This week, we kick off 2026 by talking about Ambrosia Sky, a short, atmospheric sci-fi game that quietly wrecked us more than we expected. What starts as a PowerWash-adjacent cleanup sim turns into a meditation on grief, abandonment, and the emotional cost of leaving home. We talk about why smaller, constrained games are thriving right now, how Ambrosia Sky uses limitation as a strength, and why finishing Act One left us with far more questions than answers — in the best possible way.

Episode Notes

• We open the first episode of 2026 in full post-holiday time confusion: strange schedules, too much work, and no reliable sense of what day it is.
• Eden talks about covering extra shifts at the comic shop, double-dipping PTO, and the unfortunate result of biking home in brutal weather and bruising their ribs.
• A digression on sleep rituals follows, including Peter’s famously corpse-like sleeping position and Eden’s highly specific side-switching requirements.
• With it being January 1st, we reflect on 2025 as a pop-culture year — broadly rough, but not without meaningful discoveries.
• We note a shared shift toward shorter, more focused media, especially in games.

🎮 Why We Played

Ambrosia Sky

• We wanted something short, contained, and emotionally grounded.
• The “PowerWash Simulator with a story” pitch undersells what the game actually does.
• We appreciated the decision to release this explicitly as Act One, rather than early access.

🌌 Setting & Premise

• You play as Dalia, a “Scarab” who cleans exofungus and reclaims bodies for the Ambrosia Project.
• She returns to the asteroid colony she fled 15 years earlier — built inside a dead Leviathan.
• The colony is effectively empty; the story unfolds through terminals, logs, and environmental details.
• There are no live conversations, reinforcing isolation and loss.

🧠 Themes

• Grief, abandonment, and the emotional cost of leaving home.
• Labor as mourning: cleaning and reclamation as acts of reckoning.
• Unresolved relationships, especially between Dahlia and Maeve.
• Absence as a storytelling tool.

🛠️ Gameplay & Structure

• Core loop centers on spraying substances to remove fungal growth.
• Light Metroidvania structure with optional backtracking.
• Grappling hook works well, with occasional jank.
• Specialized sprays exist but feel lightly used.
• Puzzles focus on power routing and environmental access.
• The game benefits from being short; it would not sustain a longer runtime.

🎧 Atmosphere

• Strong, understated soundtrack that reinforces loneliness.
• Art direction does heavy emotional lifting despite a small budget.
• Exterior space sequences are a standout moment.
• The game consistently favors mood over exposition.

⚠️ Act One Ending

• The story ends abruptly and deliberately, offering few answers.
• Maeve is alive, but clearly changed.
• Major concepts — the Ambrosia Project, the Leviathan — remain unexplained.
• We found the ambiguity compelling rather than frustrating.

🧾 Closing Thoughts

• We’re glad we stuck with the game past early hesitation.
• The Act-based release feels honest and respectful of the player.
• Both of us plan to play the remaining acts at launch.
• Ambrosia Sky is a strong example of how small games can carry real emotional weight.

This week we keep things intentionally low-effort and high-chaos by drafting the Billboard year-end #1 songs from 1980 through 1999. We each build a ten-song playlist from a shared pool, knowing that once a song is picked, it’s gone forever. Along the way we uncover timeless masterpieces, generational blind spots, slow-dance trauma, and more than a few baffling chart decisions. By the end, it’s less about “best songs of all time” and more about what pop culture we survived — and what it says about the decades that made us.

Cold Open & Life Updates

• Eden survives Iowa weather whiplash, including snowmelt, wind advisories, and dogs who refuse to come inside.
• We check in on end-of-year fatigue, weddings on the horizon, and the general desire to just get to January.

What We’ve Been Checking Out

• Eden scores a surprise manga haul via Reddit, including:
  • Kase-san and… — a quiet, funny, wholesome romance that desperately wants its characters to communicate.
  • Chainsmoker Cat — gross, chaotic, and deeply committed to depicting the world’s worst anthropomorphic cat girl.
• Continued time in Where Winds Meet, including discovering that joining the “hot evil people” sect requires in-game marriage… followed by divorce.
• Peter continues slowly working through The Three-Body Problem and Gödel, Escher, Bach.
• A brief dive into habit-building via the new Atomic Habits workbook.
• Music check-in includes Archspire’s new single “Carrion Ladder” and the eternal joy of Apple Music Replay actually getting things right.
• Gaming includes Ball Pit, Megabonk, and the looming temptation of finally committing to Baldur’s Gate 3.

The Main Event: Billboard #1 Draft (1980–1999)

• We draft songs snake-style, locking each other out as we go.
• Early rounds are stacked with undeniable classics:
  • Whitney Houston’s “I Will Always Love You”
  • Prince’s “When Doves Cry”
  • Blondie’s “Call Me”
  • Cher’s “Believe”
• George Michael emerges as an ’80s powerhouse with multiple entries.
• The generational divide shows up fast:
  • Peter leans heavily ’80s.
  • Eden lives firmly in the ’90s (for better and worse).
• We acknowledge slow-dance staples that were emotionally formative whether we liked them or not.
• The middle rounds reveal just how strange pop history can be when viewed year-by-year.
• By the later picks, we’re openly throwing ourselves on grenades:
  • The Macarena is drafted out of mercy.
  • Multiple songs are chosen purely because something has to be.
• We question how certain cultural touchstones (My Heart Will Go On, Aaliyah, Bone Thugs) somehow missed the top spot in their years.

Big Takeaways

• Billboard #1 does not mean “best song.”
• The ’80s age better than the ’90s in pop memory (and fashion).
• Nostalgia is selective, and pop charts are cruel.
• Drafting music is a great way to discover what you genuinely love — and what you merely survived.

This week, we come in hot — starting with wuxia vibes, holiday chaos, and cursed Christmas remixes of “September” — before diving into music stats, Taskmaster binges, Eden’s Wuxia/Baihe adventures, and Peter’s latest reading spree (including Gödel, Escher, Bach). Eventually, we embark on the Most Important Cultural Work of Our Time: a fast-food and fast-casual tier list. Along the way, we crown unexpected champions, bury some long-held myths (looking directly at you, In-N-Out), and declare Waffle House the beating heart of American civilization. It’s unhinged, joyful, occasionally shameful, and fully definitive.

Opening Shenanigans

• Eden opens with an incredible wuxia monologue introducing Beauty’s Blade, the Baihe novel they’ve been reading.
• Peter tries (and fails) to match the energy.
• Thanksgiving recaps: delayed flights, Target wandering, and the absolute war crime that is “Do You Remember…the 21st Night of December” playing over store speakers.

Life Updates & Media

• End-of-year malaise, work overload, and winter dread.
• Apple Music Replay breakdowns:
  • Peter: another year, another Slow Forever domination.
  • Eden: a deeply chaotic top-albums list featuring Rebecca Black, Japanese jazz fusion, KPM library music, and Tron: Legacy.
• Taskmaster binges continue.
• Peter’s current reading includes Three-Body Problem and the 900-page Gödel, Escher, Bach.
• Eden is deep into Where Winds Meet (“What if Assassin’s Creed but Wuxia and optionally an MMO?”), and fully living in Jianghu.
• Manga corner: Kaiju Girl Caramelise is adorable and unhinged in equal measure.

🎖️

The Great Fast-Food Tier List

Certified THE BEST

• Domino’s – the undisputed king of delivery pizza.
• Five Guys – elite burgers, elite fries, elite price tag.
• Portillo’s – Italian beef nirvana.
• Schlotzky’s – elevated to divinity thanks to Peter and Alyssa’s first date.
• Taco Bell – delicious, shameful, transcendent.
• Waffle House – an American institution and FEMA-indexed miracle.

Strong Contenders (B-Tier)

• Dairy Queen – chicken strip baskets, Texas toast, and blizzards: a holy trinity.
• Long John Silver’s – Eden’s forbidden love.
• McDonald’s – the fries that define civilization.
• Panda Express – orange chicken supremacy.
• Skyline Chili – Eden-approved, Cassie-reviled.
• Wendy’s – consistently solid.
• White Castle – cheesy sliders hit just right.

Perfectly Fine (C-Tier)

Places we’d go to with zero enthusiasm and zero complaint:

A&W, Bojangles, Burger King, Carl’s Jr./Hardee’s, Firehouse Subs, Jersey Mike’s, Jimmy John’s (fast only), KFC, Little Caesars, Noodles & Co., Panera, Quiznos, Whataburger, Wienerschnitzel.

Ehhh (D-Tier)

Arby’s wet paper towel meat, Culver’s overrated custard, Del Taco’s value plays, Denny’s at 2am, Papa John’s overpriced cardboard, Pizza Hut nostalgia only, Popeye’s here-but-not-here, Qdoba mid-Mex, Sbarro mall sadness, Sonic for drinks only.

Absolutely Not (F-Tier)

• Chick-fil-A (for reasons both ethical and culinary)
• Chipotle (poop-from-a-butt energy)
• In-N-Out (the most overrated chain in America; fries taste like unwashed ass)
• IHOP (international house of poop)
• Stake & Shake (weird political tallow energy)
• Subway (fell from grace when they stopped cutting the V in the bread)
• Wingstop (wings overrated; nuggets forever)

Closing Thoughts

• We discover we are not fast-food people…except for when we are.