Bestselling author Bianca Marais sits down with New York Times bestselling author of multiple novels, Marissa Stapley (writing as Julia McKay) to unwrap the magic behind her latest novel, ‘Christmas at the Ranch.’ From swoony romance and second chances to the inspiration that fueled the story, Marissa pulls back the curtain on her writing process. They dive into everything from the real-life threads woven into her characters, to the challenges of switching genres, to why physicality and authenticity matter so much in romance. Expect insights on miscommunication (that classic romance trope), the power of secondary characters, and what it really takes to craft a story that keeps readers turning the pages. If you love behind-the-scenes looks at how compelling love stories are built, this conversation is for you.

Note: Cece Lyra is a literary agent at Wendy Sherman Associates. If you’d like to query CeCe, please refer to the submission guidelines at www.wsherman.com. Carly Watters is a literary agent at P.S. Literary Agency, but her work on this podcast is not affiliated with the agency, and the views expressed by Carly on this podcast are solely that of her as a podcast co-host ​and do not necessarily reflect the views, opinions, policies, or position of P.S. Literary Agency.

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Websites: www.theshitaboutwriting.com, www.biancamarais.com, www.carlywatters.com and www.cecilialyra.com

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It’s Beta Reader Match Up time again where you can be matched up with those writing in a similar genre and/or time zone, so they can critique your work as you critique theirs.

For more information and to register, go to: https://www.biancamarais.com/beta-reader-match-

up.html

Sign up for CeCe’s Fall Course: Writing Tension Creating Tension, Conflict and Stakes in a Story

Fresh off the People of Publishing Conference in NYC, Carly and CeCe spill all the tea! From why newsletters are hotter than ever, to the high-stakes drama of book auctions, to the buzz around the creator economy—they’ve got stories, laughs, and insider tips you won’t want to miss. Networking, publishing, and plenty of laughs: this episode has it all.

Note: Cece Lyra is a literary agent at Wendy Sherman Associates. If you’d like to query CeCe, please refer to the submission guidelines at www.wsherman.com. Carly Watters is a literary agent at P.S. Literary Agency, but her work on this podcast is not affiliated with the agency, and the views expressed by Carly on this podcast are solely that of her as a podcast co-host ​and do not necessarily reflect the views, opinions, policies, or position of P.S. Literary Agency.

Find us on our socials:

Threads: https://www.threads.net/@the_shit_about_writing

https://www.threads.net/@biancamarais_author

https://www.threads.net/@carlywatters https://www.threads.net/@cece_lyra_agent

Instagram: https://www.instagram.com/the_shit_about_writing/

https://www.instagram.com/biancamarais_author/ https://www.instagram.com/carlywatters/ https://www.instagram.com/cece_lyra_agent/

Facebook: https://www.facebook.com/TSNOTYAW

Websites: www.theshitaboutwriting.com, www.biancamarais.com, www.carlywatters.com and www.cecilialyra.com

Bookshop.org affiliate

page: https://bookshop.org/shop/theshitnoonetellsyouaboutwriting

To sign up for our Substack newsletter, head to https://theshitaboutwriting.substack.com

It’s Beta Reader Match Up time again where you can be matched up with those writing in a similar genre and/or time zone, so they can critique your work as you critique theirs.

For more information and to register, go to: https://www.biancamarais.com/beta-reader-match-

up.html

Sign up for CeCe’s Fall Course:

Writing Tension Creating Tension, Conflict and Stakes in a Story

In this episode of Books with Hooks, hosts Bianca, Carly and CeCe chat with Leslie, winner of our flash fiction contest, about her query letter for a YA dystopian novel. They explore the story’s themes, how to structure a compelling query, and why tension and stakes are key. Carly and CeCe weigh in with feedback on character depth, the virus’s role in the plot, and ensuring the protagonist drives the action. The conversation drives home the power of a strong Act One to lay the groundwork for the entire novel.

Note: Cece Lyra is a literary agent at Wendy Sherman Associates. If you’d like to query CeCe, please refer to the submission guidelines at www.wsherman.com. Carly Watters is a literary agent at P.S. Literary Agency, but her work on this podcast is not affiliated with the agency, and the views expressed by Carly on this podcast are solely that of her as a podcast co-host ​and do not necessarily reflect the views, opinions, policies, or position of P.S. Literary Agency.

Find us on our socials:

Threads: https://www.threads.net/@the_shit_about_writing

https://www.threads.net/@biancamarais_author

https://www.threads.net/@carlywatters https://www.threads.net/@cece_lyra_agent

Instagram: https://www.instagram.com/the_shit_about_writing/

https://www.instagram.com/biancamarais_author/ https://www.instagram.com/carlywatters/ https://www.instagram.com/cece_lyra_agent/

Facebook: https://www.facebook.com/TSNOTYAW

Websites: www.theshitaboutwriting.com, www.biancamarais.com, www.carlywatters.com and www.cecilialyra.com

Bookshop.org affiliate page: https://bookshop.org/shop/theshitnoonetellsyouaboutwriting

To sign up for our Substack newsletter, head to https://theshitaboutwriting.substack.com