This week, we're chatting to Hannah Beckerman. She's been dubbed the 'new Queen of Domestic Noir', and after the success of the bestselling, 'The Forgetting', has published her 5th novel, 'Three Mothers'. If you love Louise Candlish or Liane Moriarty, you'll enjoy how Hannah writes.

Here's the blurb...

When seventeen-year-old Isla Richardson is killed in a hit-and-run incident, a community’s lives are thrown into disarray. For Isla’s mum, Abby, it is her second devastating bereavement, having lost her husband five years ago.

Tackling friendship, family, social prejudice and the pressures facing young women, Three Mothers how well do we really know our children? And how far would any of us go to protect the people we love?

Hannah also works as a broadcaster, journalist and book critic, reviewing for The Guardian, The Observer and BBC Radio 2. She presents as a judge and panellist at book events, and we discuss what pressure that puts on her own writing, and how much she tries to learn from other authors' work.

You can hear how much she knows at the start, why she treats it like a 'regular' 9-to-5, and how she makes sure her characters are all unique when writing genre-fiction.

This week's episode is sponsored by Faber Academy. Their flagship 'Writing a Novel' course is more than a course, it's a commitment to your craft. Find out more at faberacademy.com/writing-a-novel

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This week, we're chatting to award-winning global bestseller, Faith Hogan.

Faith has published many uplit/ women's fiction novels - the last one 'The Bookshop Ladies' won the An Post Irish Book Award for Best Popular Fiction Novel of the Year. Faith's writing journey has taken her from working in many different jobs, never quite sure if she will admit that she wants to be a writer, to becoming a Kindle #1 bestseller across the world. We discuss how she's ended up finally being a full-time writer. Faith has also published crime fiction as Geraldine Hogan.

Her novels are often set on fictional Irish islands, which help her bring to life specific elements of the story - she reveals why. Also, she's a perfectly happy pantser, and we discuss what Faith needs to know before starting her novels. You can hear how she knows her readers so well, what drew her to write Uplit, and what a Faith Hogan novel needs to be.

Her new novel is 'The Women at Ocean's End', here's the blurb -

Constance Macken, in her ninth decade, is looking back on a life filled with laughter and loss, tragedy and triumph, but knows it is time to right the wrongs from her past that have always haunted her.

Heather Banks arrives on the island to bury her mother. Already adrift with her business sold and her divorce finalised this may be the perfect opportunity to change the course of her future.

Ros Stokes has managed to slip into the perfect job, the perfect cottage and friends that feel like family. However, when the stitches of her life begin to unravel, she must find a way to hold onto the things that have become most dear to her and let go of what holds her back.

Now, in a faded art deco house near the ocean's end, these women must come together to save the house they love, and each other, because they might have run from their troubles but only time will tell if they can overcome their past.

This episode is sponsored by Faber Academy's 'Writing a Novel' course. Find out how it covers everything you need to master your craft - https://faberacademy.com/writing-a-novel/

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This week, we're chatting to global bestseller John Niven. His breakthrough novel was the hit 'Kill Your Friends', a brutal takedown of his career in the 90's music industry. He went on to write the screenplay for the movie version too, starring Nicholas Hoult. John has published 10 novels, including 'The Second Coming', 'Straight White Male', and 'Kill 'Em All'. Also, he's written screenplays for more hit movies, co-writing 'How to Build a Girl', with Caitlin Moran.

His new novel is 'The Fathers', which tells the story of Dan and Jada, who meet in a busy maternity ward. One is a TV writer and first-time father, the one is a small-tme criminal having his 6th... ot 7th kid. When a tragedy throws them together, Jada sees the chance for one last get-rich-quick scheme.

We talk about picking projects, switching to screenplays, and why he's always got a novel on the go. You can hear how much he knows before he starts writing, and when the plot starts to become clear on the writing road trip. Also, we run through how he knows when he's ready to start writing again.

You can get a copy of the book at uk.bookshop.org/shop/writersroutine

Support the show

patreon.com/writersroutine

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