Lorenzo Semple’s 14-page “Batnotes” memo to prospective Bat-writers lays out the basic things he wanted a writer to understand before attempting a Batman script. In our second episode digging into this memo, we discuss how the villian’s real goal often isn’t revealed until the end, some surprising revelations on how Semple imagined the GCPD and possible casualties among the henchmen, how murder isn’t an MO for Bat-Villains (except for their attempts to murder the Dynamic Duo), and more. Plus: how YOU can help Tim and Paul assemble a TO THE BATPOLES! episode on this topic!

Listen to Bat Bits and see the memo we’re discussing by subscribing to our Patreon for at least $2 a month! For $4 a month, you ALSO get our monthly discussion of silver age Batman comics as Paul or another in our stable of co-hosts joins Tim to examine individual Batman stories from the 1950s and 60s! Slide down your Batpole to join our Patreon today!

We had heard before that it existed, and we’ve finally found it: Lorenzo Semple’s 14-page “Batnotes” memo to prospective Bat-writers about “a few simple rules and concepts” about what should or should not happen in a Batman script. Tim and Paul want to dig through this carefully, so in this episode they discuss the first few pages, with more to come. In this episode: Qualities of Gotham City, why the show shouldn’t move on to other settings, the mystery of our heroes’ other identities, and qualities of the Bat-foes. Plus: how YOU can help Tim and Paul assemble a TO THE BATPOLES! episode on this topic!

Listen to Bat Bits and see the memo we’re discussing by subscribing to our Patreon for at least $2 a month! For $4 a month, you ALSO get our monthly discussion of silver age Batman comics as Paul or another in our stable of co-hosts joins me to examine individual Batman stories from the 1950s and 60s! Join today!

In 1967, Yvonne Craig was added to the Batman cast as Batgirl, in an effort to boost the ratings. It wouldn’t fly today, but Batman’s producers and the media were pretty up-front, and a bit crude, about the effort to add sex appeal to keep the show afloat. This time on BAT BITS, we discuss a TV GUIDE article on Yvonne that serves as Exhibit A on that front, but also gives us some interesting glimpses of Yvonne’s personality.

Listen to BAT BITS and see the article we’re discussing by subscribing to our Patreon for at least $2 a month! For $4 a month, you ALSO get our monthly discussion of silver age Batman comics as Paul or another in our stable of co-hosts joins me to examine individual Batman stories from the 1950s and 60s! Join today!

Lorenzo Semple, Jr., is the writer entrusted by producer William Dozier with getting the writing side of Batman off the ground. This time, we take a look at a letter from Semple to Dozier, in which he discusses his plans for the script of “Zelda the Great”, a template for Bat-scripts, concerns about Adam West’s acting style, and more.

Listen to Bat Bits and see the letter we’re discussing by subscribing to our Patreon for at least $2 a month! For $4 a month, you ALSO get our monthly discussion of silver age Batman comics as Paul or another in our stable of co-hosts joins me to examine individual Batman stories from the 1950s and 60s! Join today!

On the latest BAT BITS, we conclude our examination of Sheldon Stark’s final script for Fine Finny Fiends, including a scene setting relocated for lack of the right set, what Finella was supposed to be wearing in the final scene, the shifting explanations of who knows where the banquet will be held, and changes in the script to give the audience just enough information…

Listen to BAT BITS and see the script we’re discussing by subscribing to our Patreon for at least $2 a month! For $4 a month, you ALSO get our monthly discussion of silver age Batman comics as Paul or another in our stable of co-hosts joins Tim to examine individual Batman stories from the 1950s and 60s!

On the latest Bat Bits, we begin an examination of Sheldon Stark's final script for Fine Finny Fiends. Somewhat inexplicably, this arc’s theme is fish rather than birds. Maybe because penguins eat fish? Tim and Paul find some additional fish references that got cut, and some of them with good reason. Or maybe not? Also we find some gags that were added after this script, some puzzling stage directions, things that were changed to work better on television, and more.

Listen to Bat Bits and follow along with a PDF of the script by subscribing to our Patreon for at least $2 a month! For $4 a month, you ALSO get our monthly discussion of silver age Batman comics as Paul or another in our stable of co-hosts joins me to examine individual Batman stories from the 1950s and 60s! Come on over to patreon dot com slash decon comics to find out what else is fishy about this script!

On the latest Bat Bits, we wander out into the wider Dozierverse to look at the correspondence between William Dozier, producer of Batman and The Green Hornet, and Bruce Lee, whom Dozier tried several times to find a vehicle for before landing on the role of Kato. We get some of Bruce’s feelings about his 1965 screen test, get some of Bruce’s comments about how “Gong Fu” should be portrayed on the show, and more.

Listen to Bat Bits and see the Dozier and Lee letters by subscribing to our Patreon for at least $2 a month! For $4 a month, you also get our monthly discussion of silver age Batman comics as Paul or another in our stable of co-hosts joins me to examine individual Batman stories from the 1950s and 60s! Join today!

While Rik Vollaerts’ early draft of The Bookworm Turns was very different from what was broadcast, surely the final script is exactly what we saw? But no, that’s never true; some changes always occur at the hands of the director, and perhaps the actors. A significant scene (and significant henchman) disappeared from this story as broadcast. Was it simply cut for time, or were there questions of taste? In the latest BAT BITS, Tim and Paul discuss the differences and what may account for them.

Listen to Bat Bits and follow along with a PDF of the script by subscribing to our Patreon for at least $2 a month! For $4 a month, you ALSO get our monthly discussion of silver age Batman comics as Paul or another in our stable of co-hosts joins me to examine individual Batman stories from the 1950s and 60s! Come on over to patreon dot com slash decon comics to join the fun!