This week we are joined by Anastasia Marshall a creative producer and filmmaker with a background in scripted and commercial content, for the likes of Disney, the BBC and Condé Nast. She was the Creative Director for 100% Shutterstock, a TV commercial shot entirely on LED virtual production stage, for Shutterstock Studios in partnership with Ridley Scott's Associates, Final Pixel and 80six. She is passionate about DEI in the creative industries and fascinated by storytelling via new and immersive technology, with current ventures in Web 3 and NFTs.

This week we are joined by Addy Ghani, Vice President for Virtual Production at Disguise.

As the VP of Virtual Production, Addy is immersed in Studio workflows and Industry standards for real time visualization for film and television. Addy is building a Disguise creator community and strategies that will further the proliferation of Virtual Production. Prior to joining Disguise, Addy designed and built world class stages for DreamWorks, Verizon Media and NBCUniversal to help creatives visualize their dreams. Addy is well versed in VFX and animation, as well as emerging formats like AR and VR. He is an unofficial Unreal Engine Evangelist and a Fellow and loves to converse about the possibilities of game engines as a storytelling tool.

This week we are joined by Rob Fowler, Business and Development Manager for Brompton Technology. 

Brompton Technology is dedicated to the specialist design and manufacture of cutting-edge, rugged, and tour-ready LED video processing products for the live events, film and broadcast industries.