Hey sorry the episode is late, we recorded like three episodes this week and Matt didn't have time to edit. Anyway while we were scrambing to figure out something to watch for weird scheduling reasons, we discovered that Apocalypto was shot on digital and boy oh boy were we lucky for that fact because this is a weird one/wild digital artifact. Topics include: Gibson's unrelenting thrist for a certain kind on screen violence, the weird push and pull between woke method and conservative values in the movie, and the uses of digital video in creating a kind of on screen murkiness as a central unifying aesthetic.

An artcicle about the movie's busted concept of Mayan history can be read here. Our friend Ryder recommends "Seven Myths of the Spanish Conquest" for a pointed corrective on the kind of anthropological thinking that Gibson promotes here: we don't tak about it much because we're a film scolar and a local dummy but Ryder went to fancy history school.

Matt recommends a book that won't be out for a few months. Yeah I don't get it either. Corbin recommends a video game, available on your local video game console of choice. Thursday's episode is about INLAND EMPIRE. Watch it here.

Corbin and Ellis talk about the new proliferation of tracking takes at the dawn of digital cinema, focusing in particular on "Children of Men,' Alfonso Cauron's movie about the whole world losing their minds when fertility ends. Also metioned: Timecode, Russian Ark, video games, Gravity, and 1917.

Matt reccomends an album. Corbin reccomends a movie.

Next week's episode is about APOCOLYPTO, which you can watch on Hulu.

Statham. Handheld cameras. Offensive stuff. Insane continuity. Statham. Violence. Statham. Statham. Statham. Statham. It's Crank, baby.

Matt reccomends this article. Corbin reccomends this article. Next week's episode is about tracking shots, you could watch Children of Men and/or Russian Ark, but you don't have to, I don't think.

ERIC MARSH joins Matt and Corbin to talk about MIAMI VICE, Michael Mann's digital fantasia/globalization fable/index of excruciatingly hot one liners. Topics include: globalization as topic and as aesthetic driver, the insane looking sky, and the unstability of digital filmmaking in an unstable time.

Matt Recommends "Tokyo Vice" on MAX. Corbin recommends "Hell Hath No Fury," an album available on your local music streaming service. Eric recommends the song "Alone," by The Cry.

Check out Eric's Podcast, "The Gaunlet," here. Next week's episode is about CRANK. It's not streaming for free anywhere, somehow, but you SHOULD rent it.

Corbin and Matt are joined by TYLER THEUS, a famous academic, to discuss "Still Life," a movie by a friend of the program who I have never said anything bad about, Jia Zhangke. Topics include: slow cinema, fiction/doc hybridization, the movie's relationship to neorealism, critical forms and aesthetic forms, hyper-mediated Mise-en-scène and the Three Gorges Dam.

Watch Still Life here. Seriously, watch it, it's great.

Corbin reccommends an album, avaibale on album streaming services or at your local record shop. Tyler reccomends Passing Fancy, an Ozu movie. Matt reccommends Eternity's Pillar, available here.

Next week, the boys take it to the limit one more time and discuss Michael Mann's Generational Male Frienship/Global Capitalism Epic MIAMI VICE. Watch it on Apple TV if you can stand to spend four bucks, it's looks GREAT there and kind of bad in other streaming locations.

PIXAR TIME BABY! Ellis and Corbin talk about 'Cars,' a movie about a civilization of Cars. Why are the Cars alive? What build the world they live in? How do they reproduce? Then, after they talk about the important stuff, they talk about Pixar, their history and centrality to digital cinema as a practice, the Pixar-to-SFX pipeline, their storytelling technique, and the nostalgia for modernity that lives in this particular movie. Good Episode!

Corbin reccomends a new video game, available in your video game e-store of choice. Matt reccomends this.

Friday's episode will be about SILL LIFE, a wonderful movie by friend of the program Jia Zhangke, a director I've never said anything bad about. Watch it here.

Corbin and Matt talk about 'WHAT IS DIGITAL CINEMA,' a 1995 essay by Lev Manovich concerned the difference between filmic cinema of the 20th Century, and the emerging technological and artistic form that we have been talking about the last few weeks. It's a little hard to explain this episode to be honest, but it's good. Read Manovich's essay here.

Corbin reccomends a movie currently in theaters. Matt reccomends "Blackberry," a movie.

Next week's episode is about 'Cars,' from 2006. We will have a bonus episode regarding "Me and You and Evereyone We Know" and also maybe "Timecode" sooner rather than later: We watched them for this episode but didn't get to them.

Sorry the episode is late: I was covering a card show all weekend. Matt wanted me to tell you Closing music is by i/o, it's called wasted my time. It's only available on Youtube.

Huh? Why? Good question: it's because of Rodriguez's approach to economical filmmaking, which would come to whoopsiedoodle dominate everything uh oh! We get into it, as well as one or two other topics. Banderas is actually Spanish, not Mexican (I looked) but I don't think this invalidates my broader point.

Corbin Reccomends the Mars Trilogy. Matt reccomends 'Hail Satan?" a documentary about jerks.

Next week's episode is about a few movies trying new things in digital around the early/mid-aughts, including: Me and You and Everyone we Know, Once, and Timecode.