The Next Picture Show Podcast Por Genevieve Koski Keith Phipps Tasha Robinson & Scott Tobias arte de portada

The Next Picture Show

The Next Picture Show

De: Genevieve Koski Keith Phipps Tasha Robinson & Scott Tobias
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Looking at cinema's present via its past. From the former editorial team of The Dissolve, The Next Picture Show examines how classic films inspire and inform modern movies. Episodes take a deep dive into a classic film and its legacy, then compare and contrast that film with a modern successor. Hosted and produced by Genevieve Koski, Keith Phipps, Tasha Robinson, and Scott Tobias.Telegraph Road Productions, 2015- Arte
Episodios
  • #512: Pop Classics, Pt. 1 — Romeo + Juliet (1996)

    #512: Pop Classics, Pt. 1 — Romeo + Juliet (1996)
    Feb 17 2026
    With its bold stylization, pop soundtrack, and provocative sensibility, Emerald Fennell’s new Wuthering Heights appeals to a contemporary audience so openly it can’t help but call to mind Baz Luhrmann’s 1996 adaptation of another literary classic about doomed lovers, William Shakespeare’s Romeo + Juliet. Fennell citing it as a reference point for her film prompted us to revisit what made Lurhmann’s approach so enticing and/or annoying at the time, and consider how its maximalist mix of reverence and irreverence toward the source material — not to mention an ascendant Leonardo DiCaprio in peak heartthrob mode — has turned it into a generation’s formative Romeo and Juliet. Please share your thoughts about William Shakespeare’s Romeo + Juliet, Wuthering Heights, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    1 h y 7 m
  • #511: Both Sides of the Isle, Pt. 2 — Send Help

    #511: Both Sides of the Isle, Pt. 2 — Send Help
    Feb 10 2026
    Sam Raimi's new survival thriller Send Help is more overtly comedic and cartoonishly violent than the other film in this week's pairing of dueling castaway duos, but those qualities are both rooted in complimentary ideas about class, gender, and power. They're also both rooted in a baseline cynicism toward humanity that informs a lot of Raimi's work, as well as our discussion of Send Help, for which we are once again joined by cultural critic and friend of the show Charles Bramesco. Then in Connections we bring 1974's Swept Away back into the discussion to see how its sexual fantasy aligns with Send Help's revenge fantasy, and how both are shaped by these films' desert (or is it deserted?) island setting. Please share your thoughts about Swept Away, Send Help, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Next Pairing: Emerald Fennell's Wuthering Heights and Baz Luhrmann's Romeo + Juliet. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    1 h y 4 m
  • #510: Both Sides of the Isle, Pt. 1 — Swept Away (1974)

    #510: Both Sides of the Isle, Pt. 1 — Swept Away (1974)
    Feb 3 2026
    What happens when two people on opposite sides of a power imbalance end up stranded together on a deserted island? Before that was the premise of Sam Raimi’s new comedic thriller Send Help, it was the setup for Lina Wertmüller’s 1974 romantic farce Swept Away, only with the genders reversed and the sexual and political provocation turned way up. So this week we’re joined by critic, friend of the show, and Wertmüller aficionado Charles Bramesco to sort through Swept Away’s overlapping layers of satire, metaphor, and titillation, in an attempt to pinpoint what the film is actually trying to say about gender and class relations. Please share your thoughts about Swept Away, Send Help, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    1 h y 12 m
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