In this episode of The Writing Life, Trinidadian writer Celeste Mohammed reflects on the role of family, mythology, and Caribbean folklore in her writing.

Celeste has been a lawyer since 2001 but she has been telling stories all her life. A native of Trinidad and Tobago, in 2016, she graduated from Lesley University, Cambridge, Massachusetts, with an MFA in Creative Writing (Fiction). Her debut novel Pleasantview won the 2022 OCM Bocas Prize for Caribbean Literature. Ahead of its publication in the Caribbean and the UK, a story from her current novel-in-stories Ever Since We Small was shortlisted for the 2024 Commonwealth Short Story Prize.

She sat down with her friend and fellow Trinidadian writer Ayanna Lloyd Banwo to discuss Ever Since We Small, a powerful novel-in-stories in which survival, resilience and self-discovery are passed down through generations of an Indo-Trinidadian family. Together, they explore her use of the short story form to create an intricately woven tapestry of stories, Caribbean folklore, and the book's themes of belonging, resistance, and legacy.

In this episode of The Writing Life Podcast, novelist and essayist Matt Greene shares the process of writing his latest novel, The Definitions – a work of dystopian fiction which interrogates and plays with the relationship between language, memory and the self.

Matt is a novelist and essayist. His first novel, Ostrich, published in 2013, won a Betty Trask Award and was a Daily Telegraph book of the year. His memoir, Jew(ish) was published in 2020. His latest novel, The Definitions, was published in October 2025. He lives in London with his partner and two sons.

The Definitions is an elegant and haunting dystopian novel about a group of individuals gathered to relearn how to navigate the world after a mysterious illness strips them of their memories.

He sat down with NCW’s Steph McKenna to discuss the genesis of the novel, which began as a philosophical experiment, and how working within the dystopian genre allowed him to explore how language shapes identity. They also touch on his approach to writing characters who lack memory or a sense of self, and how their gradual understanding of the world was conveyed through a playful, vivid use of simile and metaphor.

In this episode of The Writing Life, Singapore-based writer Choo Yi Feng shares his approach to writing speculative fiction.

Choo Yi Feng is an intertidal explorer, climate activist, ecologist and fiction writer. The Waiting Room is his debut short story collection. Elsewhere, his short stories have previously been published in Foglifter Journal, Anathema: Spec from the Margins, Queer Southeast Asia and Alluvium, the journal of Literary Shanghai. He was nominated for the Pushcart Prize in 2022. His residency in the Dragon Hall Cottage was supported by the National Arts Council of Singapore.

He sat down with writer and mentor Simon K Jones to discuss world building in speculative fiction, and how his work blends elements of science-fiction, horror, mythology, and more. Together, they touch on his month-long residency in Norwich UNESCO City of Literature, his method for developing mysterious, compelling characters, and how his interest in the sea and sea animals translates in his stories.