In this episode I sit down with Tibi Cziger, clarinetist, founder, and Artistic Director of the Israeli Chamber Project before his visit and performance with the Chamber Music Concert December 4th in Ashland, Oregon. The Israeli Chamber Project consists of strings, winds, harp, and piano. They were named the winner of the 2011 Israeli Ministry of Culture Outstanding Ensemble Award and 2017 Partos Prize

Tibi is the founder, and Artistic Director of the Israeli Chamber Project. It’s been 16 years since their group first debuted, and we sit down to talk about how it came to be. We discuss his love of programming, how he manages a traveling chamber orchestra, including where the harp comes from, “a harp in every port”. It wasn’t always that way, how wanting to include a new composition by a new Israeli composer in each program is a great idea that proved challenging. Of course, speaking with another reed player, we dive into and “nerd out”, on reeds. Tibi’s dreaming spirit, self-starter work ethic and idealism is sure to inspire.

Carla Ecker, concert violinist, and I sat down in Ashland, Oregon, for a delightful in-person conversation. She has performed with renowned orchestras, including the Sarasota Opera Orchestra, New Mexico Symphony Orchestra, Santa Fe Pro Musica, Charleston Symphony Orchestra, Pacific Symphony, El Paso Symphony, and the Phoenix Symphony. Currently residing in Tucson, Carla maintains an active performance schedule across the U.S. and has served as the Concertmaster of the Rogue Valley Symphony for the past eight years.

During our conversation, we explore the definition of a Concertmaster and delve into this fascinating and vital role within an orchestra. Carla shares her experience working with Martin Majkut, Music Director of the Rogue Valley Symphony and a friend of the podcast. She explains how the collaboration between the Conductor and Concertmaster is essential for creating an efficient and effective orchestral environment—one that, when successful, elevates the music to extraordinary levels.

Carla’s natural grace and leadership make her a perfect fit for the role of Concertmaster. We also discuss the challenges she has faced and overcome in her life, as she has continually sought opportunities and refused to let struggles define her. Her perspective on how music can unite us, even during times of deep division, offers a hopeful and uplifting message for citizens of both the United States and the world.


Angela Johnson’s music is rich and funky, featuring smart and, at times, laugh-out-loud funny, soul-baring lyrics. She broke onto the music scene as a member of Cooly's Hot Box, which showcased her unique blend of jazz, soul, and R&B. Johnson then released her first solo album, “They Don't Know,” jumpstarting her solo career and highlighting her production skills. As a singer, songwriter, and producer known for her soulful voice and compelling compositions, she has a soul made for storytelling, and boy does she.

I sit down with Angela on the day her latest album, “The Best of Both Worlds,” is released by Reel People Music —a collaboration with Opolopo (AKA Peter Major). We discuss the trials and triumphs of being a female producer, her writing process and inspiration, her attraction to high-vibration music, and her new endeavor of writing scores for films. This episode is packed with her unique playfulness, which you'll find infectious.