The John Henry Soto Show Podcast Por John Henry Soto arte de portada

The John Henry Soto Show

The John Henry Soto Show

De: John Henry Soto
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 "The John Henry Soto Show" brings together two Puerto Ricans from the Bronx—John Henry Soto, a filmmaker, musician, and digital marketing expert, and George Batista, a musician and wellness expert. With humor at the heart of every episode, they ask the tough questions while exploring the worlds of creativity, wellness, and entrepreneurship. Their candid conversations offer insight, motivation, and inspiration for anyone seeking success, with a touch of Bronx flavor and wit. Tune in for stories that challenge, uplift, and entertain!

https://www.johnhenrysotoshow.comCopyright John Henry Soto Show Arte Hygiene & Healthy Living Música
Episodios
  • Film Pitches Suck But You Need One

    Film Pitches Suck But You Need One
    May 12 2025
    Would you like to build a pitch deck or one-sheet around your next idea?You said:
    Mention my film too
    ChatGPT said:
    Pitching a film is about telling a compelling story—quickly, clearly, and with purpose. It starts with identifying the emotional core of your project and leading with that. When I pitch, I always start with the hook—one line that captures attention—and then I build out just enough to paint the world and tone without losing momentum. With my film And On That Day, I leaned into the emotional weight of the story: a man haunted by a single moment that changed everything. That premise immediately told people it was a character-driven drama with emotional stakes—and that helped me lock in interest before diving deeper.Understanding who you're pitching to is just as important as understanding your own story. A producer who’s all about return on investment might need to hear about audience potential and comparable films, while a festival programmer wants to know how your film will move people. When I’ve pitched And On That Day, I’ve adapted the approach—sometimes highlighting its intimate style and awards potential, and other times emphasizing its stripped-down, gritty production value that makes it both powerful and budget-friendly. Having visual references like a mood board or a short teaser can also bring the story to life in ways words can’t.Lastly, I treat every pitch like a two-way conversation. The goal isn’t just to get someone to say “yes”—it’s to spark interest and create momentum. I listen, adjust, and respond honestly. During early pitches for And On That Day, I learned a lot just by letting people ask questions and seeing where they connected emotionally. That feedback helped me sharpen the way I talk about the film and even tweak the narrative slightly. When your passion is real and you’ve done the work, people can feel it—and that’s when a pitch really lands.Want to develop a solid pitch deck or a one-liner for your next project together?
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    26 m
  • Directing! Why Would Anyone Want To Do This!_

    Directing! Why Would Anyone Want To Do This!_
    May 10 2025
    Directing a film, for me, is about choosing the lens—literally and metaphorically—through which my story will be told. Sometimes I step into the role of a visionary, focusing on visual composition and mood. Other times, I’m deep in the trenches with the actors, working to unlock raw, authentic performances. With And On That Day, I found myself blending multiple approaches. There was a minimalist stillness in the park bench scene that allowed the emotion to breathe, and yet I also relied on structure and pacing to slowly reveal the story. I didn’t always plan for these angles—they emerged naturally—but looking back, I see how each one contributed to the final experience. I’ve learned that no single directing style is sacred. Flexibility is key. One moment I’m orchestrating a delicate emotional beat, the next I’m adapting to a lighting change or a location issue like a guerrilla filmmaker. That’s the beauty of directing—reading the energy on set and adjusting in real time. What made And On That Day special was how all these angles worked together to serve the story. Now, moving forward, I want to be more intentional with my choices—knowing when to trust instinct, when to lean into structure, and when to just let a scene breathe. 🎬 Three Things I’m Doing to Become a Better Filmmaker: 1. Watching films like a director, not just a fan. I analyze how scenes are shot, lit, blocked, and edited, and I think about how I would’ve approached them. 2. Rehearsing with actors more deeply. I’m spending more time exploring characters with the cast so that their performances feel lived-in from day one. 3. Shooting short scenes regularly. Even without a full production, I’m keeping myself sharp by filming quick scenes—testing new techniques, trying different styles, and learning from every frame.
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    27 m
  • Hey Actors!!! You're Responsible Too!!

    Hey Actors!!! You're Responsible Too!!
    May 8 2025
    An actor's responsibilities on set go far beyond just delivering lines. Professionalism is key—actors are expected to show up on time, be prepared with their lines memorized, and understand their character’s motivations and relationships within the story. This preparation helps maintain the production schedule and shows respect for the cast and crew’s time. Being mentally and emotionally present during takes is also critical, as it allows for the best performances and keeps the creative energy flowing smoothly.
    Collaboration is another major responsibility. Filmmaking is a team effort, and actors must be willing to listen to the director’s guidance, adjust their performances as needed, and interact respectfully with fellow actors and crew members. Creating a positive working environment helps everyone stay focused and boosts morale. Actors should also be mindful of continuity and blocking, which are crucial for the visual and narrative consistency of a scene. Here are three key "what to do's" for actors on set: 1. Be prepared – Know your lines, understand your character, and come to set ready to work. 2. Respect the process – Be punctual, follow direction, and maintain a positive, cooperative attitude. 3. Stay present and aware – Pay attention to your surroundings, including camera positioning, lighting cues, and scene continuity to avoid costly reshoots.
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    25 m
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