iServalan™ Podcast Por Sarnia de la Maré FRSA arte de portada

iServalan™

iServalan™

De: Sarnia de la Maré FRSA
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A personal journal style podcast with multi-media creator iServalan.
I also feature writing, poetry, and songs by Tale Teller Club, Flex, Vapor Punk and friends.

We launch the Elderescence series in February 2026 embracing and celebrating the age of maturity with interviews and chats with people who changed their lives, or created a new world dimention for themselves.Sarnia de la Mare Arte Entretenimiento y Artes Escénicas Historia y Crítica Literaria
Episodios
  • Music in the Night Spoken Word Poetry Public Domian Lyrics | Digitlal Conservatoire

    Music in the Night Spoken Word Poetry Public Domian Lyrics | Digitlal Conservatoire
    Dec 16 2025
    https://iservalan.gumroad.com/
    https://www.amazon.co.uk/stores/author/B0CWGX2DJ6
    https://www.a-n.co.uk/person/sarnia-de-la-mare-frsa-2/

    #Sarnia de la Maré FRSA #iservalan #poetrypodcast #spokenword
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    2 m
  • The Double Bass and the Human. What Instrument are You? by iServalan™ at the Digital Conservatoire

    The Double Bass and the Human. What Instrument are You? by iServalan™ at the Digital Conservatoire
    Dec 16 2025
    This article is part of the Digital Conservatoire series
    The Instruments & the People Who Find Them The Double Bass: The Architecture of Sound | iServalan
    (Explore the full series → https://iservalan.gumroad.com/p/the-instruments-the-people-who-find-them) The double bass suits those who think structurally. Bass players often sense foundations instinctively and recognise instability early. They understand that strength lies in support rather than display, and that visibility is not a prerequisite for influence. Emotionally, bass personalities tend to be steady and regulating. They absorb excess energy and return equilibrium. There is frequently a dry, observational humour — clarity without drama — and a confidence that does not require reinforcement. The double bass encourages perspective. Its range and role require players to think beyond the immediate moment and consider the whole. This suits individuals who are comfortable with responsibility, patience, and long arcs of development. Physically, the bass responds to authority without force. Movement is economical and grounded, guided by gravity rather than effort. Space is occupied confidently, and sound emerges through weight and timing rather than speed. The instrument rewards those who work with physics rather than against it. Energetically, if the cello is voice, the double bass is earth.
    It supports everything, whether acknowledged or not. A final reflection:
    Bass players are often underestimated. They rarely underestimate themselves for they know the truth, that all music depends on them. Continue the series:

    →The Violin: The Art of Immediate Truth
    →The Viola: The Intelligence of Depth
    →The Cello: The Voice of Embodied Emotion
    → The Double Bass: The Architecture of Sound
    →The Piano: The Instrument of Thought

    Other Essays

    What does Bjork has in Common with Bach?



    https://iservalan.gumroad.com/
    https://www.amazon.co.uk/stores/author/B0CWGX2DJ6
    https://www.a-n.co.uk/person/sarnia-de-la-mare-frsa-2/

    #Sarnia de la Maré FRSA #iservalan #poetrypodcast #spokenword
    Más Menos
    2 m
  • The Piano and the Human. What Instrument are You? by iServalan™ at the Digital Conservatoire

    The Piano and the Human. What Instrument are You? by iServalan™ at the Digital Conservatoire
    Dec 16 2025

    This article is part of the Digital Conservatoire series
    The Instruments & the People Who Find Them The Piano: The Instrument of Thought
    (Explore the full series → https://iservalan.gumroad.com/p/the-instruments-the-people-who-find-them) The piano attracts those who think in layers. Pianists hold melody, harmony, and rhythm simultaneously, navigating detail within architecture. This requires a balance of analytical clarity and emotional sensitivity, and a tolerance for complexity that unfolds over time. The instrument encourages self-sufficiency. Pianists are often comfortable working alone, generating structure internally rather than relying on external cues. Discipline and repetition are not obstacles but tools, and refinement becomes a form of inquiry rather than correction. The piano cultivates patience of a particular kind: the willingness to return, again and again, to the same material and hear something new each time. For many pianists, mastery is not about speed or volume, but about depth of understanding. Physically, the piano responds to balance and containment. Independent coordination of limbs is essential, yet the body remains composed. True power arises from depth and release rather than force; sound blooms when effort is organised rather than increased. The hands move freely because the body is settled. Energetically, if the violin is spark and the cello is voice, the piano is mind.
    It thinks in sound. A final reflection:
    Many pianists begin young. The deeper journey begins when the instrument becomes a place of thought and refuge, rather than measurement. Continue the series:



    https://iservalan.gumroad.com/
    https://www.amazon.co.uk/stores/author/B0CWGX2DJ6
    https://www.a-n.co.uk/person/sarnia-de-la-mare-frsa-2/

    #Sarnia de la Maré FRSA #iservalan #poetrypodcast #spokenword
    Más Menos
    2 m
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