The Unfinished Print : A Mokuhanga Podcast Podcast Por Andre Zadorozny arte de portada

The Unfinished Print : A Mokuhanga Podcast

The Unfinished Print : A Mokuhanga Podcast

De: Andre Zadorozny
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The Unfinished Print is a podcast dedicated to exploring the art of Japanese woodblock printing, or mokuhanga. It offers an in-depth look at the printmakers, carvers, gallerists, and collectors involved in this unique art form. Through interviews, Andre Zadorozny, a mokuhanga printmaker himself, delves into what mokuhanga means to so many people. Arte
Episodios
  • Raluca Iancu - Printmaker : Setting Intentions
    Mar 26 2026
    Mokuhanga is a medium that invites an adventurous side to ones personality. It can carry your ambitions to different places, allowing you to explore and grow—not only in your work, but in yourself. Raluca Iancu joins me, a mokuhanga printmaker who investigates her practice through other forms of printmaking, travel, and learning from diverse teachers and instructors from around the world. Raluca speaks with me about how she discovered mokuhanga, how her work is shaped by other printmaking mediums, and how her travels and residencies have influenced her practice. We also discuss her time with MI Lab and her role as Associate Professor of Art & Visual Culture, Printmaking at Iowa State University, and how these experiences inform her mokuhanga work. And finally, we explore if mokuhanga can be a medium for change—whether it can serve as an act of activism or a tool for transformation.

    Please follow The Unfinished Print: A Mokuhanga Podcast and my own mokuhanga work on my website andrezadoroznyprints.com Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com

    Artists works follow after the note if available. Pieces are mokuhanga unless otherwise noted. Dimensions are given if known. Print publishers are given if known. If there are any issues with something you've heard in the episode please don't hesitate to email.

    Notes: may contain a hyperlink. Simply click on the highlighted word or phrase.

    Raluca Iancu - website, Instagram

    More notes to come

    © Popular Wheat Productions

    logo designed and produced by Douglas Batchelor and André Zadorozny

    Introduction music while working - Oscar Peterson

    Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :)

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    1 h y 16 m
  • Ogawa Washi w/ Seiko Musashi : Stick To Your Principals
    Feb 26 2026
    As regular listeners may know, in my free time, I'vbe been researching Japanese washi. I'm looking for the "perfect paper," something that I can return to again and again in my own prints. It hasn't been straightforward. There's a lot of washi out there. A lot to test. A lot to understand. The search continues. I'd like to introduce you to a papermaking community in Saitama Prefecture, Japan — Ogawa Washi. In Ogawa and Higashi-Chichibu, papermakers have been producing washi for over 1,300 years with studios continuing to operate there today. I had the opportunity to speak with Seiko Musashi; Ogawa washi exporter, art program coordinator, translator, about the history of the area, who is making paper now, and how these paper maing studios continue even as generations change and family lines shift. We also talk about how Ogawa connects outward. In the past few years they've hosted longer, week-long workshops in mokuhanga and washi making. Including groups from RMIT University, University of Massachusetts Lowell, and earlier visits from the University of California Santa Cruz through connections with Terry McKenna and his Karuizawa Mokuhanga School. It's one of the ways this small papermaking community stays active and engaged with artists from outside of Japan. Seiko has dedicated much of her life to sharing Ogawa's washi beyond Japan — and in our conversation, we reflect on what the future might look like for communities like Ogawa. Please follow The Unfinished Print: A Mokuhanga Podcast and my own mokuhanga work on my website andrezadoroznyprints.com Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com Artists works follow after the note if available. Pieces are mokuhanga unless otherwise noted. Dimensions are given if known. Print publishers are given if known. If there are any issues with something you've heard in the episode please don't hesitate to email. Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Ogawa Washi - these are the following links to Ogawa Washi and Seiko Musashi (Office Harvest). www.officeharvest.com Wano Kaze is the Ogawa Washi shop - www.wanokaze-washi.com Patty Hudak - is an American artist who splits her time between Vermont and NYC, who works in installation, and mokuhanga. She has travelled the world, and is a part of three artist collectives. Patty's interview with The Unfinished Print can be found, here. Come Closer Mia O - is one of the most interesting and creative mokuhanga printmakers working in the medium, today. As a South Korean born, Japan based printmaker Mia's work moves outside the traditional formats of mokuhanga, through shape, collage, colour, and even the folds of washi. Mia's interview with The Unfinished Print can be found, here. Untitled Michi no Eki (道の駅)- is a community driven space crated by the Japanese government in order for local people from the area ususally found off of highways. You can find toursim information as well as rest and get food and drink. kōgyō kumiai (工業組合)- is a manufacturing collective in which groups of manufacturers or craftspeople cooperate for mutual benefit. Terry McKenna - is a mokuhanga printmaker and teacher residing in Karuizawa, Japan. He received guidance in the art form from Richard Steiner, a prominent mokuhanga printmaker based in Kyoto. Terry established the Karuizawa Mokuhanga School, a renowned residency dedicated to mokuhanga education, located in Karuizawa, Japan. Further details about Terry and his school can be found, here. Additionally, you can listen to Terry's interview with The Unfinished Print: A Mokuhanga Podcast, here and Richard Steiner's interview here. Your Magic Tree (2013) 43 cm × 26.2 cm Tokyo Metropolitan Art Museum - is a major public art museum located in Ueno Park in Tokyo. Founded in 1926 as Japan's first public art museum, it is operated by the Tokyo Metropolitan Government and is known primarily as a venue museum, hosting a wide range of temporary exhibitions rather than maintaining a large permanent collection. It presents major international shows, large juried exhibitions by Japanese art associations, and exhibitions organized by independent artist groups. More info, here. The Great Britain Sasakawa Foundation - is a UK-based not-for-profit organization that promotes relations between The United Kingdom and Japan. Established in 1985, it supports projects in areas such as arts and culture, education, research, policy, and public engagement that strengthen understanding between Japan and the United Kingdom. It provides grants to individuals and institutions, funds exhibitions and cultural exchanges, and supports academic research related to Japan. More info, here. Daiwa Anglo-Japanese Foundation - is a UK charity established in 1988 with support from Daiwa Securities Co Ltd to strengthen links between Britain and Japan. It promotes UK–Japan relations ...
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    1 h y 14 m
  • Hidehiko Gotō - Printmaker/Master Baren Maker
    Jan 31 2026

    I'm trying to make my travels to and from Japan as fruitful as possible—through interviews, printing and carving, and by continuing to educate myself about mokuhanga. The goal is to keep improving, to make work I'm truly proud of, and to bring you the highest quality content I'm capable of.

    On this episode of The Unfinished Print: A Mokuhanga Podcast, I'm joined by Gotō Hidehiko, a mokuhanga printmaker and master baren maker. As most people likely know—or certainly should by now—Gotō-san is one of the finest craftspeople working today. His baren are nothing short of exceptional, spanning a wide range of models and price points. The baren is one of the essential tools of mokuhanga, fundamental to the process and the prints themselves.

    Join me as I speak with Gotō Hidehiko about his history with mokuhanga and baren making, his relationship with his teacher Kikuo Gosho, and what he learned during his time studying with Gosho-san. We also discuss tools Goto-san has developed to improve mokuhanga printing, as well as how he approaches both mokuhanga and baren making in the present day.

    I would like to thank Yoshiko Yamamoto of Arts and Crafts Press for her help with translation—without her, this interview would not have been possible.

    This episode was recorded in Goto-san's studio in Oiso, Kanagawa, Japan. You may hear some background noise, which couldn't be helped. Thank you for your patience.

    Please follow The Unfinished Print: A Mokuhanga Podcast and my own mokuhanga work on my website andrezadoroznyprints.com Instagram @andrezadoroznyprints or email me theunfinishedprint@gmail.com

    Notes: may contain a hyperlink. Simply click on the highlighted word or phrase.

    Artists works follow after the note if available. Pieces are mokuhanga unless otherwise noted. Dimensions are given if known. Print publishers are given if known.

    Gotō Hidehiko - Baren Kikuhide website, Yoshiko Yamamoto - Arts and Crafts Press website

    Bumpōdō - is an art store based in Tōkyō, Japan, and founded in 1887. The website can be found here, in Japanese. The English pdf, can be found, here.

    ategawa - is the "top" portion of the baren, or as David Bull called it, "the backing disc." It is the hard disc made by using layers of, hopefully, aged washi from the Meiji Period or just as old with persimmon juice. Mokuhankan has a very good description of how a baren is made, here.

    © Popular Wheat Productions

    logo designed and produced by Douglas Batchelor and André Zadorozny

    Introduction music while working - Spadina Station live music

    Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :)

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    41 m
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