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In this episode of the SweetGeorgia show, we kick off the new season with David Giles from Daedalus Spinning Wheels. David shares the story of how Daedalus Spinning Wheels began and how a blend of engineering, curiosity, and care for makers led to a fresh approach to spinning technology. He also shares about the newest addition to their flock, the Dove e-Spinner.

A Bit About David:
Daedalus Spinning Wheels is owned and operated by Dave and Rebecca Giles. Founded in 2018, the business grew out of their dye studio, Spotted Ewe Fibers, when Rebecca began spinning her own yarn. Dave soon found himself drawn to the mechanics behind handspinning and brought his engineering background into the studio, designing e-Spinners that feel light, responsive, and intuitive to use.

What started with the Blackbird e-Spinner quickly grew into a full lineup of electric wheels and tools, all shaped by their connections with the spinning community. Dave and Rebecca continue to listen, refine, and imagine what will come next!

Find Show Notes, Links & More:
https://sweetgeorgiayarns.com/the-sweetgeorgia-show-s6-e1-daedalus-spinning-wheels/

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In this episode of The SweetGeorgia Show, Felicia Lo speaks with Heavenly Bresser, an accomplished fibre artist known for her expertise in spinning, knitting, and teaching. They discuss Heavenly's creative journey, the importance of community in fibre arts, and her passion for restoring spinning wheels. Heavenly shares her experiences in teaching and the joy of experimentation in crafting, as well as her strategies for balancing her artistic pursuits with family life. The conversation highlights the vibrant world of fibre arts and the connections that inspire creativity.

Takeaways:

• Heavenly explains the origin of her business name, Heavenly Knitchet.
• Heavenly shares her honest initial struggles with a drop spindle, including wrist pain and compacted fibre.
• A turning point in Heavenly's journey was finding a local guild.
• She details her process of restoring antique wheels, which involves everything from replacing leather treadle straps to using a wood lathe to recreate missing parts.
• Heavenly reveals she is currently building her own Charkha.
• She offers unique one-on-one clinics to help students overcome specific hurdles, whether they want to learn to spin bulky yarn or master a long draw.
• To juggle raising a family, teaching, and restoring wheels, Heavenly uses a "patchwork" approach.
• Throughout the episode, Heavenly embodies a growth mindset: "I don't know how to do this yet, but I can learn."

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In this episode of The SweetGeorgia Show, host Felicia welcomes Grayson Erlbacher, the general manager of Erlbacher Knitting Machines. They discuss the vibrant community surrounding circular sock knitting, the importance of events like the crank-in, and the history and evolution of knitting machines. Grayson shares insights into the company's journey, the significance of fostering a supportive environment for knitters, and the future of machine knitting. The conversation highlights the blend of craftsmanship and community in the fibre arts world.

Takeaways

• The crank-in experience fosters community and connection among knitters.
• Erlbacher Knitting Machines emphasizes a relaxed and welcoming atmosphere at events.
• Understanding the manufacturing process enhances appreciation for knitting machines.
• Community feedback is crucial for improving events and experiences.
• The history of knitting machines is rich and tied to significant historical events.
• Grayson transitioned from nursing to managing a family business in knitting machines.
• The company has seen a rise in younger knitters interested in machine knitting.
• Crafting has become a lucrative market compared to traditional industries.
• Erlbacher Knitting Machines focuses on customer satisfaction and support.

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In this episode of The SweetGeorgia Show, host Felicia Lo interviews Andrew Bryson, a passionate weaver and teacher, who shares his journey into the world of inkle and tablet weaving. Andrew discusses his background in fibre arts, the intricacies of different weaving techniques, and the importance of overcoming the fear of starting a new craft. They discuss the freedom that comes from pursuing creative passions without the pressure of commercial success, the cultural significance of weaving across different societies, and the need for a shift towards sustainable practices in fashion.

Takeaways:

• Andrew Bryson has been weaving for about five years and has a deep respect for historical weaving techniques.
• He emphasizes the importance of sharing knowledge within the fibre arts community.
• Inkle weaving is a form of band weaving that is warp-faced and often involves hand manipulation for patterning.
• Tablet weaving is more complex and allows for a variety of techniques and patterns.
• Both inkle and tablet weaving can be as intricate as multi-shaft loom weaving.
• The loom is just a tool; the creativity comes from the weaver's choices.
• Starting with weaving can be daunting, but it's important to overcome the fear of making mistakes.
• The value of the process and learning in fibre arts is often overlooked.
• Materials should not be treated as too precious; the experience of creating is what matters.
• Balancing a full-time job with a passion for weaving requires intentional time management.
• Pressure on creativity can stifle artistic expression. Creative freedom allows for exploration without constraints.
• Weaving is a universal cultural practice; these techniques are vital for cultural preservation. Historical techniques connect us to our past.
• Learning traditional crafts cannot be replaced by technology.
• The fast fashion culture lacks sustainability.
• Repairing items is a growing movement.
• Engaging in fibre arts fosters community and creativity.

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Join Felicia Lo from SweetGeorgia Yarns as she reflects on the company's upcoming anniversary! September 2025 marks 20 years since its humble beginnings, starting with hand-dyed yarns made right at her dining room table. Felicia shares her amazement at how quickly time has flown by since starting SweetGeorgia Yarns and talks about how and why they founded the School of SweetGeorgia and now the new SweetGeorgia Community.

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In this episode of the SweetGeorgia Show, Felicia Lo speaks with Fiona McLean and Amanda Milne of Knit Social about the evolution of Knit City over the past decade, the challenges faced during the pandemic, and the exciting expansion of their events to new locations. They discuss the importance of community in the fibre arts, the introduction of new shows in Montréal, Calgary, and Toronto, and the unique retreats they offer. The conversation highlights the resilience and adaptability of the knitting community, as well as the innovative approaches they are taking to engage with new audiences and continue to grow their events.

Takeaways

• It has been 10 years since we last spoke together on the SweetGeorgia Show.
• We were just about to launch our first Knit City Montréal when March 2020 pandemic shutdowns took place.
• We have four shows across Canada now: Vancouver, Calgary, Toronto, and Montréal, two shows happening each year.
• We have a really great group of makers participating in our events and volunteers helping to make them possible.
• We love bringing people to, and showing them, how beautiful BC is with our local retreats. Tours have also expanded to Europe.
• The Knit City Emerging Makers program was first launched in Calgary, and it will be for the first time in Vancouver in 2025.
• We might just have to get a little bit creative with the venue for Knit City Vancouver. It's exciting to see how the show is going to evolve.
• There are always new people coming in who are super interested in fibre arts.
• We love seeing the different demographics come in, including more men and younger people.

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In this episode of the SweetGeorgia Show, Felicia Lo speaks with Britt Garber, a designer and advocate in the crochet community. They discuss Britt's journey into crochet, her design philosophy, the importance of community, and her initiatives like the Makers of Color Collective. Britt shares her experiences with Tunisian crochet, the challenges of designing patterns, and her commitment to inclusivity in the craft. The conversation highlights the significance of representation and support within the crafting community, as well as Britt's future plans for teaching and expanding her reach.

Takeaways

• Britt started crocheting in 2015 and founded the Makers of Color Collective in 2019.
• She is self-taught and initially struggled with crochet before finding her passion.
• Britt emphasizes the importance of designing patterns that she enjoys making.
• Tunisian crochet is gaining popularity and offers a unique blend of knitting and crocheting techniques.
• Britt created a Discord community to foster support and connection among crocheters.
• The Makers of Color Collective aims to uplift and support makers of colour in the crafting industry.
• Britt believes in providing opportunities for others and sharing resources within the community.
• She values authenticity and encourages others to embrace their identities in crafting.
• Britt is focused on teaching and expanding her reach in the crochet community.
• She plans to continue creating patterns and supporting other designers.

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In this episode of The SweetGeorgia Show, Felicia Lo speaks with Evie Schwartz, a multifaceted fibre artist whose path has taken her from accidental yarn making to intentional spinning and weaving. They talk about Evie’s creative evolution, her love for historical textiles, and the role of community in the fibre arts. The conversation also explores time management, the importance of preserving textile history, and how to inspire the next generation to engage with craft. Evie shares updates on her current projects, including her participation in the Tour de Fleece, and reflects on the value of approaching textile work with intention.

Takeaways

• Evie's journey in fibre arts began with crochet at age six.
• She transitioned from teaching to focusing on spinning and weaving.
• Evie's YouTube channel showcases her passion for historical textiles.
• Community engagement is vital for learning and sharing in fibre arts.
• Time management is crucial for balancing multiple crafting projects.
• Textile history is an important narrative that needs to be shared.
• Evie encourages teaching kids about the origins of their clothing.
• Tour de Fleece fosters community and creativity among spinners.
• Intentionality in choosing materials affects the final fabric outcome.
• Evie believes in the importance of diverse storytelling in fibre arts.