In this episode of The Piano Pod, host Yukimi Song sits down with concert pianist and recording artist Ammiel Bushakevitz for a wide-ranging conversation on Franz Schubert, the German Lied tradition, and what makes 19th-century music speak powerfully to 21st-century audiences.

Ammiel shares insights from his major long-term projects, including Schubert 200 — a multi-album Lied collaboration building toward Schubert’s bicentennial in 2028 — and his ongoing recording of Schubert’s complete solo piano works. We explore intimacy versus scale, collaboration between singer and pianist, audience-building for a new generation, and why Schubert’s music remains profoundly human and relevant today.

🎧 Note: This video episode concludes around the 51-minute mark. The audio version continues further, with additional reflections on collaboration, teaching, empathy, and artistic legacy. Find the full episode wherever you listen to podcasts.🎹 Meet Our Guest — Ammiel Bushakevitz

• 📝 Read the blog post exploring Ammiel’s artistry and his approach to Schubert

About Ammiel: Concert pianist, recording artist, and one of today’s leading interpreters of Schubert and the German Lied tradition. Ammiel performs internationally across six continents and is also the Artistic Director of Les Voix d’Orphée, an organization dedicated to song, education, and cultural exchange.

• 🔗 Learn more about Ammiel Bushakevitz
• 🎧 Listen to all the pieces mentioned during the episode here

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🎬 OFFICIAL TRAILER

Season 6, Episode 9 Schubert Now — Concert Pianist, Ammiel Bushakevitz on Storytelling, Connection, and the Road to the 2028 Bicentennial

Why does Schubert still matter today?

In our first episode of 2026, I sit down with concert pianist and recording artist Ammiel Bushakevitz for a wide-ranging conversation on Schubert, the German Lied tradition, and why intimacy — not scale — may shape the future of classical music.

From his bold Schubert 200 project and the journey toward recording Schubert’s complete piano works by 2028, to the return of Schubertiaden and the power of music in small, human spaces, this episode explores what it means to listen deeply in the 21st century.

This is a conversation about storytelling, connection, and why 19th-century music continues to speak with urgency today.

▶️ Join the premiere here on Tuesday, January 13:

https://youtu.be/uWoq0paUvCc?si=ePQCYgqFTY361VOK

🎧 Audio episode drops simultaneously: https://rss.com/podcasts/the-piano-pod/

What does a piano recital have to do with war, faith, and forgiveness?

In this episode of The Piano Pod, pianist and educator Anli Lin Tong shares the story behind Bells of Nagasaki: Music for Contemplation—a profoundly moving concert created for the 80th anniversary of the atomic bombing of Nagasaki.

What began as a single song her father used to sing—The Bells of Nagasaki—became a powerful act of remembrance, shaped by the legacy of Dr. Takashi Nagai, a survivor who transformed unimaginable loss into a life devoted to peace.

This conversation moves beyond repertoire and performance into questions rarely asked in classical music:

• What responsibility does an artist carry when history is still unresolved? • How does sound hold memory when words fail?

From the history of Urakami Cathedral’s bells, silenced for decades, to Anli’s own journey—moving to the U.S. alone as a child, studying with legendary teachers, and carrying artistic lineage forward—this episode reveals how music can become a moral witness.

It’s a conversation about remembrance, responsibility, and the quiet power of sound to hold history—and humanity—together.

Learn More About Anli Lin Tong

• 📝 Read my blog exploring Anli’s artistry and work
• 📰 Press Coverage: Bells of Nagasaki: Music for Contemplation
• 🎓 Juilliard Feature The Juilliard School highlights Anli’s writing on her teacher Mieczysław Munz:

🎹 THE PIANO POD

• 🎵 Subscribe to the Season 6 Piano Playlist — a collection of every piano work mentioned throughout the episodes:
• 💖 Become a VIP Member or unlock exclusive content:
• 📫 Join our newsletter:
• 🌐 Website: https://thepianopod.com 📱 IG: @thepianopod | FB: @thepianopod | TikTok: @thepianopod 🔗 Linktree: https://linktr.ee/thepianopod

In this episode, I sit down with pianist and educator Mirna Lekić for a conversation that spans continents, sound worlds, and the deeper layers of what music can mean in a human life.

Born and raised in Sarajevo during the Bosnian War and now based in New York City, Mirna brings a rare perspective to the piano — one shaped by resilience, migration, devotion, and an unshakable belief in music as a stabilizing, healing force.

We explore her acclaimed 2023 album MIRAGE, a breathtaking collection of sonic illusions and cultural crossings that reimagines the piano as a global storyteller — moving from Azerbaijan to Spain, Armenia to Java, and beyond.

This episode dives into:

• how early musical experiences during war shaped Mirna’s artistic identity
• the healing and stabilizing role music played during her family’s resettlement
• the depth of Bosnian and Balkan musical influences
• how cultural diversity becomes musical philosophy, not performance
• MIRAGE and its groundbreaking approach to sound, resonance, and identity
• collaborative work with living composers, shadow puppeteers, and multidisciplinary artists
• how educators can guide young musicians toward authenticity in a rapidly changing world

It’s a conversation about healing, devotion, heritage, and the power of sound to help us make sense of where we come from — and where we’re going.

🌟 SOUND BITES

“Music was a healing presence.” “Music study demands devotion.” “Music can be a lifeline.”

🎧 FEATURED LINKS FROM MIRNA'S WORK

From the album Masks:

• Debussy, The Toybox (opening)
• Villa-Lobos: Negrinha, No. 5 from Baby’s Family

From MIRAGE:

• Ali-Zadeh — Music for Piano
• Lachenmann — Guero
• Cowell — Aeolian Harp

From Eastern Currents: Ramin Heydarbeygi — Aramesh

Mirna’s Shadow Puppetry Collaborations:

• https://youtu.be/V5Tj2ZHDGS8?si=Aa05gwPs0R0evO8r
• https://www.youtube.com/watch?v=duMJtVPVOIs&t=262s

Read my review on Mirna's Album, MIRAGE on Substack

In this episode of The Piano Pod, I sit down with Elena Riu — pianist, groundbreaking recording artist, educator, and yoga/mindfulness teacher — whose work has reshaped how we think about artistry, embodiment, and the future of piano performance. Elena has long been a force of quiet revolution.

Long before conversations about inclusivity and expanded repertoire entered the mainstream, she was commissioning bold new works, centering Latin-American and women composers, and exploring how breath, movement, and somatic awareness can transform the way we play and teach music.

This conversation travels across the full spectrum of her artistry — from embodied performance to cultural identity, from the menstrual cycle as a source of creativity to breaking nineteenth-century norms about who pianists should be and what they should play. If you’ve ever wondered how breath shapes sound, how identity shapes expression, or how artists can create courageously beyond convention, this is a conversation you won’t forget.

[Explore Elena’s Work]

Salsa Nueva — Score (16-piece anthology):

• 📘 Purchase on Stretta
• 📘 Purchase on Presto Music

Salsa Nueva — Album (with Latin percussionist Wilmer Sifontes):

• 🎧 SOMM Recordings

Out of the Blues / R&B Collection — Score:

• 📘 Purchase on Presto Music

Piano Icons for the 21st Century (Linn Records):

• 🎧 Amazon

🌐 Elena’s Website

✨ If you enjoyed this episode…

• Please like, comment, and subscribe — it truly helps our community grow.
• Follow The Piano Pod on social media for more conversations at the intersection of creativity, connection, and the evolving world of classical music.
• 📝 My blog on Elena & her album Salsa Nueva:
• 🎵 Listen to our Sounds of Inspiration – Piano Works from Season 6 Playlist

Thank you for listening — and for supporting a space where artists can be fully themselves.

#ThePianoPod #Season6 #ElenaRiu #EmbodiedMusician #EmbodiedPianist #ClassicalMusic #Piano #SalsaNueva #MindfulnessForMusicians #Somatics #YogaForMusicians #NewMusic #LatinAmericanComposers #CreativeCourage #PianistLife

🎶✨ What if jazz could be taught as naturally as language—where freedom, creativity, and collaboration drive learning?

Welcome to Season 6, Episode 5 of The Piano Pod, featuring Quentin Walston — pianist, composer, educator, and founder of This Is Jazz™. In this conversation, we explore how Quentin bridges performance, pedagogy, and entrepreneurship through his acclaimed book How to Teach Jazz & Improvisation and his growing online platform empowering educators worldwide.

In our talk, Quentin shares:

• ✅ His mission to make jazz approachable for every student
• ✅ How his book helps teachers with little or no jazz background start confidently
• ✅ Turning small classroom moments into creative breakthroughs
• ✅ Building a thriving online community for jazz educators
• ✅ Balancing artistry and business as a modern musician
• ✅ His personal journey — from discovering jazz as a child to releasing his album Retro Future

👉 Stay tuned until the end for rapid-fire fun and key insights on creativity, confidence, and cultivating joy through improvisation.

🎼 Explore Quentin’s Work

• 🌐 Website: quentinwalston.com
• 📘 Book: How to Teach Jazz & Improvisation
• 🎵 Platform: This Is Jazz
• 💿 Album: Retro Future

🎧 The Piano Pod 💖 Subscribe or unlock exclusive content: thepianopod.substack.com 🎵 Listen to our Sounds of Inspiration – Piano Works from Season 6 playlist: YouTube Playlist 📫 Join our newsletter: Sign Up

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The Piano Pod Live in Concert: A Bold New Chapter in Classical Music marked the first-ever live event for the award-winning podcast and YouTube show The Piano Pod, conceived and hosted by Executive Producer Yukimi Song. Presented in collaboration with Mannes Prep, a pre-college music program offering comprehensive and nurturing pre-professional training at The New School, this milestone concert brought the show’s signature format — music performance, interview, and panel discussion — from the digital space to the stage.

🎹 Featured Artists

• Dr. Jee-Hoon Krska — Prelude in G-sharp Minor, Op. 32 No. 12 by Sergei Rachmaninoff 🔗 https://www.keystosuccessnewark.org
• Eleonor Bindman — her transcription of Bach’s Brandenburg Concerto No. 4 for piano four hands (Secondo: Yukimi Song) 🔗 https://www.eleonorbindman.com
• Dr. Nnenna Ogwo — The Sun is Rising by Black American composer Consuela Lee 🔗 https://www.juneteenthlp.org
• Donna Weng Friedman ( @donnawengfriedman9968 ) — Fantasy on The Wizard of Oz by William Hirtz for piano four hands (Secondo: Yukimi Song) 🔗 https://www.donnawengfriedman.com

🎙️ About the Event Filmed live at Ernst C. Stiefel Hall at The New School, this 90-minute event blended world-class performances with an engaging interview session and audience panel discussion. The artists shared personal stories, insights on collaboration, and visions for keeping classical music vibrant and relevant today. 💬 Special Guests Caroline Sonett-Assor, Director of Mannes Prep, The New School Audience members and artists in conversation

• 🎥 Video by: Scott Chiu, Portable Recording Studio (https://www.portablerecordingstudio.com/)
• 📸 Photography by: Vin Carvalho (https://www.thephotoartstudio.com/)

✨ Presented by: The Piano Pod — Where tradition meets innovation. In Collaboration with: Mannes Prep, The New School Produced by: Yukimi Song Studio LLC

#ThePianoPod #MannesPrep #LiveConcert #ClassicalMusic #PianoPodcast #ConcertAndConversation #PanelDiscussion #CreativityAndConnection #DonnaWengFriedman #NnennaOgwo #EleonorBindman #JeeHoonKrska #YukimiSong #TheNewSchool

🎶✨ How can nineteen tiny piano miniatures blossom into one of the most expansive, collaborative, and award-winning projects of our time?

Welcome to Season 6 Episode 3: The World of MICROVIDS — Composer & Advocate for Women in Music, Stefania de Kenessey. In this episode of The Piano Pod, I sit down with Stefania de Kenessey, a composer whose works have been heard at Carnegie Hall, Lincoln Center, La MaMa, and around the world.

Her latest project, Microvids, began as nineteen piano miniatures written during the pandemic — and has since grown into a global tapestry of music, poetry, improvisation, orchestral performance, and film.

In our conversation, Stefania opens up about:

• ✅ The surprising origins of MICROVIDS and how “tiny nothings” became her richest work
• ✅ Collaborations with pianist Donna Weng Friedman, violinist Curtis Stewart, narrator Krystal Joy Brown, and the New Jersey Youth Symphony under Helen Cha-Pyo
• ✅ Award-winning films inspired by MICROVIDS, including Silent Cry
• ✅ How MICROVIDS can connect with youth orchestras and piano students around the world
• ✅ Her advocacy for women in music, her Hungarian roots, and her expansive multi-genre style — from opera to dance to provocative video works like Menstrual Rosary

👉 Stay tuned until the end for rapid-fire fun, candid reflections, and exclusive performance excerpts from MICROVIDS, Unorthodox, and Menstrual Rosary.

https://www.navonarecords.com/catalog/nv6751/

• 🌐 Stefania's Website
• 🎬 Watch Silent Cry (award-winning short film)
• 🎬 Watch Menstrual Rosary (winner of 33 film awards)

[The Piano Pod]

• 💖 Subscribe TPP on Substack to unlock exclusive content
• 🎵 Listen to our Sounds of Inspiration – Piano Works from Season 6 playlist
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