The story of gold: ancient origins (part one) Podcast Por  arte de portada

The story of gold: ancient origins (part one)

The story of gold: ancient origins (part one)

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Welcome back to Stories in Colour! And welcome to the first episode of our new miniseries in which we'll be telling the story of a rare, sparkling and glistening colour – or should we say material?

Join Nelly von Aderkas from the National Gallery’s Scientific department and host Beks as they dive into the ancient origins of gold! From colliding supernovas to the tomb of Tutankhamun and the man with the Midas touch, we will be exploring the materiality of gold, where this precious metal comes from and its symbolism in art and literature.

Nelly is a Specialist Scientist and Organic Analyst at the National Gallery with a background in paintings conservation.

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Watch the full episode on our YouTube channel: https://www.youtube.com/watch?v=-z2Xr4O8sqE

You can email us with any questions via podcast@nationalgallery.org.uk

Find out more about the podcast on our website: https://www.nationalgallery.org.uk/podcast

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Paintings mentioned:

Jacopo di Cione, 'The Crucifixion', about 1369-70. The National Gallery, London https://www.nationalgallery.org.uk/paintings/jacopo-di-cione-the-crucifixion

Nicolas Poussin, 'Midas Washing at the Source of the Pactolus', ca. 1627. The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/437328

Jean-François de Troy, 'The Capture of the Golden Fleece', 1742-3. The National Gallery, London https://www.nationalgallery.org.uk/paintings/jean-francois-de-troy-the-capture-of-the-golden-fleece

Nicolas Poussin, 'The Adoration of the Golden Calf', 1633-4. The National Gallery, London https://www.nationalgallery.org.uk/paintings/nicolas-poussin-the-adoration-of-the-golden-calf

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Further reading:

Discover more on gold in the National Gallery’s collection: https://www.youtube.com/watch?v=diJUaHMnazU https://www.youtube.com/playlist?list=PLvb2y26xK6Y6T7IfNAc1jMa_zMoX231MX

Find out more about gold in Jacopo di Cione’s 'The Crucifixion':

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