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This week, What Have I Missed? looks at success from three very different angles - how it’s built, how it’s sold and who ends up carrying the weight of it.

Moneyball rewrites the rules through systems and efficiency, challenging tradition in the quietest way possible.

Winning Time turns victory into spectacle, where image, power and performance matter as much as the result.

And The Smashing Machine strips everything back to the body — endurance, damage and the cost of being valued for how much you can take.

Three stories.

One pressure.

What happens when success demands more than it gives back?

Let’s get into it.

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This week, we’re spending time in worlds where truth doesn’t arrive politely, it slips in through the cracks.

From the brittle manners and quiet cruelties of Gosford Park. To the slow, devastating unravelling of The Mortician. To the cool precision of Knives Out: Wake Up Dead Man - where Benoit Blanc returns to peel back another carefully-constructed façade…

Three stories.

Three very different worlds.

One thread running through them all: what happens when the mask finally slips and the truth refuses to stay buried.

This is What Have I Missed?

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This week, we’re spending time with the work of the late, great Rob Reiner - a filmmaker whose range shaped modern cinema in ways that still echo today.

From the aching nostalgia and fragile loyalties of Stand By Me…

to the perfectly-straight-faced chaos of This Is Spinal Tap…

to the razor-sharp courtroom pressure of A Few Good Men…

Three films.

Three completely different worlds.

One director who knew exactly when to step back and let performance and truth do the work.

This is What Have I Missed