The Secret Teachings of Opera | Spiritual Nights and Gnostic Soteriology in Fidelio (Act II)

Every disciple of the straight and narrow way that leads to life (Matthew 7:13-14) must inevitably experience the afflictive consequences of their former actions. The question becomes if they do so with resignation, acceptance, and perseverance, so that by consciously and patiently paying what one owes before the divine law, spiritual debts are reconciled and wisdom is cultivated. However, the process is a prolonged and grueling one, designated by some authors as “dark nights of the soul.” In such moments of despair, loneliness, and abandonment, the practitioner lacks inner illumination to guide them forward in the psychological work, or as Christ exclaimed on the cross: “My God, My God, why hast Thou forsaken Me?” (Matthew 27:46). While spiritual nights are painful and experienced by everyone in the Gnostic path, they are a necessary step towards self-realization, for ordeals and tests are fundamental for proving one’s candidacy in the mysteries. As Beethoven demonstrated in his life and his only opera, the initiate can overcome the punishment of the law through tenacity, negotiation, forgiveness, and supreme faith in divinity. See how in the conclusion of Beethoven’s only opera, whereby Florestan seeks his liberation from the prison of karma with the help of his courageous wife Leonora, the divine soul that descends like an angel from heaven to redeem the fallen Sophia.