The Meteor Man (1993) | The First Black Superhero Blockbuster That Hollywood Forgot

The Machine rockets Truman and Landen straight into 1993, drops a glowing meteor at their feet, and tells them to figure out how one of the decade’s most ambitious superhero comedies vanished from cultural memory. Along the way, they wade through neon-lit street gangs, sky-high optimism, and the strangely earnest worldbuilding of a film that tried to save the world with community organizing and superpowers.

The Meteor Man is a family-friendly superhero comedy starring Jefferson Reed (Robert Townsend, Hollywood Shuffle), Michael (Eddie Griffin, Undercover Brother), and Simon (Roy Fegan, The Five Heartbeats). Directed by Townsend, the film follows a mild-mannered teacher who gains extraordinary powers after being struck by a mysterious green meteor. As he becomes an unlikely guardian of his D.C. neighborhood, the story blends early-’90s social commentary with the era’s emerging interest in big-screen superheroes, buoyed by an ensemble of comedians, musicians, and cameos that could only exist in 1993.

Why This Film?

The Meteor Man is a rare example of a filmmaker independently mounting a Black superhero blockbuster decades before Hollywood was ready to take the genre seriously. Ambitious, well-intentioned, and tonally all over the map, it’s the kind of pop-culture swing the Movie Memory Machine lives for—an artifact that shows what the superhero genre might have become if the ’90s had listened.

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The Meteor Man, The Meteor Man 1993, Robert Townsend, Eddie Griffin, Roy Fegan, James Earl Jones, Bill Cosby, Robert Townsend director, superhero comedy, early 90s movies, Black superheroes, Hollywood Shuffle, family superhero films, cult movies, forgotten films, Movie Memory Machine, movie podcast, film discussion, cinematic history, superhero movie analysis, 1990s cinema, community superhero stories