Why YES’s ‘90125’ Album Was Genius (and Hated) | Music Innovation, Synths, and Trevor Horn

Brian Redd and the Tuesday Night Music Show crew delve into music history and the risks bands take with new sounds. A deep dive into the Yes album 90125 explores why its use of new technology—like the Fairlight CMI and Trevor Horn's production—made it groundbreaking, yet divisive for long-time progressive rock fans. This segment connects […]