This week on The Middle of Culture, we close out our dive into Transformers with Transformers One, last year’s animated prequel that tells the origin story of Optimus and Megatron. We rave about how shockingly good it is—beautiful animation, heartfelt storytelling, and voice performances that actually make you care about robots punching each other. Along the way, we talk about Sanderson’s declining prose, the “YA-ification” of modern fiction, the decline of mass-market paperbacks, and why we’ll always have a soft spot for dumb robot movies done well.

Episode Notes

Opening Banter

• Peter returns from travel (Boise and Napa), happy to be home.
• Eden vents about a rough week and hostile engineers during digital accessibility training, complete with an on-campus shooting alert mid-meeting.
• Peter describes an incredible dinner at Bistro Jeanty in Napa (truffle deviled eggs, beef bourguignon, and chocolate croissant bread pudding).

Books & Reading

• Peter finishes Murder Your Employer by Rupert Holmes (yes, the “Piña Colada Song” guy)—a darkly funny and satisfying story about the McMaster’s School of Homicide.
• Reads Artificial Condition, the second Murderbot novella, and starts Write Your Novel from the Middle.
• Discussion on how story structure midpoints define theme and cohesion.
• Critique of Brandon Sanderson’s Wind and Truth: great worldbuilding, but noticeably weaker prose since losing his longtime editor.
• Eden speculates that the issue might extend to the whole fantasy industry—less editing, more aesthetic consumerism, and the death of the mass-market paperback.
• Broader talk on the “dumbing down” of fiction and the rise of YA and “New Adult” markets catering to comfort rather than challenge.

Music & Games Corner

• Peter dives into rediscovering Psychotic Waltz, Psychonaut, and Oramet—bands that balance progressive creativity with restraint.
• New release highlight: PowerWash Simulator 2.
• Eden tests two disappointing gacha games (Duet Night Abyss and Resonance Solstice) and finally uninstalls all HoyoVerse titles.
• Back to Final Fantasy XIV, excited about the new patch allowing full cross-class glamours.

Main Feature – Transformers One (2024)

• Both agree: it’s the best Transformers movie ever made—heartfelt, gorgeously animated, and genuinely emotional.
• Plot rundown: Orion Pax (Optimus) and D16 (Megatron) rise from the oppressed underclass of “Cogless” robots, uncover Sentinel Prime’s corruption, and witness the birth of Autobot vs. Decepticon ideology.
• Core theme: friendship, betrayal, and revolution—the tragedy of two friends who believe in justice but choose different paths.
• Voice acting highlights:
  • Brian Tyree Henry’s nuanced Megatron is phenomenal.
  • John Hamm nails the duplicitous Sentinel Prime.
  • Scarlett Johansson and Chris Hemsworth have real chemistry, even if Hemsworth is the weakest link.
  • Laurence Fishburne brings gravitas as Alpha Trion.
  • Keegan-Michael Key’s Bumblebee is purposefully annoying but fits the tone.
• Praise for the movie’s subtle callbacks to the 1986 film (“You don’t have the touch or the power”), strong emotional beats, and sense of earned tragedy.
• Both lament how poorly it performed at the box office—“we are part of the problem”—and hope it gets a sequel.
• Brief detour comparing the animated film’s depth to the shallow chaos of the Michael Bay series.

Closing Thoughts

• Transformers One feels like the first time the franchise truly understood its own heart.
• Recommendation: watch it—it’s smart, emotional, and fun as hell.

In this week’s Middle of Culture, we dive deep into our usual blend of media obsession and existential humor — from the strange delights of villainess light novels and the chaos of gacha games to Tron Ares, which Eden declares “not a good movie… but maybe the best Tron movie.” Peter shares his thoughts on new music from Conjurer and Author & Punisher, reviews Wind and Truth with mixed feelings, and outlines a possible new nonfiction project exploring the moral dehumanization of healthcare. We close by revisiting the bizarre early UK Transformers comics — where Optimus is kind of a jerk, Starscream becomes the original “catty traitor,” and Brawn looks like he escaped a Dollar Tree toy aisle.

Episode Notes:

Opening Banter:

• Eden introduces herself as “so eeppy,” prompting Peter to admit defeat against internet slang.
• The two reflect on “functional depression,” aging, and surviving the current “hellscape.

Eden’s Media Fixation:

• Revisits I’m in Love with the Villainess and praises it as one of the best isekai series ever.
• Explains Prison Life is Easy for a Villainess, a meta comedy about a villainess treating dungeon time as a spa retreat.
• Attends a PowerPoint Party and presents “Villainess as Protagonist: A Meta-Analysis of Current Media Trends.”

Gacha Game Roundup:

• Stella Sora: “What if Hades was slower and shittier?” Deleted after 45 minutes.
• Chaos Zero Nightmare: Required two launchers — instant nope.
• Duet Night Abyss: Promising Warframe-style action without predatory gacha.

Tron Ares Review:

• Eden: “Not a good movie… but maybe the best Tron movie.”
• Praises its Nine Inch Nails soundtrack and stunning action; mocks Jared Leto’s acting.
• Peter admits he’d watch all three Tron films once they’re streaming.

Peter’s Media Corner:

• Music: Revisits Testament’s Parabellum, discovers Author & Punisher, and praises Conjurer’s Unself.
• Reading: Finishes Wind and Truth, critiques Sanderson’s editing, starts Murder Your Employer by Rupert Holmes, and begins Work Won’t Love You Back by Sarah Jaffe.
• Discusses a new nonfiction concept: “Connecting to Purpose: The Moral Dehumanization of Healthcare in America.”

Ideological Detour:

• Eden: “If you’re not the owner, you’re being exploited.”
• Peter admits he’s “becoming radicalized.”

Transformers (UK Comics):

• Recap of the lost “Man of Iron” episode and this week’s The Enemy Within.
• Discovery: This is possibly where “catty, traitorous Starscream” was born.
• Braun’s design roasted as “the Dollar Tree Transformer.”
• Optimus Prime called “a dick” for sending Brawn and Starscream into gladiator combat.
• Praise for Ravage and nostalgia for our childhood toys.

Closing:

• Eden confesses to spending $100 on the new Missing Link R.C. figure — “worth every penny.”
• Episode ends with a reminder to subscribe, share, and leave a review.

This week, we dive headfirst into emotional ruin — courtesy of Look Back, the devastatingly beautiful anime film by Chainsaw Man creator Tatsuki Fujimoto. Before we get our hearts ripped out, we unpack a flood of new music releases — including Testament’s Para Bellum and Fayle's haunting Heretics and Lullabies — rail against Microsoft’s Game Pass price hike, and talk streaming fatigue and piracy. Peter also shares his new plan to train like a writer-athlete with a three-month learning sprint, while Eden reviews Nine Inch Nails’ Tron: Ares soundtrack, gushes about Apothecary Diaries, and explains why a Regency “choose your own adventure” romance might be the most fun book they’ve read all month. It all ends with tears, cello music, and a haunting meditation on why we create art in the first place.

📝 Episode Notes

Intro

• The “lost” episode vanished into the ether — maybe because it was too powerful for the far right to handle.
• Both hosts are feeling post-busy-season burnout and existential malaise.

Music Corner

• 🚨 Rush Reunion Tour: With Neil Peart’s family’s blessing, Rush returns with drummer Anika Nilles.
  • Eden: “Neil was never the fastest.”
  • Peter: Debates whether to travel for the tour or keep his memories intact.
• 🎻 Raphael Weinroth-Browne – Lifeblood: Beautiful, emotive cello-driven prog from the Leprous collaborator.
• ⚡️ Testament – Parabellum: Experimental thrash with black, death, and groove elements.
• 🕯 Frayle – Heretics and Lullabies: October-perfect doom — haunting vocals and atmosphere. Peter’s album of the month.

Gaming & Streaming Rant

• Microsoft’s Game Pass price jump to $30/month = cancellation time.
• Broader discussion: streaming bloat, rising costs, and the rise of “ethical piracy.”
• Quote of the section: “You wouldn’t scrape all the art ever made to create an anime titty generator.”

Writing & Learning Sprint

• Peter’s “Three-Month Learning Sprint” inspired by Dave Perell’s athlete model of skill-building.
• October–December: studying the craft of novel writing before starting Book #4 in January.
• Reading Save the Cat! Writes a Novel (Jessica Brody) and joining Writing Mastery Academy.
• Reflections on learning structure, story beats, and wanting to finally write a novel he’d let others read.
• Eden debates joining NaNoWriMo again… maybe.

Eden’s Media & Reading Corner

• 🎬 Tron: Ares (2024): “No one’s seeing it — and for good reason.”
  • Weak Nine Inch Nails soundtrack, but still better than most.
• 📚 Apothecary Diaries — finished all 15 volumes.
• 🐀 Though I Am an Inept Villainess — courtly fantasy with body-swap hijinks and fried potatoes.
• ❤️ My Lady’s Choosing — a hilarious, Regency-era, choose-your-own-romance adventure.
• 🕹 Doll’s Nest — “What if Armored Core, Dark Souls, and Frame Arms Girls had a baby?”

Main Event — Look Back

• 58-minute emotional gut punch about art, friendship, and loss.
• Recap: child prodigies Fujino and Kyomoto become artistic partners, drift apart, tragedy strikes, and grief reignites creation.
• Themes: rivalry, purpose, creative identity, and the way art bridges life and death.
• Peter: “The moment that cello started playing, I knew this was going to fuck me up.”
• Discussion on Fujimoto’s tone shifts, showing vs. telling, and the balance of subtlety and brutality.
• Shared conclusion: gorgeous, devastating, and they’ll never watch it again.

Wrap-Up

• Look Back is available on Amazon Prime.
• Next episode in a couple of weeks.
• Sign-off reminder: leave a review and email feedback@themiddleofculture.com