How do books get reviewed in the Journal of American History? What criteria do editors use when selecting books for review? How are reviewers assigned, and how can you become one yourself? What constitutes a good book review according to our editors?

In this episode of the Journal of American History Podcast, Marina Mecham speaks with Assistant Editor Amy Ransford and Editorial Assistant Kasha Appleton to provide an inside look at the journal's book review process. If you've ever considered submitting a book for review or writing a review for the Journal but aren't sure about the next steps, this episode is for you!

Still have questions after listening to our Inside the JAH series? Email us at jahcast@oah.org. We plan to create another episode dedicated to answering your additional questions.

If you're interested in becoming a reviewer for the journal, please submit a reviewer data sheet linked here: https://www.oah.org/publications/jah/reviewer-data-sheet/

Music: King Oliver’s Creole Jazz Band’s Mabel’s Dream, 1923

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Editor's note: The person Jessica refers to as "H.M." in the episode is "M.W." in the article.

Read the article here: https://doi.org/10.1093/jahist/jaae267

Music: King Oliver's Creole Jazz Band's Mabel's Dream, 1923

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In this episode of the Journal of American History Podcast, Andrew Cooper speaks with Natasha Zaretsky about her article, "The War on Fatigue: Women, Work, and Energy in the 1980s," which appeared in the December 2024 issue of the Journal of American History. Natasha shows how, during the 1980s, the United States transitioned to a dual-earner economy in which most mothers of young children worked for wages outside the home. Faced with the challenge of balancing wage labor and family responsibilities, working mothers were told that they needed to conserve, manage, and invest their physical and psychic energies wisely. Throughout the decade, employers, advertisers, physicians, psychologists, and fitness and diet gurus waged war on women’s fatigue. Natasha examines this campaign and explains how it updated American ideals of self-improvement and repurposed them to portray individual energy management as the solution to the challenges posed by working motherhood in 1980s America. In this episode, Andrew and Natasha discuss energy, gender, race, and the broader social implications of energy and feminism in the 1980s United States.

Read the article here: https://doi.org/10.1093/jahist/jaae183

Music: King Oliver's Creole Jazz Band's Mabel's Dream, 1923

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