In this episode of The Working Artist Project, Darrian Douglas and Gregory Agid cross over with the guys from Blind Duet. Take a listen to this and check out more at the Blind Duet Podcast.

In this episode of The Working Artist Project, Darrian Douglas talks to up and coming artist Gina D'Soto about her career trajectory thus far.

Always comfortable and very real, Gina D’Soto graces every stage with her energetic, soulful, and powerful vocals; being widely recognized as a very charming, playful, and passionate human being, unafraid of showing who she is, and fiercely open to connecting with her audience and those around her. Since moving to North America at a young age, 22-year-old singer-songwriter - composer and arranger Gina D’ Soto is one of the first prominent Cuban musicians to emerge out of the late 90’s generation, with a sound best described as the blending of jazz, soul, fusion and Cuban traditions. Born and raised in Havana, Cuba, Gina D’Soto was only 15 years old when she began to develop an interest in singing, then she began to appear in the most important jazz-elated national events and venues of the island such as The International Jazz Plaza Festival and Jazz Clubs like La Zorra y El Cuervo, and started collaborating with acclaimed Cuban musicians such as Yassek Manzano and Dayme Arozena. In her formative years as a vocalist, Gina D’Soto moved to Montreal, Canada where she made a lasting impression on the music scene by performing at the Montreal Jazz Festival and Montreal Folk Festival; winning the Ranee Lee Jazz Voice Scholarship and was one of the finalists in the Slir D'Or Montreal World Music Competition. She also began appearing at venues around the area such as Upstairs Jazz Club, Club Balattou, and Maison de la Culture NDG, as a soloist and with her band The Inner Circle. Since moving to New York City, Gina has shared the stage with world-renowned musicians like Arturo O'Farrill, Antonio Sanchez, Roman Filiu, Ana Tijoux, and Jon Faddis. She also has performed at the Winter Jazz Festival and Exit Zero Jazz Festival while singing throughout the Tri-State area at many venues including Minton's PlayHouse, Shrine, Gin Fizz Harlem, and Zinc Bar. Gina has also participated in the "Fandango at the Wall" Cd release by six times Grammy Winning artist Arturo O'Farrill as well as the CD release of "Duele" by the Lady of Neo-Bolero Maria Bacardi at Joe's Pub. #Podcast #hiphop #theworkingartistproject #neworleans #musiceducation #newyork #marketing #branding #business #art

In this weeks episode of the Working Artist Project, Darrian Douglas and Gregory Agid speak to clarinetist virtuoso, Evan Christopher

Evan Christopher combines virtuosity, immaculate taste, and enthusiasm with a commitment to exploring the full range of possibilities in the New Orleans clarinet tradition.

His highly personal brand of “contemporary, early jazz” strives to extend the legacies of early Creole clarinet heroes such as Sidney Bechet, Barney Bigard and Omer Simeon.

Critics remarking on Christopher’s dynamic expressiveness have coined his style “close-encounter music” (NEW YORK TIMES) and have called his respect for the music traditions of New Orleans, “a triumph, joining the present seamlessly to a glorious past.” (THE OBSERVER, UK).

His journey on Clarinet Road began in 1994, when he left his native California to join the New Orleans music community. Diverse freelance work included gigs with musicians such as Al Hirt and veterans of Preservation Hall to funk and brass bands including the Nightcrawlers and Galactic.

But in 1996, he left for San Antonio, Texas to appear nightly for nearly three years with the Jim Cullum Jazz Band and record several of their public radio programs, Riverwalk: Live from the Landing.

When Christopher returned to New Orleans in 2001, his published research on the New Orleans clarinet style initiated pursuit of a Master’s degree in Musicology at Tulane University. He began touring internationally and producing his “Clarinet Road” series of CDs (STR Digital).

In August 2005, when Federal levees failed in the aftermath of Hurricane Katrina decimating the city, Christopher left again for Paris at the invitation of the French Embassy’s Cultural Services division, where he formed his group, Django à la Créole. This Europe-based quartet fused Gypsy Swing with Latin-tinged grooves of New Orleans and beyond and was distinguished for an acoustic intimacy paired with driving swing.

Critics charmed by the group queried, “Is there a more graceful band at work at the moment?” (THE SUNDAY TIMES UK).

Three CDs for Lejazzetal (London), in partnership with Frémeaux & Associés (Paris)—Django à la Créole (2007), Finesse (2010), and LIVE! (2014)—earned the group critical attention worldwide for its elegant character.

As a composer, Christopher’s original songs are the high point of acclaimed recordings including Delta Bound (Arbors, 2007) featuring pianist Dick Hyman, The Remembering Song (Arbors, 2010) featuring guitarist Bucky Pizzarelli, his clarinet feature on the Grammy-winning New Orleans Jazz Orchestra’s Book One (2012) and his latest Clarinet Road CD, Bayou Chant & Other Textures (STR Digital, 2016).

In July 2010, he had the honor to debut his Treat It Gentle Suite with the Minnesota Orchestra, which was the first concerto written for clarinet with band in the New Orleans style.

Evan Christopher began his musical training on clarinet at age 11. In high school, he received the Louis Armstrong National Jazz Award and was one of the first graduates of the prestigious Idyllwild Arts Academy.

He continued studies at the University of Southern California and graduated with honors from California State University, Long Beach. A brief teaching stint at the University of New Orleans saw the creation of a New Orleans music ensemble that performed with guest mentors such as Lucien Barbarin and Marcus Roberts.

Since 2008, having returned once again to New Orleans, Christopher actively advocates for the cultural workforce and music education.

He frequently tours with and records as a guest with forward-looking artists, while performances under his own name are often complemented by workshops and educational and community outreach.

Occasional columns about the music scene and New Orleans culture written for NolaVie.com, evidence Evan's passion for the city’s indigenous traditions.