To celebrate our 200th episode of Whats My Frame; I'm joined by Alexis Booth & Faith Abraham for an inside look at the casting process. Alexis shares her creative journey to Head of Casting at Kapital Entertainment, while Faith reflects on nearly a decade in casting across TV and film. Together, they walk us through the executive casting process at Kapital Entertainment. It’s an encouraging, conversation about building relationships, staying grounded and gaining a deeper understanding of the creatives championing for us with each audition.

Alexis Booth Full Bio:

Alexis began her career working on hit shows like Scrubs and Desperate Housewives before transitioning into television casting. She worked in Scott Genkinger & Deborah George’s office on Breakout Kings and Gigantic, and then moved to feature films with Roger Mussenden & Jeremy Rich, casting X-Men: First Class and Jack and Jill. Alexis then transitioned to TNT and TBS, where she rose through the executive ranks and oversaw casting for a decade, managing projects such as Snowpiercer, The Alienist, The Last Ship, Major Crimes, The Last O.G., Wrecked, and People of Earth. With the launch of HBO Max, she also managed casting for The Flight Attendant and Made for Love. After working as a casting director on an assortment of television pilots and films for cable and streaming, Alexis began her current position as Head of Casting at Kapital Entertainment. She has worked on shows and films, including The Neighborhood, Watson, DMV, Crutch, One Mile, Civil Justice, and Comedy Pays.

Faith Abraham Full Bio:

Faith Abraham has been working in casting for nearly a decade and is currently based in Los Angeles. This native east coaster came out west to work in the film and entertainment industry. Since then, she has worked on several different television shows and features films. Some of which includes, CBS’s CSI: Vegas and Fire Country, NBC’s Good Girls, Netflix’s Firefly Lane and Blumhouse’s Halloween. More recently she has become apart of the in house casting team at Kapital Entertainment. Over the years, Faith has developed an eye for spotting exceptional talent and has enjoyed years of nurturing relationships between talent and creatives.

Director Kelly Park is from Philly. She attended Quaker schools during her early years, influencing her life perspective. After launching her career as a marketer and project manager in the technology and advertising industries, she decided to switch things up. Inspired by her actress mother to listen to her "funny bone", she took a leap of faith, and moved to Los Angeles to pursue a career in comedy. She began studying at Second City and The Groundlings, which led to commercials, short films, and sketch comedies. However, she soon realized being in front of the camera wasn't what fed her soul, teaching was. This eventually would lead to teaching children and young adults the fundamentals of acting and improv. Kelly quickly became one of the most sought-after acting coaches in television, working on numerous pilots and television shows for Nickelodeon, Disney Channel, Amazon, and Netflix. This led to her ultimate passion, which is directing. She debuted on the Emmy-nominated Netflix show ALEXA & KATIE and directed several episodes including the series finale. From there, she went onto direct numerous shows such as THE NEIGHBORHOOD, FAMILY REUNION, THE UPSHAWS, NIGHT COURT, FRASIER, GRACE & FRANKIE, THE GAME, STATION 19. It didn't stop there for Kelly, she became a Pilot Director for COUNTRY COMFORT (Netflix), BLACK DON'T CRACK (ABC), LOPEZ VS. LOPEZ (NBC), and NON-EVIL TWIN (NBC).
She is also a writer and producer, currently developing several projects with her husband and producing partner. So far, they've sold shows to CBS and NBC.

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Alliance of Women Directors Spotlight

Today on Whats My Frame, I’m joined by Casting Director Meg Morman. Meg is a casting director and partner at Morman Boling Casting. Her award-winning work includes the feature films Omaha (Sundance 2025), Green and Gold, Waitress, Hello, My Name is Doris, Aporia, The Ballad of Lefty Brown, and Me and You and Everyone We Know. TV and streaming credits include The Baxters, Sneakerheads, Ish Hashuv Meod, The Dead Girls Detective Agency, and the Emmy-nominated Relationship Status. Meg has also worked extensively in narrative podcasts, casting notable projects such as DC High: Volume Batman, Blackout, Ad Lucem, 13 Days of Halloween (Seasons 2 & 3), Last Known Position, and Narcissa.

An Artios Award winner and Heller Award nominee, she is currently in her second term on the Casting Society Board. She has also served as a casting advisor for Film Independent’s Directing Lab and the Global Media Makers project.