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This week on The Popcorn Hour, Matt and James dive into The Running Man (2025), the newest reimagining of the classic dystopian action story. They break down how the film updates the original premise for a modern audience, what works about its new tone and worldbuilding, and how the performances stack up against the iconic 1987 version. From the action sequences to the social commentary, the guys explore whether this remake brings enough fresh energy to justify its return or if it struggles to outrun the legacy of the original. Whether you love remakes, dystopian thrillers, or just great sci-fi discussions, this is a fun deep dive into one of the year’s most talked-about releases.

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This week on The Popcorn Hour, Matt and James break down a burst of exciting movie news, starting with the surprising momentum behind Gremlins 3 and what a modern return of the mischievous creatures could look like. They dig into the early details surrounding Ryan Coogler’s next film and why audiences should already be paying attention. The conversation then shifts to the massive production behind Wicked and how the long-awaited adaptation is shaping up. Finally, they explore new developments around DC’s Clayface, discussing the character’s potential and what kind of story could bring him to the big screen. It’s a fun, fast trip through four very different corners of Hollywood.

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This week on The Popcorn Hour, Matt and James dive into the newest adaptation of Frankenstein, exploring how this version reimagines Mary Shelley’s iconic tale for a modern audience. They break down the film’s tone, performances, visual style, and the themes that make this story endlessly adaptable — from the fear of creation to the tragedy of being misunderstood. The conversation touches on what this new take gets right, where it stumbles, and how it compares to the long history of Frankenstein films that came before it. Whether you’re a fan of classic horror or fresh reboots, this episode digs into what makes the monster’s latest resurrection worth talking about.