In this episode of The Truth In This Art, the guest is Cecilia M. McCormick!

Who is Cecilia M. McCormick: President of MICA (Maryland Institute College of Art) with 33 years in higher education, an art collector who raised three sons now working in the creative field.

In our conversation, McCormick talks through MICA's bicentennial year and the vision she's building as the school hits 200. She connects the programming to three themes—illumination, innovation, and entrepreneurship—and digs into new degrees shaped by workforce demand. As she puts it, creativity is "the commodity that cannot be automated, outsourced, or depleted."

She recalls the "Set of Lights" event where students recreated colonial life through costume—everything from lanterns to candlelight soldiers. We get into AI's role in the classroom, how MICA is teaching students to use it as a tool while emphasizing "the human mark," and the best lesson she's learned: "know when to pivot." Looking ahead, her focus is on experiential learning and driving Baltimore's creative economy.

Be sure to follow Cecilia M. McCormick and MICA to keep up with bicentennial programming and future projects. Join MICA in Celebrating 200 Years of Creative Impact

Photo courtesy of subject

The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore).

Host: Rob Lee
Music: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.
Production:

• Produced by Rob Lee & Daniel Alexis
• Edited by Daniel Alexis
• Show Notes courtesy of Rob Lee and Transistor

Photos:

• Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.
• Guest photos courtesy of the guest, unless otherwise noted.

Support the podcast

• The Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.org
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In this episode of The Truth In This Art, the guest is Jess Owens-Young!

Who is Jess Owens-Young: Maryland-based collage and mixed media artist and professor who creates work informed by her experiences as a Black woman, mother, and former athlete, using vintage magazines (Ebony, Jet, Essence) to explore the joy and melancholy of Black life in the United States.

In our conversation, Owens-Young talks about her transition from semi-pro soccer player to artist in 2018 and her two favorite series: Oak Bluffs Golf Club (exploring Black leisure and the hidden history of golf) and Hoop Dreams Never Die. As she puts it, "I use sports and our everyday experiences as storytelling vehicles to share our stories about joy, hopes and dreams."

She recalls creating in her laundry room studio—"If I am waiting for a load of laundry to finish, like it has five more minutes, I might take out some paint and make papers"—preparing materials in 20-minute sessions so she's ready when inspiration strikes. We get into how motherhood has made her practice more focused, how teaching public health feeds her art, why her initials spelling JOY matter now, working with vintage magazines as time capsules, and why she invites viewers to interpret their own stories within her work.

For updates, follow @truthofstrength on Instagram and Threads, and visit jessowensyoung.com.

Photo courtesy of subject

The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore).

Host: Rob Lee
Music: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.
Production:

• Produced by Rob Lee & Daniel Alexis
• Edited by Daniel Alexis
• Show Notes courtesy of Rob Lee and Transistor

Photos:

• Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.
• Guest photos courtesy of the guest, unless otherwise noted.

Support the podcast

• The Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.org
• The Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.social
• The Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=en
• The Truth In This Art Podcast Website: https://www.thetruthinthisart.com/
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In this episode of The Truth In This Art, the guest is Chandler Chavez.

Who is Chandler Chavez: A Los Angeles–based filmmaker, editor, story analyst, and writer originally from Arizona, drawn to complicated characters and stories that test our empathy—especially when they’re filtered through the strange mechanics of online attention.

In our conversation, Chandler unpacks his feature debut: a dark-comedy “screenlife” film told entirely through a computer desktop, set inside the “hellscape” of live streaming—where the real-time chat isn’t set dressing, it actively drives the story forward. He talks about arriving at the format out of pure practicality (making something possible with very little money), then spending years refining the cut to make the digital world feel specific and true—not “movie internet,” but the kind of online authenticity you recognize immediately.

We also get into the long road from early festival submissions with unfinished materials to a stronger re-approach—new poster, press kit, and a tighter final version—leading to the project’s selection for the 2026 Maryland Film Festival.

Catch Chandler Chavez’s feature debut at the Maryland Film Festival, April 8–12, screening at the SNF Parkway Theatre and venues across Baltimore.

The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore).

Host: Rob Lee
Music: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.
Production:

• Produced by Rob Lee & Daniel Alexis
• Edited by Daniel Alexis
• Show Notes courtesy of Rob Lee and Transistor

Photos:

• Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.
• Guest photos courtesy of the guest, unless otherwise noted.

Support the podcast

• The Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.org
• The Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.social
• The Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=en
• The Truth In This Art Podcast Website: https://www.thetruthinthisart.com/
• The Truth In This Art Podcast Shop: Merch from Redbubble

In this episode of The Truth In This Art, the guest is Kenny Riches!

Who is Kenny Riches: A Miami and Salt Lake City-based filmmaker born in Toyota City, Japan, whose award-winning features explore loneliness, identity, and human connection through intimate, character-driven narratives. With a BFA in Painting and Drawing and a filmography that includes The Strongest Man (Sundance premiere, 2015) and A Name Without A Place (2019), Kenny has received support from Sundance Institute, Knight Foundation, and PBS—and is co-founder of The Davey Foundation, a grant-giving organization for filmmakers.

In our conversation, Kenny traces his journey from wanting to make films in the early 2000s when 16mm was still too expensive for a broke college student, to making skateboard videos with camcorders that evolved into short films alongside childhood friend and actor Patrick Fugit. He breaks down how Mouse—his fourth feature screening at Maryland Film Festival April 8–12 at the SNF Parkway Theatre and venues across Baltimore—emerged from pandemic isolation as a meditation on loneliness in the pre-social media early 2000s and a thriller about a lonesome first-generation person in ultra-white, ultra-religious Utah who gets tangled up in pen pal scams and petty theft. Kenny shares the bizarre real-life origin behind the film's scam storyline: a mysterious filmmaker friend he talked to for years without ever seeing his face, whose very existence his girlfriend suspected was an elaborate con—paranoia that bled straight into Mouse. He talks about directing his Japanese mother after convincing her a week before production (his pitch: we'll save money), the difference between Miami's endless weirdness through fresh eyes versus Utah's invisibility after a lifetime there, why he believes 90% of directing is casting, and running relaxed sets where everyone's cracking jokes instead of stressing out. We also dig into why pre-production and script feedback from actual filmmakers—not just your friends—will save your life, the collaborative magic of bringing all your people together to make something, and his advice to forget arbitrary deadlines because nobody cares if you made your first feature at 25.

Don't miss Kenny Riches' Mouse regional premiere at Maryland Film Festival—a thriller that's funny, a little thrilling, and quietly cuts to the bone about what it means to look for connection when the world keeps you lonesome.

The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore).

Host: Rob Lee
Music: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.
Production:

• Produced by Rob Lee & Daniel Alexis
• Edited by Daniel Alexis
• Show Notes courtesy of Rob Lee and Transistor

Photos:

• Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.
• Guest photos courtesy of the guest, unless otherwise noted.

Support the podcast

• The Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.org
• The Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.social
• The Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=en
• The Truth In This Art Podcast Website: https://www.thetruthinthisart.com/
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In this episode of The Truth In This Art, the guests are Ben Baker-Lee and Rasaan Hammond!

Who are Ben and Rasaan: Ben Baker-Lee and Rasaan Hammond are Baltimore-born filmmakers and co-directors of A Life in Art through the eye of Dr. Leslie King Hammond. Ben, founder of TrueView Film, has been documenting life through a lens since high school, drawn to film's power to capture truthful emotion and lived experience. Rasaan, who grew up immersed in the art world as the son of Dr. Leslie King Hammond (former dean at MICA), gravitated toward audio-visual storytelling early on, working in production, weddings, music videos, and now documentary film.

Ben and Rasaan talk about their early influences—from 2001: A Space Odyssey at the Senator Theater to sci-fi classics like Star Wars and E.T.—and how their filmmaking journeys began with video cameras in hand. We dive into the origins of their documentary: what started as a casual request from Leslie to film one of her students evolved into a years-long portrait of a cultural architect and "way maker" for artists of color. They share stories of Dr. Hammond's warmth, humor, and fierce conviction, the challenges of shaping a lifetime of material into a cohesive narrative, and the intimate family perspective Rasaan brings as her son. The conversation also touches on the film's observational approach, the significance of Joyce J. Scott's relationship with Leslie, and what they hope audiences take away from the film.

For updates and screening information, follow @Leslie_King_Hammond on Instagram, visit ALifeInArt.net, and catch the film at the Maryland Film Festival in Baltimore, April 2026, where Joyce J. Scott will present the opening night screening.

The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore).

Host: Rob Lee
Music: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.
Production:

• Produced by Rob Lee & Daniel Alexis
• Edited by Daniel Alexis
• Show Notes courtesy of Rob Lee and Transistor

Photos:

• Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.
• Guest photos courtesy of the guest, unless otherwise noted.

Support the podcast

• The Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.org
• The Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.social
• The Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=en
• The Truth In This Art Podcast Website: https://www.thetruthinthisart.com/
• The Truth In This Art Podcast Shop: Merch from Redbubble

In this episode of The Truth In This Art, returning guest Esteban Whiteside is back!

Who is Esteban Whiteside: A Durham, North Carolina-based artist, Esteban Whiteside creates bold social commentary through what he calls "concrete oppressionism"—work that confronts American cultural absurdities with childlike aesthetics, parody, and irreverent humor. Working across canvas, wood, and sculpture, his art is both therapy and truth-telling, making heavy subjects digestible through wit and visual directness inspired by artists like Jacob Lawrence.

Esteban talks about his creative evolution since our last conversation, including his new clock series exploring history and revolutions, and how he balances tackling heavy subject matter with abstract work that lets him breathe. We dive into why he uses humor to shame oppression, the colors that make him happy (brilliant blue, yellow, and emerald green), and how his art reflects his personality—chill in person, but uncompromising when it comes to speaking truth. He shares stories about drawing daily lunchbox notes for his daughter that sparked the clock series, unconventional painting techniques (like writing text upside down or left-handed), and why Jacob Lawrence's Migration Series opened the door for him to become an artist.

He reflects on the importance of making art accessible at every price point and staying true to his voice no matter what may come with that.

For updates, follow @estebanwhiteside on Instagram and visit estebanwhiteside.com.

Revisit Esteban's first interview on The Truth In This Art here.

Image courtesy of Esteban Whiteside

The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore).

Host: Rob Lee
Music: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.
Production:

• Produced by Rob Lee & Daniel Alexis
• Edited by Daniel Alexis
• Show Notes courtesy of Rob Lee and Transistor

Photos:

• Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.
• Guest photos courtesy of the guest, unless otherwise noted.

Support the podcast

• The Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.org
• The Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.social
• The Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=en
• The Truth In This Art Podcast Website: https://www.thetruthinthisart.com/
• The Truth In This Art Podcast Shop: Merch from Redbubble

In this episode of The Truth In This Art, the guest is Veronica Jackson!

Who is Veronica Jackson: A Washington, D.C.-bred and Virginia-based visual artist whose foundation is rooted in architecture and museum exhibit design. She critically examines the lives of Black women through innovative visual art, exploring themes of invisibility, hypervisibility, and devaluation—bringing powerful narratives to life using familiar objects, archival texts, and data.

In our conversation, Veronica traces her late-in-life arrival to visual art—graduating from grad school in 2016 with plans to teach, then attending a Santa Fe residency where "art just started pouring out of me." She breaks down her seminal piece That's Pops’s Money, a data portrait memorializing her grandmother's devalued domestic labor through 813 hand-cranked time cards printed in blue ink on black paper—chronicling 67 years of marriage, nine children, and invisible work. Veronica explains how she pulls from established archives like the Library of Congress, Sojourner Truth's carte de visite statement "I Sell the Shadow to Support the Substance," Jefferson's Farm Book (which listed enslaved workers alongside cattle), and poets like Lucille Clifton ("...every day something has tried to kill me and has failed") to tell stories rooted in truth. She discusses her BLACKTIVISTS series spotlighting 13 understudied Black women from the 19th century, including Anna Julia Cooper—the only woman quoted in every U.S. passport—and reflects on how visual culture shapes perceptions, why Black land ownership matters, and what it means for Black women to mark, claim, and take up space.

Don't miss Veronica Jackson's work—her archive-driven, text-based pieces make the invisible visible and challenge how we see history, labor, and value.

The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore).

Host: Rob Lee
Music: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.
Production:

• Produced by Rob Lee & Daniel Alexis
• Edited by Daniel Alexis
• Show Notes courtesy of Rob Lee and Transistor

Photos:

• Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.
• Guest photos courtesy of the guest, unless otherwise noted.

Support the podcast

• The Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.org
• The Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.social
• The Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=en
• The Truth In This Art Podcast Website: https://www.thetruthinthisart.com/
• The Truth In This Art Podcast Shop: Merch from Redbubble

In this episode of The Truth In The Art, the returning guest is Lanise Howard!

Who is Lanise Howard: A Los Angeles-based multidisciplinary artist, Lanise Howard creates work centered around a reimagining of different histories, especially within the black experience. She pulls from the past and from the future, which she often sees in her dreams. Working across paintings, drawings, sculpture, and soon textiles, Howard is a world-builder whose portraiture depicts Black bodies and paints often untold stories.

Lanise talks about the three bodies of work she's currently developing: her main project, a sci-fi world based in the future but with a story that started in the 1970s; a more personal body of work featuring herself traversing different landscapes; and an ancestral series honoring different ancestors from the past. We dive into her world-building practice, how she merges the "future past" or "past future" to create parallel universes and new dimensions, and her approach of asking which medium best conveys each story she wants to tell.

She reflects on recent museum shows—particularly at the California African American Museum in partnership with Art and Practice—where she witnessed diverse audiences getting emotional while viewing her work. Lanise shares details about her Miami solo show, where she experimented with cultural elements like feathers and architectural details. She opens up about becoming more unapologetic in her work, navigating the art world as a Black woman who has to demand respect, and why her work is always uplifting—even when melancholic—to give people hope.

For updates, follow @lanise_howard_studio on Instagram and Twitter, and visit lanisehowardart.com.

This is Lanise's second appearance on The Truth In This Art—it's been a little over two years since her first episode.

The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore).

Host: Rob Lee
Music: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.
Production:

• Produced by Rob Lee & Daniel Alexis
• Edited by Daniel Alexis
• Show Notes courtesy of Rob Lee and Transistor

Photos:

• Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.
• Guest photos courtesy of the guest, unless otherwise noted.

Support the podcast

• The Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.org
• The Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.social
• The Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=en
• The Truth In This Art Podcast Website: https://www.thetruthinthisart.com/
• The Truth In This Art Podcast Shop: Merch from Redbubble