at his stylus, and longing for a good murder to investigate. He gets one when someone kills Leonidas, the empire's official executioner.

In the first century, under Domitian's reign, strange and brutal goings on are nothing new in Rome. Flavia Albia, daughter of Marcus Didius Falco, has taken over her father's business as a private informer but she tries to shy away from the brutal, the complicated, and the political—because nothing good comes of any of them. Unfortunately, she's not very good at turning them down. This time a commission shows up on her doorstep—someone is staging brutal murders in some of the most beautiful buildings in Rome, each staging different.

When Germanic troops in the service of the empire begin to rebel and a Roman general disappears, Emperor Vespasian turns to the one man he can trust: Marcus Didius Falco, a private informer whose rates are low enough that even the stingy Vespasian is willing to pay them. To Falco, an undercover tour of Germany is an assignment from Hades. On a journey that only a stoic could survive, Falco meets with disarray, torture, and murder. His one hope: In the northern forest lives a powerful Druid priestess who perhaps can be persuaded to cease her anti-Rome activities and work for peace.

Some things never change. With his new villa, Falco also gets a timeless headache: building contractors. After the departure of two shady plasterers, a rank odor in the bathhouse soon leads to the discovery of a corpse under the mosaic floor. Should Falco follow the culprits to remote Britannica? Despite the British weather (damp), the inhabitants (barbarians), and the wine (second-rate), Falco takes his whole family and goes. In veritas, Falco has another, secret reason for this exodus.

Full-cast BBC Radio 4 dramatisations of the first five Falco novels by Lindsey Davis, starring Anton Lesser as Marcus Didius Falco.

Can a tough detective possess the soul of a poet? After a public reading brings him rousing applause, Falco receives an offer to have his work published. But his ego takes a beating when the banker Chrysippus demands payment for putting the verse on papyrus. Hell hath no fury like an author scorned, and when Chrysippus turns up murdered - in the library, no less - it's poetic justice. Appointed the official investigator, Falco's soon up to his stylus in outraged writers and shifty bankers.

Marcus Didius Falco and his laddish friend Petronius find their local fountain has been blocked - by a gruesomely severed human hand. Soon other body parts are being found in the aqueducts and sewers. Public panic overcomes official indifference, and the Aventine partners are commissioned to investigate. Women are being abducted during festivals, and the next Games are only days away.

Rome, August AD 89. Flavia Albia, the daughter of Marcus Didius Falco, has taken up her father's former profession as an informer. On a typical day, it's small cases - cheating spouses, employees dipping into the till - but this isn't a typical day. Her beloved, the plebeian Manlius Faustus, has recently moved in and decided that they should get married in a big, showy ceremony as part of beginning a proper domestic life together.

In the Italian town of Ostia outside Rome, Falco appears to be enjoying a relaxing holiday. But when Helena arrives carrying a batch of past issues of the Daily Gazette with the intention of catching up on the latest scandal, Falco is forced to admit his real reason for being there. Infamia, the pen name of the gossip columnist for the Daily Gazette, has gone missing, and his fellow scribes have employed Falco to bring him back from his drunken truancy.

In the late August of AD 79, the inhabitants of Pompeii and Herculaneum are going about their normal business in the late summer heat. Two of them have a room share arrangement: Nonius, scrounger, thief and failed pimp works by night and sleeps by day; Larius, the fresco painter with dreams of artistic greatness, does the opposite. When just after midday the summit of Vesuvius disappears in a vast volcanic ash cloud, their lives will change forever.

Decades earlier Appius Tranquillus Surus wrote his will: it freed his slaves and bequeathed his businesses to them. He left an orchard to the Prisci, a family he was friendly with, on the condition that his freedmen could still take its harvest. The convoluted arrangement has led to a feud between the two families, each of which has its own internal strife. Endless claims and counterclaims lead to violence and even death. Lawyers have given up in exasperation as the case limps on. The original will has disappeared, along with a falsified codicil - and might there be another one?