On the special Valentine’s Day edition of The Richard Crouse Show on Saturday February 14, 2026 we’ll meet Heather Hendrie, the editor of a brand new (hilarious) anthology of non-fiction stories about sex and relationships entitled “Pillow Talk - An Awfully Hilarious Anthology!” Heather is a nature-based therapist and clinical counsellor based in Whistler, British Columbia and she founded the Awfully Hilarious Project to end shame, uplift women’s health and destigmatize mental health. Her two previous Awfully Hilarious anthologies, “Stories We Never Tell” (2023) and “Period Pieces” (2024) were both Canadian Book Club Awards winners.

Then we meet Shelley Saywell. As an acclaimed Emmy-winning documentary filmmaker known for tackling tough global issues like human rights, conflict, and women's stories in war zones, her new memoir “If Only Love: A Memoir of Second Chances” marks a deeply personal shift—exploring first love, long separation, a miraculous reunion via email after 30 years, profound joy, devastating grief, and the enduring power of love amid her high-stakes career.

On the Saturday February 7, 2026 edition of The Richard Crouse Show we’ll spend some time with JUNO-winning Canadian jazz vocalist, pianist, singer-songwriter, and CBC Music host (Saturday Night Jazz). She is Grammy nominated in the category of Best Traditional Pop Vocal Album for her holiday album “Wintersongs” and joins me today top talk about the album and how the nomination changed her life.

Then we’ll meet critically acclaimed Canadian author Lindsay Wong. Her bestselling, award-winning memoir “The Woo-Woo: How I Survived Ice Hockey, Drug Raids, Demons, and My Crazy Chinese Family,” a Canada Reads finalist and Hubert Evans Non-Fiction Prize winner, established her literary reputation for sharp wit, dark humor, and unflinching exploration of Chinese Canadian identity.

Today we’ll talk about her highly anticipated debut adult novel, “Villain Hitting for Vicious Little Nobodies,” a wickedly funny, genre-bending blend of horror, dark comedy, and folk magic. Drawing on ancient Chinese traditions like corpse marriage and villain hitting, we’ll explain both of those in the interview, it follows a broke, ambitious young woman haunted by her powerful witch grandmother and an undead sister, delivering a subversive takedown of class struggle, the model minority myth, patriarchy, and the murderous cost of simply trying to survive. Praised as "extraordinarily imaginative and darkly hilarious" and a "chilling masterclass in fiction," this book cements Lindsay as one of the most provocative voices in contemporary literary horror.

On the Saturday January 31, 2026 edition of The Richard Crouse Show we meet Mark Critch. For twenty-three years he has starred on CBC’s popular political satire show “This Hour Has 22 Minutes.” He adapted his first book, “Son of a Critch,” into a hit TV series, co-staring movie legend Malcolm McDowell, and airing on the CBC in Canada and Netflix in the United States.

Today we talk about his latest book, “Sorry, Not Sorry.” In the book, which is available now wherever fine books are sold, Mark delves into the heart of what it means to be Canadian at a time when national pride is on the rise. He examines everything from the historical decision of Newfoundland to join Canada, to the modern-day implications of the Freedom Convoy, the evolving symbolism of the Canadian flag, and of the many reasons Canada is worth fighting for.

Then, we have a look at the incredible career of Simon Franglen. His credits include four of the list of top grossing films and six of the list of best-selling albums of all time.

He began his career as a synthesizer programmer for Trevor Horn (working with acts like Frankie Goes to Hollywood), moved into composing famous jingles for big products, and became a top LA session musician/producer in the '90s, contributing to massive hits with artists like Michael Jackson, Whitney Houston, Celine Dion, Madonna, and more.

He won a Grammy for Record of the Year as producer on Celine Dion's "My Heart Will Go On" from Titanic, directed by James Cameron.

He worked with the late James Horner as an arranger/producer on films like “Avatar,” “The Amazing Spider-Man,” and others, before fully scoring “Avatar: The Way of Water” and “Avatar: Fire and Ash.”

Today we talk about his work, from Frankie Goes to Hollywood’s dancefloor anthems to Avatar’s lush, habitable moon, Pandora.