The latest novel by British author Emma Forrest, Father Figure, is arguably the greatest work of Jewish literature in decades—at least, that's according to The CJN's opinion editor, Phoebe Maltz Bovy, who gave a glowing review to the new release on Sept. 29.

But across the pond, the book has received a muted reaction. It hasn't been spotlit in any British book fairs; it's been largely ignored by domestic literary awards; professional friends who've helped promote, and even written forwards for, her past works have largely ignored this one.

What makes this latest book different? It is unmistakably, idiosyncratically Jewish. Combine that with the growing antisemitism that's erupted in the United Kingdom since Oct. 7—which culminated in a lethal terror attack in Manchester on Yom Kippur—and it's hard for Forrest not to think her apolitical work of fiction has suffered from her personal cultural identity and a broader political climate.

Forrest joins Maltz Bovy on the latest episode of The Jewish Angle to discuss her novel, along with its deep inception and quiet reception. Forrest describes the real-life inspirations behind her boarding school setting, including her own encounters with Harvey Weinstein how they influenced her characters, before discussing the recent tragedy in Manchester and how her country's small Jewish community is reacting.

Credits

• Host: Phoebe Maltz Bovy
• Producer and editor: Michael Fraiman
• Music: "Gypsy Waltz" by Frank Freeman, licensed from the Independent Music Licensing Collective

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Canadian patriotism has surged since U.S. President Donald Trump took office and waged a trade war with his country's northern neighbour. But while this flavour of patriotism has largely manifested in opposition to the United States ("Elbows up," etc.), one Jewish social psychologist, neuroscientist and writer wonders if Canadians could change that perspective. What if, instead of defining itself as "not America", Canadian patriotism celebrated its culture and achievements on their own merits?

That's the thesis from Montreal-born Michael Inzlicht, who now teaches in the psychology department at the University of Toronto. Earlier this year, he wrote a post on his Substack, "How Quebec Taught Me to Love Canada", outlining how Canadian pride has, in a few short months, seemingly caught up to what Quebec has been doing for decades.

To discuss this shift—especially from a Jewish perspective—Inzlicht joins his neighbour in Toronto's Roncesvalles Village, Phoebe Maltz Bovy, for a discussion about the shift in politics and perception, from their own neighbourhood to the international border.

Credits

• Host: Phoebe Maltz Bovy
• Producer and editor: Michael Fraiman
• Music: "Gypsy Waltz" by Frank Freeman, licensed from the Independent Music Licensing Collective

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You may have new year's resolutions. But do you have Jewish new year's resolutions? Erin Beser, a Jewish educator and rebbetzin, does one each year with her family—sometimes just for the year, sometimes forever.

First they gave up meat. Then they gave up screens. This year? Shopping—no more impulse buys, extra clothes or excessive gifts. In 5786, they're only buying what they need.

Beser drew attention to this cause by outlining her plan in a recent JTA article, in which she outlined the steps, logic and limits of paring down her family purchases. ("I’m not canceling Hanukkah," she writes, "because I am not a monster.") She hopes to guide her family toward community connection, self-reflection and appreciation for what one has, while learning about the role of Jewish women in the evolution of 20th-century capitalism. She joins Phoebe Maltz Bovy on The Jewish Angle to explain more.

Credits

• Host: Phoebe Maltz Bovy
• Producer and editor: Michael Fraiman
• Music: "Gypsy Waltz" by Frank Freeman, licensed from the Independent Music Licensing Collective

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What's the line between a personal essay and a hot take? Takes are written quickly, maybe flippantly, to latch onto a news hook. But essays are longer, more thoughtful and nearly impossible to write once a week.

Meghan Daum has done both. And her latest book, The Catastrophe Hour, compiles a selection of her essays from 2016-2023, touching on cultural issues and providing insight into her approach to essay writing, which eschews both moral authority and excessive self-deprecation.

Daum, who is not herself Jewish (but gets a title of "honourary Jew"), joins Phoebe Maltz Bovy for a discussion on opinion-writing, cultural representation and cancel culture and the value of being an "outlier" in today's cultural landscape.

Credits

• Host: Phoebe Maltz Bovy
• Producer and editor: Michael Fraiman
• Music: "Gypsy Waltz" by Frank Freeman, licensed from the Independent Music Licensing Collective

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There has been a vibe shift in Hollywood over the last couple years. Conventionally attractive white people having sex have come back in favour (see: HBO's White Lotus and Netflix's The Hunting Wives); Caucasian celebrities are embracing their genetics (Sydney Sweeney's genes); and studios continue capitalizing on 1990s nostalgia, bringing back classics like Basic Instinct and Sex and the City.

It all comes at the expense of diversity, equity and inclusion (DEI) initiatives of the last decade, especially in film and television, which have staunchly embraced minority groups' stories. Many Disney/Pixar, Marvel, Netflix, HBO and Amazon projects have since platformed Black, Indigenous and Asian heroes. (Jews were early beneficiaries of this trend, but that fizzled out in the 2020s.)

Now, in keeping with the political return of Donald Trump, studios are swinging back in the opposite direction, focusing on white-centric stories. Creators like Mike White and the South Park team are openly rejecting "wokeism". And Jewish stories—never fully a minority group, neither fully white—are, as usual, caught in the middle.

Sharon Waxman, the founder and CEO of TheWrap, recently wrote about the broader trend for the New York Times, and joins Phoebe on The Jewish Angle to discuss her piece and the ongoing changes happening in pop culture and politics.

Credits

• Host: Phoebe Maltz Bovy
• Producer and editor: Michael Fraiman
• Music: "Gypsy Waltz" by Frank Freeman, licensed from the Independent Music Licensing Collective

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In medieval and early modern Europe, the Christian ruling class enjoyed the banking services of what were known as "court Jews"—Jewish people acting as financiers in exchange for temporary protection, even while other Jews faced scrutiny and persecution. This protection, however, was never secured; if fortunes changed, they could easily become political and societal scapegoats.

This analogy proves useful for viewing how modern-day Republicans view the Jewish public, according to Joel Swanson, a scholar of modern Jewish intellectual history at Sarah Lawrence College in Yonkers, NY. In Swanson's view, while President Donald Trump's administration is cracking down on diversity and inclusion initiatives across the country, Jewish Americans are receiving special protection and treatment—but how long until the tide changes? He touches on this and more in his latest article on Slate, "What Are We Allowed to Say? How Trump’s Department of Education has made it harder for me to teach Jewish Studies".

On this week's episode of The Jewish Angle, Swanson joins Phoebe Maltz Bovy to get nerdy about European Jewish history and reflect on the lessons we can learn about Jews' modern-day place in North American society.

Credits

• Host: Phoebe Maltz Bovy
• Producer and editor: Michael Fraiman
• Music: "Gypsy Waltz" by Frank Freeman, licensed from the Independent Music Licensing Collective

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The host of this show, Phoebe Maltz Bovy, likes to wear floral dresses. So does her guest, author Joanna Rakoff. But while these two women are fans of floral fashions, they are not MAGA supporters or "momfluencers"—a note that must be clarified for anyone following the political battleground that has erupted around this fashion trend.

In this episode of The Jewish Angle, we unpack the cultural tapestry of floral dresses, weaving together threads of personal experience, fashion history and political implications, from Laura Ashley's pastoral prints to Batsheva Hay's modern reinterpretations. As floral patterns become entangled with right-wing aesthetics and "tradwife" culture, Bovy and Rakoff navigate the shifting landscape where fashion choices carry unexpected political weight.

Credits

• Host: Phoebe Maltz Bovy
• Producer and editor: Michael Fraiman
• Music: "Gypsy Waltz" by Frank Freeman, licensed from the Independent Music Licensing Collective

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To our knowledge, neither the now-former CEO of tech company Astronomer, nor the company's now-former head of HR, are Jewish. The secretive couple—who were having an affair that was famously caught by a videographer behind the Jumbotron of a Coldplay concert—instantly became a viral sensation, sparking waves of ridicule and resulting in their departure from the company.

But The Jewish Angle podcast host Phoebe Maltz Bovy had to ask: is it lashon hara to speak of these people behind their backs? So she asked The CJN's resident rabbi, Avi Finegold, to shed light on the situation. It's not quite lashon hara if the secret has been put out in the open by a Jumbotron, but that doesn't quash the ick factor from giddily discussing people's personal lives on social media. Plus: why wasn't this seen as a #MeToo echo, given the power imbalance between the CEO and lower-level female employee?

Credits

• Host: Phoebe Maltz Bovy
• Producer and editor: Michael Fraiman
• Music: "Gypsy Waltz" by Frank Freeman, licensed from the Independent Music Licensing Collective

Support our show

• Subscribe to The CJN newsletter
• Donate to The CJN (+ get a charitable tax receipt)
• Subscribe to The Jewish Angle