Werner Herzog's November 2025: Instagram Debut, Ghost Elephants, and the Future of Truth

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Werner Herzog, the legendary German filmmaker known for his audacious vision and philosophical musings, has had quite an eventful November 2025. The eccentric director made a surprising entrance into social media this month by joining Instagram, marking a significant shift for someone who famously avoided cellphones and digital platforms. In his inaugural reel, Herzog explained to his followers that despite his historical resistance to social media, he felt compelled to share his creative process and aspects of his personal life with the world.

On the documentary front, Herzog's latest feature-length work, Ghost Elephants, premiered at the Venice Film Festival earlier this month. National Geographic Documentary Films has acquired the U.S. streaming rights, with the documentary set to premiere on Disney Plus and Hulu. In the film, Herzog follows conservation biologist Steve Boyes on a quest to prove the existence of a mysterious and perhaps mythical herd of elephants in Angola's highlands. Herzog described the project as an unexpected exploration that felt like hunting for Moby Dick, emphasizing his characteristic focus on dreams and imagination weighed against reality.

Additionally, Herzog released a new book titled The Future of Truth, which has drawn critical attention from publications like the Los Angeles Review of Books, where philosopher Sam Shpall recently examined Herzog's enigmatic approach to truth and philosophy.

On the retrospective side, Criterion Collection released a new four-K restoration of Les Blank's documentary Burden of Dreams, which chronicles the chaotic five-year production of Herzog's classic film Fitzcarraldo. The restored version includes previously unavailable materials, including audio commentary featuring Herzog himself, interviews, and the short film Werner Herzog Eats His Shoe. This release has sparked renewed interest in Herzog's most ambitious and controversial work.

The filmmaker also received recognition through his foundation when Canadian filmmaker Harley Chamandy was awarded the 2024 Werner Herzog Film Prize for his feature Allen Sunshine. Herzog praised Chamandy's work, noting the filmmaker's participation in Herzog's first workshop for young filmmakers in Cuba at just seventeen years old.

Finally, in media appearances, Herzog sat down with CBS News Sunday Morning on November twenty-third to discuss his approach to filming extreme content and pushing the boundaries of documentary cinema. These recent developments showcase Herzog's continued relevance and active engagement across multiple platforms, from streaming services to social media to traditional broadcasting.

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