In this episode, Alan is joined by visual artist Shefa Salem al‑Baraesi, a Benghazi‑based creator whose oil paintings re‑imagine Libya’s archaeological heritage—like the inverted‑figure boat scene from the Acacus cave art—and ancient rituals such as the Kaska dance. Through her realistic, large‑scale works, Shefa transforms written history and myth into evocative visual narratives that resonate with everyday Libyans. Her exhibitions, I Am Libya and Ethnolibya, bring these ancestral images forward as a living, shared national memory.

For a rough transcript head over to: https://www.archaeologypodcastnetwork.com/rockart/151

• Artist - shefa salem
• EXHIBITIONS - shefa salem
• Artists Exploring Libya's History, Cultural Resilience and Rebirth
• Shefa Salem: a Libyan artist, inspired by the history of her country
• ‘All my work is Libya’: Five emerging Libyan artists to watch

Dr. Alan Garfinkel

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• Dr. Alan Garfinkel’s Website
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In this episode, Alan is joined by Dr Gerard O’Regan, a Māori archaeologist and rock art specialist dedicated to preserving the ancient artworks of Aotearoa. With over three decades of research and fieldwork, Gerard shares how these powerful images—painted with natural pigments like red ochre and charcoal—offer a glimpse into early Māori life, belief, and identity.

From the limestone shelters of the South Island to emerging discoveries in the North, Gerard’s work weaves together archaeology, Indigenous knowledge, and cultural stewardship, protecting a fragile visual legacy through Māori-led conservation and community partnerships.

For a rough transcript head over to: https://www.archaeologypodcastnetwork.com/rockart/150

• The Rock Art Network - Gerard O’Regan
• Dating South Island Māori rock art: Pigment and pitfalls
• Episode 6 | Māori rock art | Aotearoa Unearthed

Dr. Alan Garfinkel

• avram1952@yahoo.com
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• APN Website: https://www.archpodnet.com
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In this episode, Alan is joined by by Dr. Tertia Barnett, a leading archaeologist whose work bridges scientific research and community engagement in the field of rock art. Dr. Barnett shares insights from her role as Principal Investigator on Scotland’s Rock Art Project, as well as her previous work on the Wadi al-Ajal Rock Art Project in Libya. Together they discuss the social and cultural dimensions of rock art that highlights the importance of collaboration, accessibility, and inclusivity in understanding ancient visual traditions.

For a rough transcript head over to: https://www.archaeologypodcastnetwork.com/rockart/148

• Dr Barrett’s Bio
• Scotland’s Rock Art Project
• The Wadi al-Ajal Rock Art Project

Dr. Alan Garfinkel

• avram1952@yahoo.com
• Dr. Alan Garfinkel’s Website
• Support Dr. Garfinkel on Patreon

• APN Website: https://www.archpodnet.com
• APN on Facebook: https://www.facebook.com/archpodnet
• APN on Twitter: https://www.twitter.com/archpodnet
• APN on Instagram: https://www.instagram.com/archpodnet
• APN Shop

• Motion

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