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art-parlor

De: Friends in Art
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Friends in Art welcomes you to The Art Parlor where visually-impaired artists of all types will discuss their work. Pull up a chair, bring your beverage of choice, and listen to thoughtful, stimulating conversations with visually-impaired artists in all media and from all parts of the world.2020 Arte Entretenimiento y Artes Escénicas Historia y Crítica Literaria
Episodios
  • The Art Parlor for April, 2026 Presents: NVision Guitars!
    Apr 2 2026
    Episode Notes Welcome to The Art Parlor for April, brought to you by Friends in Art! It's been a spell and we are very glad to be back! Join us for an inspiring conversation with the creators of NVision Guitars, a mother-and-son team building custom adaptive guitars for musicians with disabilities. From tactile designs for blind players to ergonomic solutions for mobility challenges, their work is opening doors to music for everyone. Hear their story, their passion, and how they’re redefining accessibility in the arts. AI-Generated Transcript Jason Opinions expressed on ACB Media are those of the respective program contributors and cannot be assumed to serve as endorsements of products or views by Friends in Art, the American Council of the Blind, their elected officials, or staff. Friends in Art welcomes you to the Art Parlor, where visually impaired artists of all types will discuss their work. Pull up a chair, bring along your beverage of choice, and listen to thoughtful, stimulating conversations with visually impaired artists in all media and from all parts of the world. And now, here's your host, Anne Chiappetta. Ann Welcome everyone to the Friends and Art, Art Parlor podcast. I'm Ann Chiappetta, your president, and I'm joined tonight by some special guests. But before I get to them, I also want to let you know that Meghan Downing, one of our board members, is here to help us welcome our guests from Envision Guitars. So we have Renee and Tristan. And I just want to welcome you guys. I know we had you featured on our blog at www.friendsinart.org/news. If anybody wants to go there and check you guys out for your interview. So welcome, welcome, welcome. Renee Thank you. Thank you for allowing us to be here. Ann Sure. So you're from Iowa, right? Tristan Yep, we're from Ankeny, Iowa. So just a suburb outside of Des Moines. Ann So my new guide dog's name is Iowa, by the way. So really? Tristan Really? How did you know? Ann He was born in the I litter. And that's the name that they picked. So. Oh, okay. Yeah. I just thought that was a little, a cute little thing to let you guys know. Before we get into like the questions, could you give us a little bit of your history, how you started your business and maybe some of the reasons why? Sure, yeah, absolutely. Renee Well, Tristan started playing guitar when he was about 10 years old. And he's always had a love for guitar and played it and kind of messed around with building guitars all through high school. And anyway, about a year and a half, two years ago, I was having some health issues and Tristan was taking me back and forth to Mayo. And we just really got into some deep talks about life and the purpose of life. And I had recently retired from the military. So I had been running a Christmas decorating business that I had to actually quit due to the health issues. And so we were just talking over just what the future holds for both of us actually. And I said, you know, what would make you the happiest? What do you think would you would find most purpose in? And he said, I would find most purpose in building guitars. And that was just kind of out of the blue because I never knew that he actually just wanted to build guitars for a living. And I said, Well, you know, what's stopping you from doing that? And he said, I don't know. And I said, Well, what would that look like? And so we brainstormed on up to Mayo and we talked about how my dad, who was a quadriplegic, had went to Easter Seals and gotten training on leather making and he had gotten some tools from them and he had found his purpose through that. And then Tristan had shared with me that when he was younger, he used to play the guitar with his eyes closed because he was afraid that someday he may not be able to see and he was afraid that he may not be able to play the guitar. And so he'd been doing that for some time. And just on that same vein, we brainstormed the idea of what if we made guitars for people who can't just pull a guitar off of the shelf of a box store and play it. So what if we made guitars for people who have challenges, maybe some low vision or maybe they're blind or maybe they're in a wheelchair and they have spatial considerations or Parkinson's. You know, there's a variety of different challenges face where they can't just take a guitar, like I said, off of the shelf. And you know, as we dug into it, we realized there's actually nothing like that. There's nothing like that out there. There's guitars that look like tech toys, and there's guitars that maybe they have, you know, some tactile markers on them with glue or some homemade type of fashioned material to allow people to kind of use it, but nothing's actually made for people with these challenges. And we thought, well, why won't we, you know, we could do that. And so we have developed various adaptations for our guitars and we built a business around it. And that's what we do. So Tristan is the luthier and I do the ...
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    39 m
  • From the 2025 ACB Conference & Convention - Poems of Protest, Resistance, and Empowerment
    Oct 8 2025

    Welcome to this month's edition of The Art Parlor! This session was recorded at the 2025 ACB Conference and Confvention on June 28.

    Poetry is meant to be read aloud. In this session, poems written by Langston Hughes, Mya Angelou, Denise Levertov, Alan Ginsberg, and other powerful talents were performed and discussed.

    Facilitated by: Annie Chiappetta.

    We thank you for your support and hope you enjoy the show!

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    1 h y 5 m
  • The Art Parlor for September Presents: Abbie Johnson Taylor
    Aug 31 2025
    Episode Notes Welcome to the September edition of The Art Parlor, brought to you by Friends in Art! In this episode, we speak with author and entertainer, Abbie Taylor. Join us as we explore her journey starting as a music therapist, with music entertainment and writing following in step. We also learn about her newly-published book, Living Vicariously in Wyoming: Stories. It was a pleasure having Abbie with us on the Art Parlor and we hope you enjoy the show! To learn more about her and stay up to date, visit her website at www.abbiejohnsontaylor.com. AI-Generated Transcript Opinions expressed on ACB Media are those of the respective program contributors and cannot be assumed to serve as endorsements of products or views by Friends in Art, the American Council of the Blind, their elected officials or staff. Friends in Art welcomes you to the Art Parlor, where visually impaired artists of all types will discuss their work. Pull up a chair, bring along your beverage of choice, and listen to thoughtful, stimulating conversations with visually impaired artists in all media and from all parts of the world. And now, here's your host, Ann Chiappetta. Good evening everyone, welcome to the Friends in Art Art Parlor, where artists and audiences thrive. You can find us on www.friendsinart.org. Tonight we are talking to Abbie Johnson-Taylor, and Abbie is a singer, a musician, a poet, and an author. Did I miss anything, Abbie? I don't think so, I think you covered it all. All right, and we're going to talk a little bit about your newest book, Living Vicariously in Wyoming, which is a great title, by the way, and all the other creative things you do in your life. Hopefully we can get it all in in the time that we're going to be talking to you. So, Abbie, first maybe you tell us a little bit about yourself, where you live, what you do, and then we'll go from there. Okay, well I'm in Sheridan, Wyoming, and I am, as you said, a writer, and I'm also a singer. I've published seven books, and there's two novels, two poetry collections, and a memoir, and then this new short story collection that just came out back in March. And when I'm not writing, I entertain monthly at two or three senior facilities in the community, plus at our local senior center, and then I also do the music for a local church the second Sunday of the month. And then in the fall, winter, and spring months, I sing with a group called the Hubcaps, which meets at the senior center and does most of our performances there. My goodness, you need a personal assistant to like help you out. Right, well, that's what I have my AMAZON ECHO devices for, and my iPhone. So, yeah, yeah, definitely. So, how long has it been for you, like, when did you get the bug, like this, you know, I know that, at least I think I remember you saying you came from a musical family, and can you talk a little bit about that? Well, my grandfather played the saxophone in a band, and so I think I must have inherited his musical genes. And then my younger brother did play drums for a while, and I think he still does, but I don't know that he does it on a regular basis as much as I do play the piano and guitar and sing. But yeah, I have, and when I went, my mother loved to tell this story about how I started playing music. They had purchased a used piano, upright piano, and they thought it would just be a toy. And I was about five years old, and I was digging around one day, and I don't really remember this, but my mother said she heard me playing "da-da-da-da," and so she immediately went to call a piano teacher. Oh, and so where did you go from there? Well, I took lessons, you know, off and on. At that time, we were living in Tucson, Arizona, and I, you know, took lessons from several teachers, and then we moved here to Wyoming, and I took lessons for another year or so, and then I finally gave up, and I then got interested in playing popular songs and then singing and using the piano to accompany myself. And I pretty much did that, you know, through my teen years. And then in college, when I decided to study music therapy, I had to get a guitar, because, you know, if you're working, like, in nursing homes, and of course the residence rooms don't have pianos, and so you need something portable that you can take, you know, and play when you're in those situations. So, and that's basically how my music career got off the ground. How long did it take for you to really learn the guitar and feel confident with the guitar? Well, I actually, I'm guessing maybe like one semester, because I just took a beginning guitar class, and that was really all I needed for what I was going to do. Just, you know, learn some basic stuff, you know, just to play, you know, a few chords here and there, nothing, nothing really fancy. So, yeah, about a semester. And then, you know, the piano kind of, I really don't remember how long it took to learn the piano. I was pretty small when I started, but, you know, I...
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    50 m
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